With the 150th anniversary of the Civil War upon us, two sisters bring their own family story of charm, humor and even stubbornness to life on the Kennedy stage in A Field of Glory. Playwright Sharon Talbot* will star in the production she wrote, while her sister, Tony Award© nominated Director/Choreographer Lynne Taylor-Corbett (Swing!) will direct the show for Hot Summer Nights.
With the 150th anniversary of the Civil War upon us, two sisters bring their own family story of charm, humor and even stubbornness to life on the Kennedy stage in A Field of Glory. Playwright Sharon Talbot* will star in the production she wrote, while her sister, Tony Award© nominated Director/Choreographer Lynne Taylor-Corbett (Swing!) will direct the show for Hot Summer Nights.
Get ready to take a musical trip down memory lane. A non-stop pop musical blast from the past is coming to The Kennedy Theatre this summer when The Marvelous Wonderettes take the stage (June 29-July 10).
Having designed the stage sets for the Broadway productions of THE 25th ANNUAL PUTNAM COUNTY SPELLING BEE, LOVEMUSIK, JAY JOHNSON: TWO AND ONLY, SONDHEIM ON SONDHEIM, ROCK OF AGES, and his Tony-nominated work on THE SCOTTSBORO BOYS this season, through his revolutionary and spare designs Beowulf Boritt has positioned himself as one of the most creative and sought-after stage innovators of the twenty-first century. Discussing all aspects of the Off Broadway and Broadway productions of THE SCOTTSBORO BOYS and tracing the progress of the design of the show from inspiration to model to actual set, we also discuss some of his past accomplishments - working with the great directors Hal Prince, James Lapine, SCOTTSBORO's Susan Stroman, and Lynne Taylor-Corbett; the latter his collaborator on THE SEVEN DEADLY SINS with the New York City Ballet last month - and some enticing new productions he is developing and has coming up in the near future - PARADISE FOUND, REEL-TO- REAL, THE TOXIC AVENGER in Houston, THE TEMPEST in Dallas, the ROCK OF AGES tour and West End mounting, THE SCOTTSBORO BOYS in San Diego, and more!
New York City Ballet premieres a new production of Kurt Weill and Bertolt Brecht's The Seven Deadly Sins highlighted by the NYCB debut of acclaimed stage and screen star Patti LuPone.
New York City Ballet premieres a new production of Kurt Weill and Bertolt Brecht's The Seven Deadly Sins highlighted by the NYCB debut of acclaimed stage and screen star Patti LuPone.
Theatre patrons can expect a season like no other at The Kennedy this summer. From one-man shows and master classes to world premieres and special events, Hot Summer Night at the Kennedy isn't holding back when it comes to entertaining audiences in their seventh year.
The New York City Ballet has announced that choreographer Lynne Taylor-Corbett, singer Patti LuPone, and NYCB Principal Dancer Wendy Whelan will take part in a 90-minute seminar May 9th, to discuss the creation of Taylor-Corbett's new work, The Seven Deadly Sins.
Staging one of the theatre's most unique and unclassifiable pieces, Brecht & Weill's THE SEVEN DEADLY SINS for the New York City Ballet, starting May 11 and running through May 16, is just the latest act in a career made up of anomalies, seemingly built upon always attempting to do the impossible - from her Broadway debut, trying to bring balletic bravado to Trevor Nunn's terminally troubled 1988 musical CHESS (a project begun under the guidance of Michael Bennett before his death), up through the trying-but-Tony-winning TITANIC in 1997 and, this century, SWING! starring Ann Hampton Callaway and Laura Benanti and a succession of successful regional ballets and theatre pieces - the gifted and dynamic director/choreographer Lynne Taylor-Corbett continues to challenge herself, her peers and audiences with each of her audacious new endeavors. THE SEVEN DEADLY SINS, starring two-time Tony-winning Broadway legend Patti LuPone as Anna I, is a particularly problematic play - or is it a musical? Or, is it a ballet? A song-spiel? - and in this revealing and engaging discussion, Ms. Taylor-Corbett and I attempt to deduce the themes, analyze the structure and look back at the authors' lives to gain insight into the perplexing America painted by Brecht and Weill in the forty-minute-long theatrical experiment. Also, in this complete conversation, Lynne and I take a look back at her long and varied career and she generously shares her thoughts on where the place of dance is in the twenty-first century, the exhilaration of working with a theatre artist like Patti LuPone, her own inspirations and formative experiences in the theatre, the legacy of Michael Powell and THE RED SHOES, the theatre versus the dance world, her son Shaun's career, and much, much more! Further information on THE SEVEN DEADLY SINS - including tickets - is available here.
