Maryanna Clarke News

It seems as if Maryanna Clarke is always in motion: As the founding artistic director of the Nashville-based Tennessee Women's Theatre Project, she always has multiple irons in the fire. As the mom of college student Kate (upon whom she dotes -- and of whom she is justifiably proud), she has all the responsibilites of motherhood on her shoulders. And as the wife of Chris Clarke (her theatrical partner-in-crime aka producer), she's got the wife role down pat!

With the strains of 'Auld Lang Syne' mere moments away, minds are apt to be caught up in reflection, remembering the year now ending as a new one awaits just over the horizon. Certainly that's what I've been doing lately, looking back over the past year in Nashville theatre as I pencil in dates in my new 2010 (Here's a question to ponder: Is it 'two thousand ten' or 'twenty ten'...think about it and get back to me) calendar for the shows set to open in the months ahead.

In just over an hour, Steele takes her rapt audience on an informative and entertaining, if too heart-breakingly real, tour through the 1957-58 school year at Little Rock's Central High School. As she becomes Melba Pattillo, one of nine African-American students chosen to challenge entrenched racial roles by integrating the public school 'where the wealthiest of Little Rock's citizens sent their children to be educated,' Steele ably educates her audience about our country's darker days. It's a moving experience that elicits both tears and laughter and results in new pictures of bravery and heroism etched upon your heart.

Since that time, Maryanna's artistic focus has changed somewhat, and now she is artistic director for the Nashville-based Tennessee Women's Theatre Project, which is dedicated to 'presenting theatricial productions of the highest quality to Middle Tennessee audiences, to producing plays that express the human condition in the female voice; to providing acting, directing, design and management opportunities for women in professional theater; and to bringing live theater to new, underserved audiences.'

Since returning to the world of theatre via BroadwayWorld.com about a month ago, after an almost seven year absence, I've had the invaluable opportunity of reconnecting with a number of old acquaintances and renewing long-dormant friendships and relationships with people connected to the theatre scene in Nashville and throughout Tennesseee.