Plays written by notable Brooklyn playwrights-four of whom are still alive, well and living in Brooklyn-make up the roster of five works to be presented as part of the Sixth Annual Play Reading Salon Series from Brave New World Repertory Theatre. Based in Brooklyn, Brave New World is known for its bold, critically acclaimed productions of Fahrenheit 451, The Great White Hope and Crossing Brooklyn Ferry, based on Walt Whitman's Leaves of Grass (all for Celebrate Brooklyn at the Prospect Park bandshell); and To Kill a Mockingbird, staged on the front porches of a tree-lined Ditmas Park street.
Due to strong demand, The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced today that it would extend Tracey Scott Wilson?s THE GOOD NEGRO an additional two weeks through Sunday, April 19. THE GOOD NEGRO begins previews on Tuesday, March 3 and will now run through Sunday, April 19 with an official press opening on Monday, March 16. Directed by Liesl Tommy and in association with Dallas Theater Center, THE GOOD NEGRO is the first new play to transfer from the Public LAB initiative to a full main stage production at The Public.
Canadian Stage Company Artistic Producer Martin Bragg announced today details regarding the 2009-2010 Season, marking his final season with the Company after 17 memorable years. The Company's 22nd subscription season kicks off in September and includes five plays at the Bluma Appel Theatre and three at the Berkeley Street Theatre. Rounding out the playbill is the annual CanStage TD Dream in High Park. Season subscriptions are available with 5-play packages starting from $90 and 8-play packages starting from $138. To subscribe, call 416-368-3110, visit canstage.com or purchase in-person from the Box Office at the Bluma Appel Theatre (27 Front Street East) or Berkeley Street Theatre (26 Berkeley Street).
Manhattan Theatre Club has announced that the critically acclaimed production of RUINED by playwright Lynn Nottage and director Kate Whoriskey has been extended by popular demand through Sunday, April 12.
The Susan Smith Blackburn Prize has announced ten finalists for the prestigious playwriting award, now entering its fourth decade. The awards are given annually to recognize women from around the world who have written works of outstanding quality for the English-speaking theatre.
The Susan Smith Blackburn Prize has announced ten finalists for the prestigious playwriting award, now entering its fourth decade. The awards are given annually to recognize women from around the world who have written works of outstanding quality for the English-speaking theatre.
The Manhattan Theatre Club's (Lynne Meadow, Artistic Director; Barry Grove, Executive Producer) and Goodman Theatre's (Robert Falls, Artistic Director; Roche Schulfer, Executive Director) acclaimed co-production of RUINED, written by Lynn Nottage and directed by Kate Whoriskey began previews last week at MTC at New York City Center - Stage I (131 West 55th Street). The limited engagement opens tonight, Tuesday, February 10.
Playwrights Horizons, under the leadership of Artistic Director Tim Sanford and Managing Director Leslie Marcus, has announced additional casting and complete details for the World Premiere of INKED BABY, a new play by 2007 Susan Smith Blackburn nominee Christina Anderson in her Off-Broadway playwriting debut.
Directed by Kate Whoriskey (Fabulation at Playwrights Horizons, the current Ruined at MTC), the production will begin previews on Thursday, March 5, 2009 with an Opening Night set for Monday, March 23 at 7PM. The limited engagement will run through Sunday, April 5 at Playwrights Horizons' Peter Jay Sharp Theater (416 West 42nd Street).
Primary Stages (Casey Childs, Founder & Executive Producer; Andrew Leynse, Artistic Director; Elliot Fox, Managing Director) has announced its upcoming 25th anniversary season of new works offering a 3-play series celebrating female playwrights.
The 2009-2010 Season will see the world premiere of A Lifetime Burning by Cusi Cram, and the New York premieres of Happy Now? by Lucinda Coxon, and Night Watcher by Charlayne Woodard at Primary Stages at59E59 Theaters (59 East 59 th Street).
In a statement, Casey Childs, Founder & Executive producer, said, 'Primary Stages hasalways had a commitment to playwrights and we have been lucky to help nurture andenjoy the success of many extraordinary women writers. We are thrilled to premiere these new works by these three playwrights as a way to celebrate our 25th Anniversary.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced complete casting today for Tracey Scott Wilson's THE GOOD NEGRO, which runs Tuesday, March 3 to Sunday, April 5 with an official press opening on Monday, March 16. Directed by Liesl Tommy and in association with Dallas Theater Center, THE GOOD NEGRO is the first new play to transfer from the Public LAB initiative to a full main stage production at The Public.
The cast for THE GOOD NEGRO will feature Joniece Abbott-Pratt (Tyler Perry's Why Did I Get Married?), Francois Battiste (Prelude to a Kiss on Broadway), J. Bernard Calloway ('Rescue Me'), Quincy Dunn-Baker (Romeo and Juliet at Shakespeare in the Park), Erik Jensen (Spain at MCC), LeRoy McClain (Cymbeline at Lincoln Center), Curtis McClarin (King Hedley II at Signature), Rachel Nicks (Life Support) and Brian Wallace (A Christmas Carol at Trinity Rep).
