BWW Review: COMPULSION OR THE HOUSE BEHIND at Theater J
'Compulsion or the House Behind' is a good show, with a strong creative team and an immensely talented cast, but it’s also a flawed one.
'Compulsion or the House Behind' is a good show, with a strong creative team and an immensely talented cast, but it’s also a flawed one.
Beginning on January 26, and running through February 20, 2022, Theater J will bring Compulsion or the House Behind to the stage.
Theater J has announced Theater J’s 31st season, which includes five plays and a bonus holiday musical engagement.
This production of Shakespeare's Othello has revelations galore, performed by an ensemble of actors whose comfort with the language and emotional power keep you riveted.
Taffety Punk, the insurrectionist yet classically trained company now in its 15th year does what it does best in a pair of striking Greek adaptations by Anne Carson, presented in one invigorating sitting.
Cincinnati Playhouse in the Park will present THE LAST WIDE OPEN, a love story that encourages audiences to take a personal, humorous look at modern-day courtship, romance and relationships, just in time for Valentine's Day.
Taffety Punk Theatre Company's Bootleg Shakespeare production HENRY VI, PART 3 is performance without a net - exciting, dangerous, riveting, and raw.
While it's hard to fully embrace this comedic play, it is worth a watch if only for the fine acting and compelling thematic content.
Director Marcus Kyd has assembled a solid roster of professional actors to give Michael Milligan's mythic drama, composed entirely in iambic pentameter, a grand staging.
Absurdist comedy and sparking physical comedy collide in Taffety Punk's Inheritance Canyone
Under the direction of Joel David Santner (who will shortly be moving to California for film school, a great loss to the DC area) the company has proven yet again that when viewed with fresh eyes, the early First Quarto version of 'Hamlet' is a limitless source of inspiration for artists and audien
Words are indeed the star of this production as much as the Devil himself in Marcus Kyd's ambitious The Devil in His Own Words stitched together from more than 30 literary works ranging from the Quran to the Book of Revelations, from Twain to Bulgakov to C.
A fascinating blend of dance, monologue, dialogue, lights, sound effects and live music, 'Enter Ophelia, distracted' gives you a piercingly perceptive look into the psyche of a young girl fated to lose first the love of her life, then her father, her mind, and then her life.
The Baltimore Symphony, Folger Theatre Company, and Baltimore Choral Arts Society Women's Chorus combine for a musical delight.
Entertaining and well-acted, this one is worth your time.
But more than just a play about trying to bypass the Nazi regime and their cruelty, this play is about loss.
MetroStage will be producing its first In Rep series this spring featuring two one man shows The Thousandth Night by Carol Wolf starring Marcus Kyd (today, Apr.