Lawrence Edelson, Founder and Producing Artistic Director of American Lyric Theater (ALT), announced today that three composers, three librettists, and one dramaturg have been selected as Resident Artists to participate in the tenth anniversary season of the company's nationally acclaimed Composer Librettist Development Program (CLDP). The artists selected for this prestigious residency and training program are composers Shuying Li, Andy Tierstein, and Liliya Ugay; librettists Lorene Cary, Julian Crouch, and Lila Palmer; and dramaturg Antigoni Gaitana.
Lawrence Edelson, Founder and Producing Artistic Director of American Lyric Theater (ALT), announced today that three composers, three librettists, and one dramaturg have been selected as Resident Artists to participate in the tenth anniversary season of the company's nationally acclaimed Composer Librettist Development Program (CLDP). The artists selected for this prestigious residency and training program are composers Shuying Li, Andy Tierstein, and Liliya Ugay; librettists Lorene Cary, Julian Crouch, and Lila Palmer; and dramaturg Antigoni Gaitana.
To bring fresh new meaning to a play is a virtue, to do it to a musical score is sacrilege. But why? Why shouldn't musicians be as creative as actors? As part of PLAY, the 2016 Arts & Humanities Festival at King's College London, Helios Collective present a reimagined reading of Purcell's Dido & Aeneas as Dido & ….
The 2015-2016 season has everything audiences have come to expect from Brooklyn Art Song Society- first-rate performances from the finest young interpreters of song, innovative and ambitious programing, and intimate, unique venues in Brooklyn and beyond.
The 2015-2016 season has everything audiences have come to expect from Brooklyn Art Song Society- first-rate performances from the finest young interpreters of song, innovative and ambitious programing, and intimate, unique venues in Brooklyn and beyond.
Alan Gilbert, music director of the New York Philharmonic, conducts Mozart's Don Giovanni with an internationally renowned cast led by Swedish baritone Peter Mattei, who is widely recognized as one of the world's foremost interpreters of the title role. South African soprano Elza van den Heever returns to the Met for the first time since her acclaimed debut two seasons ago as Queen Elizabeth I in Donizetti's Maria Stuarda. In Don Giovanni, she takes on the demanding role of Donna Anna, who seeks to exact revenge on the infamous rake who has killed her father. British sopranoEmma Bell returns as the lovelorn Donna Elvira and young American mezzo-soprano Kate Lindsey adds a new role to her Met repertory as the ingenue Zerlina. Russian tenor Dmitry Korchak makes his Met debut as Anna's patient fiance, Don Ottavio, and Italian bass-baritone Luca Pisaroni returns as Don Giovanni's comic sidekick, Leporello, a role that won him plaudits at the 2011 premiere of this production by Michael Grandage. Czech bass-baritone Adam Plachetka makes his Met debut as Masetto, and veteran James Morris sings the role of the Commendatore, following his triumph as Hans Sachs in Die Meistersinger von Nurnberg earlier this season. Sets and costume designs are by Christopher Oram, lighting by Paule Constable, and choreography by Ben Wright. At the final performance on March 6, Jennifer Check will sing Donna Elvira, and Ievgen Orlov will sing the Commendatore.
Today, November 21, the Metropolitan Opera Guild's 80th Annual Luncheon presents 'Brava, Jessye!' to salute the legendary Jessye Norman, who recently wrote about her life in a memoir titled Stand Up Straight and Sing!
Since its inception Harris Center for the Arts has prided itself on bringing some of the world's best talent to Folsom. The Prague Philharmonic Choir, led by principal conductor Lukaš Vasilek, is a professional choral ensemble of almost 70 members which has been performing and recording all over the world for 79 years. It collaborates with renowned orchestras and conductors of the international music scene, and is considered one of the most popular choirs in Europe.
On Friday, November 21, the Metropolitan Opera Guild's 80th Annual Luncheon presents "Brava, Jessye!" to salute the legendary Jessye Norman, who recently wrote about her life in a memoir titled Stand Up Straight and Sing!
Music Director Alan Gilbert will conduct the New York Philharmonic in the New York Premiere of The Marie-Josee Kravis Composer-in-Residence Christopher Rouse's Requiem with baritone Jacques Imbrailo, the Westminster Symphonic Choir directed by Joe Miller, and the Brooklyn Youth Chorus directed by Dianne Berkun-Menaker.
Music Director Alan Gilbert will conduct the New York Philharmonic in the New York Premiere of The Marie-Josee Kravis Composer-in-Residence Christopher Rouse's Requiem with baritone Jacques Imbrailo, the Westminster Symphonic Choir directed by Joe Miller, and the Brooklyn Youth Chorus directed by Dianne Berkun-Menaker. The concert, Monday, May 5, 2014, at 7:30 p.m., will open the Spring For Music festival at Carnegie Hall, for which North American orchestras are invited to present one-night-only performances of unusual programming.