Lynn Nottage, whose new play RUINED is currently in previews at Manhattan Theatre Club at New York City Center - Stage I (131 West 55th Street), is currently featured on The Huffington Post.
Playwrights Horizons announces completion of a major renovation to 440 Studios, which is Lower Manhattan's largest rehearsal space complex (located at 440 Lafayette Street). The $1.2 million project took 8 months for demolition and renovation.
The Manhattan Theatre Club's (Lynne Meadow, Artistic Director; Barry Grove, Executive Producer) and Goodman Theatre's (Robert Falls, Artistic Director; Roche Schulfer, Executive Director) acclaimed co-production of RUINED, written by Lynn Nottage and directed by Kate Whoriskey began previews last week at MTC at New York City Center - Stage I (131 West 55th Street). The limited engagement will open Tuesday, February 10.
Playwrights Horizons announces completion of a major renovation to 440 Studios, which is Lower Manhattan's largest rehearsal space complex (located at 440 Lafayette Street). The $1.2 million project took 8 months for demolition and renovation. 440 Studios is the third and fourth floors of the Playwrights Horizons Theater School. When not in use by the School for classes, workshops and productions, the rehearsal studios and theaters are rented out to hundreds of New York City cultural groups each year. The School and the studios are an integral part of Playwrights Horizons and perform a vital service for students, the theater community and the surrounding neighborhood. The renovation of the third floor was made possible, in large part, through generous capital funding from New York City and New York State.
As of this morning, Wednesday, January 28, Playwrights Horizons (Tim Sanford, Artistic Director; Leslie Marcus, Managing Director) is now accepting entries for its popular LIVEforFIVE online lottery for $5 tickets to its next production, the New York premiere of THE SAVANNAH DISPUTATION, a new play by Evan Smith (Psych and The Uneasy Chair at Playwrights Horizons, Servicemen at The New Group). At least 50 tickets will be available via the online lottery.
A ticketing initiative created last season as part of the theater company's Arts Access program, LIVEforFIVE makes $5 tickets available for the first preview performance of each Playwrights Horizons production through a lottery via the company's website (www.playwrightshorizons.org). The LIVEforFIVE lottery for THE SAVANNAH DISPUTATION will be for tickets to the first preview on Friday, February 6 at 8:00 PM at Playwrights Horizons' Mainstage Theater (416 West 42nd Street).
On Monday Evening, February 23 at 7:00 PM, six New York theater institutions will participate in a special panel discussion featuring five current and upcoming Off-Broadway shows. Harlem Stage (150 Convent Avenue at West 135th Street) will host producing companies Classical Theatre of Harlem, Manhattan Theatre Club, Playwrights Horizons, The Public Theater and Signature Theatre Company in an evening titled I'VE KNOWN RIVERS: A Conversation with Christina Anderson, Charles Fuller, Lynn Nottage & Liesl Tommy.
The event marks a unique collaborative effort between six New York theater institutions: a panel discussion in which five gifted African-American theater artists - all of whom have projects happening almost simultaneously at five of New York's most respected non-profit theaters - will discuss their lives, work, and current projects.
Moderated by actress Sabrina LeBeauf (Three Sisters, Classical Theatre of Harlem in partnership with Harlem Stage, February/March), the evening's four panelists will be Christina Anderson (author, Inked Baby, Playwrights Horizons, March/April), Charles Fuller (author, Zooman and the Sign, Signature Theatre Company, March/April), Lynn Nottage (author, Ruined, Manhattan Theater Club, January-March) and Liesl Tommy (director, The Good Negro, The Public Theater, March/April).
The event title comes from a poem by Langston Hughes, 'The Negro Speaks of Rivers.'
On Monday Evening, February 23 at 7:00 PM, six New York theater institutions will participate in a special panel discussion featuring five current and upcoming Off-Broadway shows. Harlem Stage (150 Convent Avenue at West 135th Street) will host producing companies Classical Theatre of Harlem, Manhattan Theatre Club, Playwrights Horizons, The Public Theater and Signature Theatre Company in an evening titled I'VE KNOWN RIVERS: A Conversation with Christina Anderson, Charles Fuller, Lynn Nottage & Liesl Tommy.
Manhattan Theatre Club is pleased to announce that After Words, the popular discussion series which has been a success at the Samuel J. Friedman Theatre will come to MTC at New York City Center for the world premiere of Lynn Nottage's RUINED, the haunting, probing work about the resilience of the human spirit during times of war.
The series will make its debut at New York City Center on Saturday, January 31 following the matinee performance of RUNED. The panel will feature RUINED playwright Lynn Nottage and Jessica Neuwirth, a founder and current president of Equality Now. The discussion will be moderated by MTC Artistic Associate Lisa McNulty. After Words is part of MTC's continuing effort to deepen and enrich the play-going experience for its audiences. Held after selected Saturday matinees, this exciting series of talks with writers, cultural critics, journalists, and members of the RUINED cast and creative team provides provocative and illuminating insights into the political, cultural, and artistic contexts of the work MTC produces.
Virginia Woolf wrote Freshwater in 1923. She returned to it again in 1935. It was performed as a much-needed, unbuttoned, laughing evening for her friends and family.
