August Wilson's TWO TRAINS RUNNING Takes the Stage at Seattle Rep
With great excitement, Seattle Repertory Theatre kicks off 2018 with its production of August Wilson's poetic masterpiece, Two Trains Running.
With great excitement, Seattle Repertory Theatre kicks off 2018 with its production of August Wilson's poetic masterpiece, Two Trains Running.
The Lark announces that Leah Nanako Winkler, author of Kentucky, Two Mile Hollow, and Death for Sydney Black, will be the 2017-19 recipient of the Jerome New York Fellowship.
The Old Globe today announced it will present the fifth annual Powers New Voices Festival, a weekend of readings of new American plays by professional playwrights, playing January 12 14, 2018.
California Shakespeare Theater announced today the return of its record-breaking hit play black odyssey for a special limited engagement, September 25 through October 7, 2018 at the Bruns Amphitheater.
The Lark has announced six plays and playwrights have been chosen through its Open Access Program for the 24th Annual Playwrights' Week.
The Lark, a theater company devoted to the support of visionary playwrights and the development of new plays, has announced five New York City-based playwrights have been named as the 2017-18 Rita Goldberg Playwrights' Workshop Fellows.
The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced complete casting today for the New York premiere of OFFICE HOUR, written by Julia Cho and directed by Neel Keller, part of The Public's Astor Anniversary Season at their landmark downtown home on L
Dobama, Cleveland's fine off-Broadway professional theatre, opens its 2017-2018 season with a mesmerizing production of Kimber Lee's "must see" script.
Arena Stage at the Mead Center for American Theater announces select cast members for upcoming productions as part of the company's 2017/18 programming as single tickets for the full season go on sale.
Playwrights Foundation (PF) Artistic Director Amy Mueller has announced a year-long celebration of its illustrious 40-year legacy discovering and supporting unknown playwrights, who have gone on to become some of the most important contemporary voices of American theater.
Juilliard Drama, celebrating its 50th anniversary, announces its 2017-18 season of fully staged productions featuring Juilliard's Group 47 acting students in their fourth and final year in the drama program.
California Shakespeare Theater continues its 43rd Season with the West Coast premiere of black odyssey, a thrilling and music-infused new play that mashes up Greek mythology and African-American folklore.
Berkeley Repertory Theatre today announced the West Coast premiere of An Octoroon written by Branden Jacobs-Jenkins and directed by Eric Ting will close out its season.
The Playwrights' Center is excited to announce the 2017-18 McKnight National Residency and Commission recipient, 2017-18 McKnight Fellows in Playwriting, 2017-18 McKnight Theater Artist Fellows, 2017-2020 Core Writers and 2017-18 Core Apprentices.
Second Stage Theater's (Carole Rothman, Artistic Director) production of SOMEBODY'S DAUGHTER has been extended by one week and will now play through Sunday, June 25.
Continuing the fight to achieve gender parity in the American Theater, LA-based playwright/producer collective The Kilroys has facilitated its fourth annual List of industry-recommended new plays.
Berkeley Repertory Theatre today announced the West Coast premiere of An Octoroon written by Branden Jacobs-Jenkins and directed by Eric Ting will close out its season.
The Lark and Venturous Theater Fund of the Tides Foundation have announced that the plays and playwrights selected for the pilot round of the Lark Venturous Playwright Fellowship program are For Want of a Horse by Olivia Dufault; Teenage Dick by Mike Lew; and Today is My Birthday by Susan Soon He S
As previously announced, Second Stage Theatre will begin the 2017 Uptown Series with the world premiere of Chisa Hutchinson's SOMEBODY'S DAUGHTER, directed by MAY ADRALES.
Where do playwrights get their ideas? What does a producer do? How does the director choose his or her cast and collaborators? How do the performers stay fresh for eight performances a week?