Yank!, which played the York Theatre Off Broadway in the 2009-2010 season and previously announced a Broadway transfer for 2010-11, has now set its sights on a 2012-13 debut.
The Pasadena Playhouse (Sheldon Epps, Artistic Director and Stephen Eich, Executive Director) announced today that BLUES FOR AN ALABAMA SKY, by Pearl Cleage, is set as the second production of the 2011 - 2012 season. Pasadena Playhouse Artistic Director Sheldon Epps is also confirmed to direct the production. BLUES FOR AN ALABAMA SKY will replace the engagement of Pastoral which was to have starred Angela Bassett this fall. Performances begin November 1, 2011 and the production will play through November 27, 2011 at The Pasadena Playhouse (39 S. El Molino).
Broadway veterans Brandi Burkhardt and Robert Torti are set to lead the upcoming Pasadena Playhouse reading of SLEEPLESS IN SEATTLE. The duo joins previously announced Marissa Jaret Winokur, who will play Becky in the project.
The Pasadena Playhouse (Sheldon Epps, Artistic Director and Stephen Eich, Executive Director) announced today that BLUES FOR AN ALABAMA SKY, by Pearl Cleage, is set as the second production of the 2011 - 2012 season. Pasadena Playhouse Artistic Director Sheldon Epps is also confirmed to direct the production. BLUES FOR AN ALABAMA SKY will replace the engagement of Pastoral which was to have starred Angela Bassett this fall. Performances begin November 1, 2011 and the production will play through November 27, 2011 at The Pasadena Playhouse (39 S. El Molino).
If Mike Nichols and Elaine May ever had a routine about two theatre geeks discussing their favorite unsuccessful musicals, it probably would have resembled the kind of banter that goes on between Jennifer Tepper and Kevin Michael Murphy as creators/producers/hosts of the concert series, If It Only Even Runs A Minute. Monday night's edition, their seventh, was my third visit to their collection of one-nighters where musical theatre well-knowns and not so well-knowns join music director/pianist Caleb Hoyer to sing selections from underappreciated and/or forgotten musicals between quick histories of each production by Tepper and Murphy. Frequently, original cast members will be on hand to give first-person accounts of the bumpy roads to opening night.
The Pasadena Playhouse (Sheldon Epps, Artistic Director and Stephen Eich, Executive Director), in association with David Shor, announced today that the world premiere of SLEEPLESS IN SEATTLE - THE MUSICAL is set to complete the previously announced 2011 - 2012 season.
The Pasadena Playhouse (Sheldon Epps, Artistic Director and Stephen Eich, Executive Director), in association with David Shor, announced today that the world premiere of SLEEPLESS IN SEATTLE - THE MUSICAL is set to complete the previously announced 2011 - 2012 season. Performances begin June 12, 2012 and the production will play through July 15, 2012 at The Pasadena Playhouse (39 S. El Molino).
The Drama Desk Award-winning singer-songwriter Michael Garin and the singer-comedienne Mardie Millit, continue to toss and turn as their well-received cabaret two-hander, "Sleepless in September," resumes its run of Tuesdays at the Metropolitan Room on January 4.
The Drama Desk Award-winning singer-songwriter Michael Garin and the singer-comedienne Mardie Millit, continue to toss and turn as their well-received cabaret two-hander, "Sleepless in September," resumes its run of Tuesdays at the Metropolitan Room on January 4.
The Drama Desk Award-winning singer-songwriter Michael Garin and the singer-comedienne Mardie Millit, reprise their well-received cabaret two-hander, "Sleepless in September," for six assorted Tuesdays at the Metropolitan Room, beginning November 23.
The Drama Desk Award-winning singer-songwriter Michael Garin and the singer-comedienne Mardie Millit, reprise their well-received cabaret two-hander, "Sleepless in September," for six assorted Tuesdays at the Metropolitan Room, beginning November 23.
This past Friday afternoon I read that this person has been meeting with producers to consider the possibility of appearing on Broadway, in order to, 'expand her brand by taking to the stage.' That evening I heard the 82-year-old Marilyn Maye, after nearly ninety minutes of superlative interpretations of musical theatre classics from the likes of Jerry Herman, Frank Loesser and Kander and Ebb, tell her completely enthralled audience that it's still her ambition to one day be on Broadway, before emoting a beautifully vulnerable 'Losing My Mind' that segued into a classy and celebratory 'I'm Still Here' that brought just about the entire packed Metropolitan Room house to its feet in one of the most adoring ovations I've ever seen.