Kate Lindsey News

Rooted in the moral conflict between society's thirst for justice and Christianity's tenet of forgiveness, the modern American opera DEAD MAN WALKING is an apt selection for the Washington National Opera this season. With a moving score by Jake Heggie and an honest, straightforward libretto by Terrence McNally, it is based on Sister Helen Prejean's 1993 memoir of her work as a spiritual advisor to death row inmates, including one in particular, Joseph De Rocher. The Kennedy Center production directed by Francesca Zambello marks the 50th international production of DEAD MAN WALKING, and it's a bold and haunting one.

Washington National Opera (WNO) continues its 2016-2017 season with the company premieres of two modern American masterworks of opera: Jake Heggie and Terrence McNally's Dead Man Walking, February 25-March 11, 2017 in the Opera House, and Terence Blanchard and Michael Cristofer's Champion, March 4- 18, 2017 in the Opera House. Both operas explore the theme of social justice which is often associated with John F. Kennedy and are presented as part of JFKC, the Kennedy Center's season-long celebration of President Kennedy's centennial. Using many of the same designers and scenic elements, the directors of each opera have worked collaboratively to create two distinct worlds in each new production to showcase the issues of Justice, Courage, and Freedom at the heart of these two compelling stories. An additional special event will continue the exploration of these themes: Justice Ruth Bader Ginsburg will headline Justice at the Opera on Thursday, March 9, 2017 in the Opera House.

The Harris Theater for Music and Dance, in association with Lyric Unlimited, has announced the return of Beyond the Aria - the highly acclaimed performance series produced by the Harris Theater which pairs internationally celebrated opera singers of Lyric's mainstage alongside rising stars from The Patrick G. and Shirley W. Ryan Opera Center at Lyric Opera of Chicago.

Lincoln Center and Ehrenkranz Artistic Director Jane Moss announced today the 50th Mostly Mozart Festival, one of the world's major music festivals and a beloved summer New York tradition, with events taking place across Lincoln Center July 22-August 27, 2016.

Lincoln Center and Ehrenkranz Artistic Director Jane Moss announced today the 50th Mostly Mozart Festival, one of the world's major music festivals and a beloved summer New York tradition, with events taking place across Lincoln Center July 22-August 27, 2016.

Washington Concert Opera is proud to continue its season of Italian masters with Gaetano Donizetti's LA FAVORITE in its original, rarely performed, French version (with English supertitles). At the height of his career and his creative genius, Donizetti wrote LA FAVORITE - one of the few operas with a mezzo-soprano in the title role. Set amidst the Moorish invasion of medieval Spain, it is filled with the passions of war, love, and sacrifice. 

The 68th season of the Festival d'Aix-en-Provence, under the leadership of General Manager Bernard Foccroulle, will present an international roster of artists in six major vocal productions plus an opera-in-concert from June 30 - July 20. New Festival productions this year are Mozart's Cosi fan tutte directed by Christophe Honore and conducted by Louis Langree with the Freiburger Barockorchester; Debussy's Pelleas et Melisande led by Esa-Pekka Salonen with the Philharmonia Orchestra; and completing the Festival's Handel Cycle, Il Trionfo del tempo e del disinganno conducted by Emmanuelle Haimwith Le Concert d'Astree. In addition, the 2016 season will feature a concert version of Rameau's Zoroastre with Raphael Pichon leading the orchestra and choir of the Ensemble Pygmalion.

Gary Naylor sees a demanding, but rewarding, cinema presentation of Mozart's enduring comic opera, The Marriage of Figaro.

On Sunday, June 14, San Francisco Opera begins a revival of Wolfgang Amadeus Mozart's sparkling comedy The Marriage of Figaro (Le Nozze di Figaro) as part of the Company's 2015 Summer Season.

On Sunday, June 14, San Francisco Opera begins a revival of Wolfgang Amadeus Mozart's sparkling comedy The Marriage of Figaro (Le Nozze di Figaro) as part of the Company's 2015 Summer Season. The production, featuring a stellar cast of dynamic, young singers, is conducted by Principal Guest Conductor Patrick Summers and continues through Sunday, July 5 at the War Memorial Opera House. In conjunction with these performances, San Francisco Opera returns to AT&T Park, home of the San Francisco Giants, for a free live simulcast of The Marriage of Figaro on Friday, July 3. BroadwayWorld has a first look at the cast onstage below!

