Lauren Flanigan News

The George London Foundation for Singers has been honoring, supporting, and presenting the finest young opera singers in the U.S. and Canada for decades.

Executive Producer Lou Spisto today announced that the World Premiere of the musical A Room with a View, with a book by Marc Acito, music by Jeffrey Stock (Triumph of Love) and lyrics by Acito and Stock, will complete the Globe's 2011-12 Winter Season. Scott Schwartz will direct the new work based on the classic novel by E.M. Forster.

Executive Producer Lou Spisto has just announced that the World Premiere of the musical A Room with a View, with a book by Marc Acito, music by Jeffrey Stock (Triumph of Love) and lyrics by Acito and Stock, will complete the Globe's 2011-12 Winter Season. Scott Schwartz will direct the new work based on the classic novel by E.M. Forster. A Room with a View will run in the Old Globe Theatre, part of the Conrad Prebys Theatre Center, March 2 - April 8, 2012. Opening night is Saturday, March 10.

LA MIRADA THEATRE FOR THE PERFORMING ARTS & UPRIGHT CABARET are thrilled to announce the performers for its fourth show of their season, COWBOYS & ANGELS, starring Tony Award-nominee and T.V. star VALARIE PETTIFORD (Film: "Jumping The Broom," TV: UPN's "Half & Half," "Criminal Minds," Broadway: Fosse, Chicago), KARISSA NOEL and DANIEL TATAR (Life Could Be A Dream, 25th Annual Putnam County Spelling Bee), performing the music of Patsy Cline, Garth Brooks and Loretta Lynn, performing such memorable songs as "Crazy," "I Fall To Pieces," "Friends In Low Places," "If Tomorrow Never Comes," "Coal Miner's Daughter," and more - as well as their own selections, under the musical direction of Gerald Sternbach, in a one night only concert - COWBOYS AND ANGELS which will perform on Sunday, June 5, 2011 at 7:30PM at the NEW Cabaret Lounge at La Mirada Theatre for the Performing Arts, 14900 La Mirada Blvd. in La Mirada.

LA MIRADA THEATRE FOR THE PERFORMING ARTS & UPRIGHT CABARET are thrilled to announce the performers for its fourth show of their season, COWBOYS & ANGELS, starring Tony Award-nominee and T.V. star VALARIE PETTIFORD (Film: "Jumping The Broom," TV: UPN's "Half & Half," "Criminal Minds," Broadway: Fosse, Chicago), KARISSA NOEL and DANIEL TATAR (Life Could Be A Dream, 25th Annual Putnam County Spelling Bee), performing the music of Patsy Cline, Garth Brooks and Loretta Lynn, performing such memorable songs as "Crazy," "I Fall To Pieces," "Friends In Low Places," "If Tomorrow Never Comes," "Coal Miner's Daughter," and more - as well as their own selections, under the musical direction of Gerald Sternbach, in a one night only concert - COWBOYS AND ANGELS which will perform on Sunday, June 5, 2011 at 7:30PM at the NEW Cabaret Lounge at La Mirada Theatre for the Performing Arts, 14900 La Mirada Blvd. in La Mirada.

-Commonwealth Youthchoirs has announced their Seventh Annual Gala Concert featuring the premiere choirs in Keystone State Boychoir and Pennsylvania Girlchoir, with opera and Broadway star, bass-baritone David Pittsinger.

Actor turned filmmaker Michael Lee Stever, & 'Wicked' lyricist/composer Stephen Schwartz discuss the epic challenges in bringing 'Seance On A Wet Afternoon's' haunting story to the operatic stage.

Stephen Schwartz has teamed up with the New York City opera for the New York premiere of his first opera, Seance on a Wet Afternoon. The prodigious Oscar and Grammy Award-winning composer has written the scores to hit shows Godspell, Pippin, and Wicked, which continues to break Broadway attendance records and has become one of the most popular musicals of all time.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera's General Manager and Artistic Director George Steel will moderate an in-depth roundtable discussion on what defines the opera and musical theater genres at the Gershwin Theatre on the set of Stephen Schwartz's acclaimed Broadway production WICKED. He will be joined by a panel of distinguished composers and playwrights including Stephen Schwartz, Rufus Wainwright (composer and performer), Adam Guettel (composer of FLOYD COLLINS and THE LIGHT IN THE PIAZZA), John Kander (composer of CABARET and CHICAGO) and David Henry Hwang (librettist for operas such as ALICE IN WONDERLAND and THE FLY, playwright of M. BUTTERFLY, book for FLOWER DRUM SONG, TARZAN and AIDA on Broadway). The discussion precedes the New York premiere of Schwartz's first opera SEANCE on a WET AFTERNOON, opening at New York City Opera on Tuesday, April 19.