Music Director Alan Gilbert will conduct the New York Philharmonic in Beethoven's Symphony No. 9 and the U.S. Premiere of Mark-Anthony Turnage's Frieze - written in response to Beethoven's Ninth and co-commissioned by the Royal Philharmonic Society, New York Philharmonic, and BBC Radio 3 - tonight, October 3, 2013, at 7:30 p.m.; Friday, October 4 at 8:00 p.m.; Saturday, October 5 at 8:00 p.m.; Tuesday, October 8 at 7:30 p.m.; and Wednesday, October 9 at 7:30 p.m. Part of the Royal Philharmonic Society's 2013 bicentennial, this program reflects the New York Philharmonic's historic link to the Ninth Symphony: the Royal Philharmonic Society (RPS) commissioned the work in 1817, and the New York Philharmonic gave its U.S. Premiere in 1846, for which it commissioned the first English translation of 'Ode to Joy.'
Music Director Alan Gilbert will conduct the New York Philharmonic in Beethoven's Symphony No. 9 and the U.S. Premiere of Mark-Anthony Turnage's Frieze - written in response to Beethoven's Ninth and co-commissioned by the Royal Philharmonic Society, New York Philharmonic, and BBC Radio 3 - on Thursday, October 3, 2013, at 7:30 p.m.; Friday, October 4 at 8:00 p.m.; Saturday, October 5 at 8:00 p.m.; Tuesday, October 8 at 7:30 p.m.; and Wednesday, October 9 at 7:30 p.m. Part of the Royal Philharmonic Society's 2013 bicentennial, this program reflects the New York Philharmonic's historic link to the Ninth Symphony: the Royal Philharmonic Society (RPS) commissioned the work in 1817, and the New York Philharmonic gave its U.S. Premiere in 1846, for which it commissioned the first English translation of "Ode to Joy."
Ildar Abdrazakov takes the title role in Don Giovanni for the first time at the Met beginning November 28, conducted by Edward Gardner, in his second major Mozart role assumption of the season. The first revival of Michael Grandage's 2011 production features a cast of rising stars, almost all of whom make house role debuts in Mozart's classic opera of seduction, vengeance, and retribution. Other cast members singing their first Met performances of their roles include Susanna Phillips as Donna Anna,Emma Bell as Donna Elvira, Ekaterina Siurina as Zerlina, Charles Castronovo as Don Ottavio, Erwin Schrott as Leporello, and David Soar in his Met debut as Masetto; they are joined by Raymond Aceto as the vengeful Commendatore.
Spanish conductor Rafael Fruhbeck de Burgos returns to the New York Philharmonic to conduct music from two secular cantatas: selections from Falla's Atlantida, and Orff's complete Carmina burana - which the Orchestra has not performed since 1995 - tonight, May 31, 2012, at 7:30 p.m., Friday, June 1, at 8:00 p.m., and Saturday, June 2, at 8:00 p.m. The international cast that Mr. Fru?hbeck has assembled for these performances features American soprano Erin Morley, American tenor Nicholas Phan (in his Philharmonic debut), South African baritone Jacques Imbrailo (debut), the Spanish chorus Orpheo?n Pamplone?s, Igor Ijurra Ferna?ndez, director (debut), and the Brooklyn Youth Chorus, Dianne Berkun, director.
Spanish conductor Rafael Fruhbeck de Burgos returns to the New York Philharmonic to conduct music from two secular cantatas: selections from Falla's Atlantida, and Orff's complete Carmina burana - which the Orchestra has not performed since 1995 - Thursday, May 31, 2012, at 7:30 p.m., Friday, June 1, at 8:00 p.m., and Saturday, June 2, at 8:00 p.m. The international cast that Mr. Fru?hbeck has assembled for these performances features American soprano Erin Morley, American tenor Nicholas Phan (in his Philharmonic debut), South African baritone Jacques Imbrailo (debut), the Spanish chorus Orpheo?n Pamplone?s, Igor Ijurra Ferna?ndez, director (debut), and the Brooklyn Youth Chorus, Dianne Berkun, director.
Gilded Goldbergs, a reimagining of Bach's monumental Goldberg Variations, by the English composer Robin Holloway, will receive its New York premiere on Tuesday, February 7 at 7:30 p.m. at Weill Recital Hall at Carnegie Hall.
Gilded Goldbergs, a reimagining of Bach's monumental Goldberg Variations, by the English composer Robin Holloway, will receive its New York premiere on Tuesday, February 7 at 7:30 p.m. at Weill Recital Hall at Carnegie Hall.
