New Line Theatre, "the bad boy of musical theatre," announces its 23rd season of adult, alternative musical theatre, including the regional premiere of the new musical thriller NIGHT OF THE LIVING DEAD, running Oct. 10-Nov. 2, 2013; the Pulitzer Prize winning rock opera RENT, running March 6-29, 2014; and the regional premiere, straight from Broadway, of the new rock musical HANDS ON A HARDBODY, running May 29-June 21, 2014.
New Line Theatre has announced the cast for the regional premiere of the taut musical thriller NIGHT OF THE LIVING DEAD, which will open its 23rd season, running Oct. 10-Nov. 2, 2013, and closing on Halloween weekend. The rest of New Line's 2013-2014 season will be announced soon.
New Line Theatre, 'the bad boy of musical theatre,' closes its 22nd season May 30-June 22, 2013, with the regional premiere of one of the most outrageous shows the company has ever produced. With book and lyrics by Spencer Green and Gary Stockdale, and music by Stockdale, BUKOWSICAL is a wacky, high-energy - and gleefully adult - musical comedy, an ironic and insightful 21st-century reboot of the classic American musical comedy, exploring the intersection between sex, drugs, booze, and art, all through the life story of the great American novelist and poet Charles Bukowski. BroadwayWorld has a first look at the cast onstage below!
New Line Theatre closes its 22nd season May 30-June 22, 2013, with the regional premiere of one of the most outrageous shows the company has ever produced. With book and lyrics by Spencer Green and Gary Stockdale, and music by Stockdale, BUKOWSICAL is a wacky, high-energy - and gleefully adult - musical comedy, an ironic and insightful 21st-century reboot of the classic American musical comedy, exploring the intersection between sex, drugs, booze, and art, all through the life story of the great American novelist and poet Charles Bukowski.
New Line Theatre, 'the Bad Boy of Musical Theatre,' will continue its 21st season of rock theatre March 1-24, 2012 with the American regional premiere of the Broadway rock musical CRY-BABY.
CRY-BABY is a smash, a musical and cultural send up of drape and square mores, while at the same time, a parody of the typical "boy meets girl, boy loses girl, boy gets girl back" scenarios that we've all been exposed to in more traditional shows. At times, it's like watching a throwdown between Little Richard and Pat Boone over who really sings "Good Golly, Miss Molly" the best and most authentic. And, at other times, it's a completely over the top take off on shows of the past. For some reason, I was reminded of both The Music Man and West Side Story. Scott Miller and New Line Theatre have once again given us something outside the norm, and it's a joyous ride. This revision of CRY-BABY (I confess, I didn't see it on Broadway) is a sheer delight, full of characters and situations from the movie by filmmaker John Waters, but also standing on its own with a clever and hilarious score (music and lyrics by David Javerbaum and Adam Schlesinger), having jettisoned the tunes from the film itself. Go see this play now. It's wonderfully directed, smartly choreographed, and marvelously acted.