New York City Opera's General Manager and Artistic Director George Steel will moderate an in-depth roundtable discussion on what defines the opera and musical theater genres at the Gershwin Theatre on the set of Stephen Schwartz's acclaimed Broadway production Wicked. He will be joined by a panel of distinguished composers and playwrights including Stephen Schwartz, Rufus Wainwright (composer and performer), Adam Guettel (composer of Floyd Collins and The Light in the Piazza), John Kander (composer of Cabaret and Chicago) and David Henry Hwang (librettist for operas such as Alice in Wonderland and The Fly, playwright of M. Butterfly, book for Flower Drum Song, Tarzan and Aida on Broadway). The discussion, which will take place on April 10, precedes the New York premiere of Schwartz's first opera Séance on a Wet Afternoon, opening at New York City Opera on Tuesday, April 19.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera's General Manager and Artistic Director George Steel will moderate an in-depth roundtable discussion on what defines the opera and musical theater genres at the Gershwin Theatre on the set of Stephen Schwartz's acclaimed Broadway production WICKED. He will be joined by a panel of distinguished composers and playwrights including Stephen Schwartz, Rufus Wainwright (composer and performer), Adam Guettel (composer of FLOYD COLLINS and THE LIGHT IN THE PIAZZA), John Kander (composer of CABARET and CHICAGO) and David Henry Hwang (librettist for operas such as ALICE IN WONDERLAND and THE FLY, playwright of M. BUTTERFLY, book for FLOWER DRUM SONG, TARZAN and AIDA on Broadway). The discussion precedes the New York premiere of Schwartz's first opera SEANCE on a WET AFTERNOON, opening at New York City Opera on Tuesday, April 19.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera's General Manager and Artistic Director George Steel will moderate an in-depth roundtable discussion on what defines the opera and musical theater genres at the Gershwin Theatre on the set of Stephen Schwartz's acclaimed Broadway production Wicked. He will be joined by a panel of distinguished composers and playwrights including Stephen Schwartz, Rufus Wainwright (composer and performer), Adam Guettel (composer of Floyd Collins and The Light in the Piazza), John Kander (composer of Cabaret and Chicago) and David Henry Hwang (librettist for operas such as Alice in Wonderland and The Fly, playwright of M. Butterfly, book for Flower Drum Song, Tarzan and Aida on Broadway). The discussion, which will take place on April 10, precedes the New York premiere of Schwartz's first opera Séance on a Wet Afternoon, opening at New York City Opera on Tuesday, April 19.

On the last precipice of Civilization, the myth of Medea meets Thelma and Louise, Cavalli and Rebecca West in a multimedia mashup featuring soundscape by Kristin Worrall. medea and medea/for medea uses a variety of ancient and contemporary materials to establish new boundaries for storytelling and mythmaking in a world dominated by mediated images and information. It attempts to break down cultural and dramatic expectations and create space for audiences to experience moments and episodes of connection and recognition with unusual juxtapositions, beauty, and dissonance.

On the last precipice of Civilization, the myth of Medea meets Thelma and Louise, Cavalli and Rebecca West in a multimedia mashup featuring soundscape by Kristin Worrall. medea and medea/for medea uses a variety of ancient and contemporary materials to establish new boundaries for storytelling and mythmaking in a world dominated by mediated images and information. It attempts to break down cultural and dramatic expectations and create space for audiences to experience moments and episodes of connection and recognition with unusual juxtapositions, beauty, and dissonance.

On Tuesday, March 22, New York City Opera's spring season opening features Donizetti's The Elixir of Love in a revival of Jonathan Miller's production.

The Los Angeles Children's Chorus (LACC) showcases its elite Chamber Singers with four of its esteemed alumni - now celebrated emerging artists - at a special Holiday Salon Concert, conducted by Artistic Director Anne Tomlinson, on Sunday, December 19, 2010, 4 p.m., at the Dorothy Chandler Pavilion's Salon C.