Essential Self-Defense: My Funny Valentine
by Michael Dale
- Mar 30, 2007
Adam Rapp's absurdist quirkfest has its flaws, but Paul Sparks and Heather Goldenhersh are hilarious as would-be lovers in a dangerous world.
Some Men: Love, American Style
by Michael Dale
- Mar 27, 2007
Terrance McNally's new play argues in favor of gay marriage rights through simple romanticism and good-natured humor.
Marilyn Maye: Sublimely Sophisticated
by Michael Dale
- Mar 25, 2007
At 70-something years of age, Marilyn Maye's pipes are still golden and her engagement at The Metropolitan Room is about the closest you'll get to an evening composed entirely of showstoppers.
Ernest In Love: A Wilde Affair
by Michael Dale
- Mar 25, 2007
Musicals Tonight!'s reading of Lee Pockriss and Anne Croswell's musical version of Oscar Wilde's classic is fun and entertaining.
Prometheus Bound: Chained Heat
by Michael Dale
- Mar 24, 2007
British actor David Oyelowo is gritty and majestic in a production that never matches his performance.
The Pirates Of Penzance... In Yiddish!
by Michael Dale
- Mar 23, 2007
In Al Grand's zesty and fun Yiddish translation of Gilbert and Sullivan's classic, young Frederick is a former Yeshiva student and the Major General is an Orthodox Jew who bakes fine honey cakes and is a friend of Benjamin Disraeli.
Tall Grass: Splendor In The Audience
by Michael Dale
- Mar 20, 2007
Brian Harris' innocuous trio of one-act comedies isn't nearly as entertaining as the attractive young couple sitting directly in front of me who were fondling, tickling, massaging, kissing and snuggling each other throughout the play.
Prelude To A Kiss: Till Death Do Us Part
by Michael Dale
- Mar 19, 2007
Craig Lucas' deceptively light comic romantic fantasy can send you out of the theatre smiling, and then keep you awake at nights wondering.
King Hedley II: The Tragedie of...
by Michael Dale
- Mar 18, 2007
The final production in the Signature Theatre Company's outstanding August Wilson season is the 1980's entry of the author's cycle of ten plays depicting a decade-by-decade account of black experiences in the 20th Century.
The Pirates of Penzance: It's...
by Michael Dale
- Mar 14, 2007
Director Lillian Groag draws on Lewis Carroll and Monty Python in New York City Opera's new production of the Gilbert and Sullivan classic.
In The Heights: Interesting People On 181st Street
by Michael Dale
- Mar 13, 2007
Lin-Manual Miranda and Quiara Alegria Hudes's musical celebration of Washington Heights is easily one of the best musicals to open in New York this season, if not the best.
My Fair Lady: He's Listening
by Michael Dale
- Mar 8, 2007
Kelsey Grammer, Kelli O'Hara and Brian Dennehy join The New York Philharmonic for Lerner and Loewe's classic
Bill W. and Dr. Bob: Missteps
by Michael Dale
- Mar 7, 2007
Stephen Bergman and Janet Surrey's uninspired telling of the founders of Alcoholics Anonymous is done in by Rick Lombardo's misdirection
Romance, Romance: Taking Center Stage Again
by Michael Dale
- Mar 5, 2007
Newlyweds Matt and Jessica (nee Boevers) Bogart star in The Paper Mill's production of Keith Herrman and Barry Harman's sly-humored and tuneful double feature
Journey's End: Over There
by Michael Dale
- Mar 5, 2007
R.C. Sherriff's 1928 wartime drama is thoroughly gripping in director David Grindley's production.
Sealed For Freshness: Giving Bad Taste a Bad Name
by Michael Dale
- Feb 25, 2007
'I write plays for people who hate theatre,' says playwright Doug Stone. Well, if I had to spend my time watching plays of the embarrassingly low quality of his Tupperware comedy it wouldn't be long before I fit comfortably within his desired demographic.
Mary Rose: ...But From Where?
by Michael Dale
- Feb 23, 2007
Director Tina Landau adds her own twist to J.M. Barrie's story of a vanishing young miss
The Madras House: After A Fashion
by Michael Dale
- Feb 20, 2007
With its depictions of men controlling women's fashions, sexual politics and warnings of a rising economic force in the Middle East, Harley Granville-Barker's drama, getting a fine and stately production at The Mint Theatre, is one of those plays that inspires musty old sayings like 'It's as relevant today as it was back then.'
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