Lauren Yarger News

How can a person with keen intelligence believe in a God that can't be proven?

As always, Connecticut's professional theaters offerered a bountiful selection of excellent theater in 2013. It's hard to pick just a few, but here are some of the year's standouts from the theaters I cover for BroadwayWorld.com:

Actor Steven Epp and Director Christopher Bayes who teamed up for A Doctor in Spite of Himself and The Servant of Two Masters at Yale Rep join forces again for Dario Fo's bizarre political farce Accidental Death of an Anarchist - and count on Epp to interject a whole lot about the modern US economic and political situation.

Apparently quite a few (more than 250,000 have seen the Michael Wilson adaptation getting its 16th run at Hartford Stage). This year's annual holiday tradition gets a bit of an update, all supervised by Wilson and directed by Maxwell Williams, that includes redesigned costumes; enhanced flying effects and choreography for the ghostly apparitions; the introduction of additional characters; and the latest in lighting design technology.

With the success of THE 39 STEPS, a spoof of the Alfred Hitchcock film, it is no surprise that other similar shows would find their way onto the stage. Playhouse on the Park in west Hartford is hosting a run of one wannabe, THE HOUND OF THE BASKERVILLES.

Publisher Richard Sherman (David Conaway) is left on his own at their Gramercy Park apartment when his wife, Helen (Emma O'Donnell) and son, Ricky (Carson Waldron) leave for to the summer at the beach....

The conflict of two perspectives on ownership: the "western imperative to own everything: meets the "Eastern acceptance of owning nothing.

This revival is a sweet romance made delightful by Nolte's portrayal of Tony Esposito and a strong performance from Mamie Parris as his love interest, Rosabella.

Marisa Desa as Olympia (lower left), Briana Maia as Lydia (right) and Olivia Saccomanno as Thyona (rear). Photo: Gerry Goodstein.

As directed by Mark Rucker and fueled by a strong performance by Sarah Sokolovic as Stella and a fascinating characterization by Rene Augusen that takes Blanche utra deep, this production ends up being more of a study of the relationship between the sisters. Stanley, despite the display of his very finely chiseled abs and physique several times, seems to have fallen off this streetcar.

Director Darko Tresnjak focuses on the darkness of evil and the psychological depths of the pit it offers to anyone choosing to follow it. It's dark -- literally.

Just who was unfaithful first: Man or Woman? If that's a burning philosophical question you can't wait to have answered, then Marivaux' 18th century play LA DISPUTE, opening Hartford Stage's 50th anniversary season, is just the ticket for you.

This new tour makes the second of four stops in Hartford, at the Bushnell, one of the production's producers.

Director Rob Ruggiero brilliantly focuses on the domestic tension between Sarah and her long-time, live-in boyfriend and fellow foreign correspondent, James (Tim Altmeyer), giving the play depth beyond its obvious question about the ethics of journalists being voyeurs on the sidelines of tragedies.

Music Director Kim Aliczi puts together a selection of more than 30 musical numbers from members of the great American Songbook like Duke Ellington, Cole Porter, George Gershwin and Irving Berlin with medleys featuring tunes from one composer or themes, like songs about trains.

Director Lawrence Thelen proves himself up to the challenge, however, with the casting of terrific nonEquity actress Sheniqua Denise Trotman from Huntsville, AL. Her 'I'm Not Going' puts focus on the emotional pain felt by the character and is a powerhouse exploration of the lyrics. In between all that belting. Kudos.

In a break from playing Eric Beale on the CBS television series "NCIS: Los Angeles," Barrett Foa is spending part of his summer charming audiences and a certain librarian as The Music Man, which wraps up CT Repertory Theatre's Nutmeg Series on the UConn campus.

A predictable plot and disjointed musical elements might have brought FOOTLOOSE down, but deeper messages, good character development and -- at least in the production running over at Ivoryton Playhouse -- a strong vocal ensemble, turn the show around into an enjoyable romp through rebellious youth and overprotective parents.

They tell the story (based on a true one) of Guang (Julius Ahn), an illegal immigrant who gets stuck in a Bronx elevator for 81 hours while making deliveries for the Happy Dragon Chinese Restaurant.

With its sexist plot, A FUNNY THING HAPPENED ON THE WAY TO THE FORUM is one of those shows that probably was a riot in 1962, but seems like something is lacking when presented a half century later - until the CT Repertory version running as part of the Nutmeg Summer Series. This one, thanks to some solid performances, is funny again.