Staging one of the theatre's most unique and unclassifiable pieces, Brecht & Weill's THE SEVEN DEADLY SINS for the New York City Ballet, starting May 11 and running through May 16, is just the latest act in a career made up of anomalies, seemingly built upon always attempting to do the impossible - from her Broadway debut, trying to bring balletic bravado to Trevor Nunn's terminally troubled 1988 musical CHESS (a project begun under the guidance of Michael Bennett before his death), up through the trying-but-Tony-winning TITANIC in 1997 and, this century, SWING! starring Ann Hampton Callaway and Laura Benanti and a succession of successful regional ballets and theatre pieces - the gifted and dynamic director/choreographer Lynne Taylor-Corbett continues to challenge herself, her peers and audiences with each of her audacious new endeavors. THE SEVEN DEADLY SINS, starring two-time Tony-winning Broadway legend Patti LuPone as Anna I, is a particularly problematic play - or is it a musical? Or, is it a ballet? A song-spiel? - and in this revealing and engaging discussion, Ms. Taylor-Corbett and I attempt to deduce the themes, analyze the structure and look back at the authors' lives to gain insight into the perplexing America painted by Brecht and Weill in the forty-minute-long theatrical experiment. Also, in this complete conversation, Lynne and I take a look back at her long and varied career and she generously shares her thoughts on where the place of dance is in the twenty-first century, the exhilaration of working with a theatre artist like Patti LuPone, her own inspirations and formative experiences in the theatre, the legacy of Michael Powell and THE RED SHOES, the theatre versus the dance world, her son Shaun's career, and much, much more! Further information on THE SEVEN DEADLY SINS - including tickets - is available here.
New York City Ballet premieres a new production of Kurt Weill and Bertolt Brecht's The Seven Deadly Sins highlighted by the NYCB debut of acclaimed stage and screen star Patti LuPone.
The New York City Ballet has announced that choreographer Lynne Taylor-Corbett, singer Patti LuPone, and NYCB Principal Dancer Wendy Whelan will take part in a 90-minute seminar May 9th, to discuss the creation of Taylor-Corbett's new work, The Seven Deadly Sins.
On Sunday and Monday, March 27 and 28 at 7:30 p.m., the Young People's Chorus of New York CityTM conducted by its Artistic Director and Founder Francisco J. Núñez will join in the Works & Process at the Guggenheim celebration of David Del Tredici, one of America's foremost living composers, in the Guggenheim's Peter B. Lewis Theater.
On Sunday and Monday, March 27 and 28 at 7:30 p.m., the Young People's Chorus of New York CityTM conducted by its Artistic Director and Founder Francisco J. Núñez will join in the Works & Process at the Guggenheim celebration of David Del Tredici, one of America's foremost living composers, in the Guggenheim's Peter B. Lewis Theater.
On Sunday and Monday, March 27 and 28 at 7:30 p.m., the Young People's Chorus of New York CityTM conducted by its Artistic Director and Founder Francisco J. Núñez will join in the Works & Process at the Guggenheim celebration of David Del Tredici, one of America's foremost living composers, in the Guggenheim's Peter B. Lewis Theater.
The Ugly Duckling closes March 6, 2011 at Fletcher Opera Theater
The Ugly Duckling plays February 17-March 6, 2011 at Fletcher Opera Theater
Building upon the success of their 21st anniversary season, River North Dance Chicago (RNDC) unveils a new name, new logo and world premiere in the New Year.
Building upon the success of their 21st anniversary season, River North Dance Chicago (RNDC) unveils a new name, new logo and world premiere in the New Year.
Works & Process at the Guggenheim is pleased to announce its 2011 spring season. Since 1984, in over 300 programs, New Yorkers have been able to see, hear, and meet the most acclaimed artists in the world, in an intimate setting unlike any other. Each 80-minute program informs artistic creation through stimulating artist discussion and performance and is presented in the Guggenheim's Frank Lloyd Wright-designed 285-seat Peter B. Lewis Theater. Each season Works & Process champions new works and offers unprecedented access to leading creators and performers. After most programs, the artists continue the discussion at a reception in the museum's rotunda. Described by the New York Times as 'a popular series devoted to shedding light on the creative process,' Works & Process is produced by founder Mary Sharp Cronson.
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