The Metropolitan Opera's annual Summer HD Festival, which presents free outdoor screenings of operas on Lincoln Center Plaza each summer, will return with 10 screenings of performances featuring the company's leading artists in a varied selection of operas by Bartók, Bizet, Gounod, Mozart, Offenbach, Puccini, Tchaikovsky, and Verdi, running on consecutive nights from August 29 through September 7.

The shows must go on! Seattle Opera concludes its 2014/15 season with Richard Strauss' delightful opera-within-an-opera: Ariadne auf Naxos. A rich Seattleite is throwing a dinner party and asks his hired entertainment for the impossible: the capering troupe of comedians must combine their performance with an opera company's rendition of the mythical love and loss of the ancient Greek princess Ariadne. Comedy meets tragedy, and fireworks result!

I consider Mozart's DON GIOVANNI at the top of my list of favorite operas--the music starts to go through my head without much encouragement and gets stuck there. Yet, it's also one of the most problematic in performance, calling for a large group of A-list singers to do justice to the ripe and sometimes rollicking score--and frequently falling short. Luckily for current audiences at the Met, the cast is headed by Swedish baritone Peter Mattei, who already triumphed in Mozart at the Met this season in the new NOZZE DI FIGARO and there are enough other first-rate principals to make it work.

Alan Gilbert, music director of the New York Philharmonic, conducts Mozart's Don Giovanni with an internationally renowned cast led by Swedish baritone Peter Mattei, who is widely recognized as one of the world's foremost interpreters of the title role. South African soprano Elza van den Heever returns to the Met for the first time since her acclaimed debut two seasons ago as Queen Elizabeth I in Donizetti's Maria Stuarda. In Don Giovanni, she takes on the demanding role of Donna Anna, who seeks to exact revenge on the infamous rake who has killed her father. British sopranoEmma Bell returns as the lovelorn Donna Elvira and young American mezzo-soprano Kate Lindsey adds a new role to her Met repertory as the ingenue Zerlina. Russian tenor Dmitry Korchak makes his Met debut as Anna's patient fiance, Don Ottavio, and Italian bass-baritone Luca Pisaroni returns as Don Giovanni's comic sidekick, Leporello, a role that won him plaudits at the 2011 premiere of this production by Michael Grandage. Czech bass-baritone Adam Plachetka makes his Met debut as Masetto, and veteran James Morris sings the role of the Commendatore, following his triumph as Hans Sachs in Die Meistersinger von Nurnberg earlier this season. Sets and costume designs are by Christopher Oram, lighting by Paule Constable, and choreography by Ben Wright. At the final performance on March 6, Jennifer Check will sing Donna Elvira, and Ievgen Orlov will sing the Commendatore.

Following the final performances in his celebrated Nielsen Project and his triumphant Verdi Requiem with the New York Philharmonic, Alan Gilbert returns to the Metropolitan Opera for the first time in seven years to conduct ten performances of Mozart's Don Giovanni, from tonight, February 4 to March 6, leading Mozart's retelling of the Don Juan legend in Michael Grandage's production.

Following the final performances in his celebrated Nielsen Project and his triumphant Verdi Requiem with the New York Philharmonic, Alan Gilbert returns to the Metropolitan Opera for the first time in seven years to conduct ten performances of Mozart's Don Giovanni, from February 4 to March 6, leading Mozart's retelling of the Don Juan legend in Michael Grandage's production.

Following the final performances in his celebrated Nielsen Project and his triumphant Verdi Requiem with the New York Philharmonic, Alan Gilbert returns to the Metropolitan Opera for the first time in seven years to conduct ten performances of Mozart's Don Giovanni, from February 4 to March 6, leading Mozart's retelling of the Don Juan legend in Michael Grandage's production.

Is there another staple of major opera houses that's as big a mess as LES CONTES D'HOFFMAN by Jacques Offenbach? If there is, I can't think of it--but it doesn't keep it from being wildly enjoyable in the right hands. The Met's current production is entertaining, in spite of itself.

Offenbach's Les Contes d'Hoffmann will return to the Met stage January 12, with Italian tenor Vittorio Grigolo in his first company performances of the title role, a poet whose attempts at romance are repeatedly thwarted.

On Monday, November 17, 2014 at 10:00 p.m., New York Festival of Song presents a special NYFOS After Hours celebrating the record release of CANCIÓN AMOROSA: SONGS OF SPAIN with Corinne Winters and Steven Blier. The album is released the same day on GPR Records, distributed by Naxos.