Theatre for a New Audience, in association with Baryshnikov Arts Center, presents the New York premiere of Yale Repertory Theatre's production of Notes from Underground, the revolutionary novella by Fyodor Dostoevsky. Notes from Underground is adapted for the stage by the OBIE Award-winning actor Bill Camp, and Robert Woodruff. It is directed by Mr. Woodruff and stars Mr. Camp as the Underground Man.
La Jolla Playhouse presents the Yale Repertory Theatre production of Dostoevsky's Notes from Underground, adapted by Robert Woodruff and Bill Camp, based on a translation by Richard Pevear and Larissa Volokhonsky, directed by Robert Woodruff, running in the Sheila and Hughes Potiker Theatre September 17 - October 17 (media night: Friday, Sept 24 at 8:00 pm).
La Jolla Playhouse presents the Yale Repertory Theatre production of Dostoevsky's Notes from Underground, adapted by Robert Woodruff and Bill Camp, based on a translation by Richard Pevear and Larissa Volokhonsky, directed by Robert Woodruff, running in the Sheila and Hughes Potiker Theatre September 17 - October 17 (media night: Friday, Sept 24 at 8:00 pm).
The American Repertory Theater (Diane Paulus, Artistic Director) continues its landmark season with its production of Clifford Odets's drama Paradise Lost, directed by Daniel Fish, beginning performances on Saturday, February 27 and scheduled to run through Saturday, March 20 at the Loeb Drama Center (64 Brattle Street, Cambridge, MA).
American Repertory Theater presents Clifford Odets's drama Paradise Lost
directed by Daniel Fish February 27 - March 20, 2010 at the Loeb Drama Center.
The American Repertory Theater (Diane Paulus, Artistic Director) continues its landmark season with its production of Clifford Odets's drama Paradise Lost, directed by Daniel Fish, beginning performances on Saturday, February 27 and scheduled to run through Saturday, March 20 at the Loeb Drama Center (64 Brattle Street, Cambridge, MA).
American Repertory Theater presents Clifford Odets's drama Paradise Lost directed by Daniel Fish February 27 - March 20, 2010 at the Loeb Drama Center.
American Repertory Theater presents Clifford Odets's drama Paradise Lost
directed by Daniel Fish February 27 - March 20, 2010 at the Loeb Drama Center.
American Repertory Theater presents Clifford Odets's drama Paradise Lost
directed by Daniel Fish February 27 - March 20, 2010 at the Loeb Drama Center.
On Sunday: Free reading of Robert Brustein's new play Mortal Terror by Robert Brustein, directed by Daniela Varon, featuring Stafford Clark-Price, John Kuntz, Tommy Derrah, Jeremy Geidt, Michael Hammond, Merritt Janson, Ian Kerch, and Wesley Savick
On Sunday: Free reading of Robert Brustein's new play Mortal Terror by Robert Brustein, directed by Daniela Varon, featuring Stafford Clark-Price, John Kuntz, Tommy Derrah, Jeremy Geidt, Michael Hammond, Merritt Janson, Ian Kerch, and Wesley Savick
YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents the world premiere of Fyodor Dostoevsky's NOTES FROM UNDERGROUND, adapted by Bill Camp and Robert Woodruff, based on a translation by Richard Pevear and Larissa Volokhonsky, March 20-April 11 at Yale Repertory Theatre (1120 Chapel Street, at York Street). Opening night is Thursday, March 26.
YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents the world premiere of Fyodor Dostoevsky's NOTES FROM UNDERGROUND, adapted by Bill Camp and Robert Woodruff, based on a translation by Richard Pevear and Larissa Volokhonsky, March 20-April 11 at Yale Repertory Theatre (1120 Chapel Street, at York Street). Opening night is Thursday, March 26.
Columbia Stages presents Bertolt Brecht's BAAL, translated by Peter Tegel and directed by James Dacre, running October 22nd - 25th, 2008, at The Riverside Theatre, located in the historic Riverside Church at 91 Claremont Avenue between 120th and 122nd Streets.
Stepping into the La Jolla Playhouse, it is easy to immediately be transported into an abstract world of delightfully foreign art, thanks to the staging of Pierre Marivaux's classic La Fausse Suivante, completely re-imagined as The Deception...
Power. Lust. Greed. Betrayal. Murder.
They key ingredients for any good drama are alive and well in Britannicus, Jean Racine's seventeenth century play of corruption and deception in the Julio-Claudian Dynasty...
Is it a play? A rock musical? A cabaret? A series of overlapping vignettes set to a Dresden Dolls score? A performance piece? I'm not quite sure what to call The Onion Cellar, but I do know that I absolutely loved every minute of it...