DISGRACED and VIOLET heat up the winter with power and grace as the Huntington Theatre Company and SpeakEasy Stage enter the second half of their 2015-2016 seasons with winners.
From January 9 to February 6, 2016, SpeakEasy Stage Company will proudly present the New England Premiere of the recent Broadway version of the acclaimed musical VIOLET.
Showtunes Theatre Company presented their first concert production in their new home at Seattle's Moore Theatre with the seldom produced, "Follies" from Stephen Sondheim. But then, that's what Showtunes does and does well. Take musical theater gems that for one reason or another don't see as much action as they should, and put on wonderful staged concerts of them. And their outing with "Follies" was no exception.
Showtunes Theatre Company, in partnership with Broadway Across America-Seattle and Seattle Theatre Group, is proud to announce its first concert production at their new home of The Moore Theatre - the legendary Sondheim/Goldman musical, Follies.
Showtunes Theatre Company, in partnership with Broadway Across America-Seattle and Seattle Theatre Group, is proud to announce its first concert production at their new home of The Moore Theatre - the legendary Sondheim/Goldman musical, Follies.
Showtunes Theatre Company, in partnership with Broadway Across America-Seattle and Seattle Theatre Group, is proud to announce its first concert production at their new home of The Moore Theatre - the legendary Sondheim/Goldman musical, Follies.
Whether you like your theatrical holiday fare to wax nostalgic or break with traditional sentiment, you're bound to find something in the Boston area to brighten your days now that the Winter Solstice is upon us.
The National Alliance for Musical Theatre (NAMT) and Executive Director Kathy Evans announced the casts and directors of the eight musicals for its 19th Annual Festival of New Musicals to be held at New World Stages (340 West 50th St between 8th and 9th Avenues) on Sunday, October 7 and Monday, October 8, 2007.
SpeakEasy Stage production of Kushner and Tesori's ambitious musical treatise of race, class and politics in the early 1960s is less than revolutionary