The cast features Jessica Wagner, M.X. Soto, Amie Bermowitz, Casey Hebbel, Ryan Hilliard, Tara Lynne Khaler, David Marmanillo, Benjamin Perez, Natalie Ramirez, Kelly Ross, April Woodall, Michael J. Borges, Cristina Farruggia, Glenn Giron, Cat Greenfield, Alex Krasser, Christiana Little, Christian Marriner, Jacob L. Smith, and Andreas Wyder.
Musicals Tonight! the Obie-winning company dedicated to the revival of neglected musicals kicks off its 16th NY season with Cole Porter'sMexican Hayride (October 8 - 20) directed by Thomas Sabella-Mills, with music direction by James Stenborg.
Musicals Tonight's 2012-2013 Season includes Fade Out - Fade In by Comden & Green and Jule Styne, Strike Up the Band George & Ira Gershwin, Same Time, Next Year - The Musical a Premiere and Leave It to Jane by Jerome Kern. See full details below.
Musicals Tonight's 2012-2013 Season includes Fade Out - Fade In by Comden & Green and Jule Styne, Strike Up the Band George & Ira Gershwin, Same Time, Next Year - The Musical a Premiere and Leave It to Jane by Jerome Kern. See full details below.
When Jerry Herman was pegged by producer Gerard Oestreicher to write the score for a Broadway musical set in the fledgling State of Israel, he was a 28-year-old composer/lyricist mostly known for writing clever lyrics and snazzy tunes for Greenwich Village topical reviews like Nightcap and Parade. But now, instead of writing for hip, downtown performers like Charles Nelson Reilly and Dody Goodman, he'd be penning a romantic score for opera stars Mimi Benzell and Robert Weede, with special comic relief material for Yiddish Theatre legend Molly Picon.
When we first meet Rita Lyons, she's sitting in a hospital room casually thumbing through a furniture catalogue, asking her husband, Ben, who lies in bed, dying of cancer, to help her come up with ideas for redecorating the living room after he's gone.
ROB VAN VUUREN plays for 3 nights only on Thursday 25th to SATURDAY 27th AUGUST 2011 @ 20h30. Tickets R85 per person, Students R65, groups of 10 or more R75
ROB VAN VUUREN plays for 3 nights only on Thursday 25th to SATURDAY 27th AUGUST 2011 @ 20h30. Tickets R85 per person, Students R65, groups of 10 or more R75
If I were delusional enough to think my scribblings could turn an unknown into a star overnight, then I'd be writing these words fully confident that by tomorrow morning every Broadway producer in town would want to sign a young musical comedy actress named Oakley Boycott. Yes, Oakley Boycott is her actual name and as a performer she's as unique as her moniker. I first saw her two years ago at one of Town Hall's Broadway's Rising Stars concerts, where she floored the place as a rhythmically-challenged singer awkwardly pounding her way through John Kroner's 'Where's The Beat.' Since then it seems her New York appearances have been limited to Scott Siegel's Town Hall concerts and doing concert musicals for Mel Miller's Musicals Tonight!
Variety reports that Evelyn Page, the actress who appeared in a myriad of stage productions on Broadway during the 1950s and 60s, died of natural causes on Sunday, February 6th. She was 90 years old.
George S. Kaufman and Moss Hart have set their first musical collaboration with Richard Rodgers and Lorenz Hart in New York's Central Park on July 4th (1937).
George S. Kaufman and Moss Hart have set their first musical collaboration with Richard Rodgers and Lorenz Hart in New York's Central Park on July 4th (1937).
One of the many delights of director Michael Blakemore's revival of Noel Coward's giddily funny 1941 froth, Blithe Spirit, is that this 2009 production looks like it could have been seen in the play's premiere year. No doubt contemporary Broadway theatre can provide more spectacular ways for an actress playing a ghost to enter a room than to just have her walk through the French windows. And certainly if an invisible spirit chooses to destroy her husband's drawing room, modern technology can whip up a few tricks more gasp-inducing than simply having a picture frame fall and a bookshelf topple over. But when you have one of the English language's great comedies played by a company that excels in the verbal dexterity of the playwright's wit, there's no need for such distractions.
The thing that always strikes me about Euan Morton, from his New York debut in Taboo to his Obie-winning stint in Measure For Pleasure and various other plays, musicals, concerts and cabarets, is that the guy seems incapable of expressing a dishonest emotion. While some performers may dazzle you with their creativity or their exceptional craft, Morton draws you in with a comforting safety that makes artistry out of sincerity. He opens his four-week run at The Oak Room (through March 29th), titled Here and Now, with Leslie Bricusse and Anthony Newley's 'Pure Imagination,' glowing with a naturally boyish earnestness and a gentle smile.