Donizetti's MARIA STUARDA is a chamber piece blown up to grand opera proportions. That was the takeaway from the new production--that centers on a fictional battle royal between Elizabeth I (Elisabetta) and her cousin Mary (Maria) Stuart, better known as Mary, Queen of Scots--at Barcelona's historic opera house, the Liceu. It stars the sensational Maria of American mezzo Joyce DiDonato, the highly charged Elisabetta of Spanish mezzo Silvia Tro Santafé and Mexican tenor Javier Camarena's sonorous Roberto.
On Wednesday 14 January 2015, at HUSH in Mayfair, the finalists of the International Opera Awards 2015 were announced. These were selected by the jury chaired by John Allison, editor of Opera magazine and classical music critic with The Daily Telegraph.
DALLAS — The Dallas Opera is proud to announce the five phenomenal mainstage productions of the 2015-2016 Season, “Seeking the Human Element,” to be presented in the magnificent Margot and Bill Winspear Opera House at the AT&T Performing Arts Center located in the Dallas Arts District.
The Dallas Opera is proud to announce the five phenomenal mainstage productions of the 2015-2016 Season, “Seeking the Human Element,” to be presented in the magnificent Margot and Bill Winspear Opera House at the AT&T Performing Arts Centerlocated in the Dallas Arts District.
The Dallas Opera is proud to announce the five phenomenal mainstage productions of the 2015-2016 Season, “Seeking the Human Element,” to be presented in the magnificent Margot and Bill Winspear Opera House at the AT&T Performing Arts Center located in the Dallas Arts District.
Watching an opera from the Met at The Ridgefield Playhouse when it is Live in HD is an exhilarating experience! There is also the bonus of behind-the-scenes tours of the revered Metropolitan Opera House with insightful commentary by some of the genre's most celebrated singers.
After a resoundingly successful fall season and the launch of its new holiday opera series with the world premiere of Iain Bell and Simon Callow's A Christmas Carol, Houston Grand Opera (HGO) rings in 2015 with two beloved productions: a reprise of Michael Grandage's knockout staging of Puccini's Madame Butterfly, which triumphed at its 2010 Houston debut, and the American premiere of Sir Nicholas Hytner's iconic English National Opera staging of Mozart's The Magic Flute in a revival directed by Ian Rutherford.
For New York opera-goers, what was the event of the year? Undoubtedly, John Adams's THE DEATH OF KLINGHOFFER, not only for the kerfuffle caused by the [unfounded] claims of anti-Semitism but for the opera's exciting debut at the Met. (The Met's contentious labor negotiations nearly edged it out, though.) As we head into the spring season, here's a look back at some of the performances that put a song in my heart, not in any particular order.
Renée Fleming will add a new role to her extensive repertory when she sings her first-ever performances of Hanna Glawari, the title role in Lehár's The Merry Widow, at the Met this season. Four-time Tony Award winner Susan Stroman makes her Met debut as director and choreographer of a new production of the comic operetta, in which a wealthy widow's countrymen launch a romantic plot to keep her -- and her tax dollars -- within their borders.
Renée Fleming will add a new role to her extensive repertory when she sings her first-ever performances of Hanna Glawari, the title role in Lehár's The Merry Widow, at the Met this season. Four-time Tony Award winner Susan Stroman makes her Met debut as director and choreographer of a new production of the comic operetta, in which a wealthy widow's countrymen launch a romantic plot to keep her -- and her tax dollars -- within their borders.
New Year's Eve will be celebrated in high style on ?medici.tv with a free webcast of superstar soprano Anna Netrebko and tenor Juan Diego Flórez in Emmerich Kálmán's operetta Die Csárdásfürstin (“The Gypsy Princess”), with the Staatskapelle Dresden under Christian Thielemann. Filmed live on December 28 and then webcast by medici.tv the next day, the performance will be available for free viewing up to 90 days afterward.
In early 2015, the celebrated mezzo-soprano Joyce DiDonato continues her multi-part Carnegie Hall Perspectives series showcasing her vocal creativity and multifaceted talents that range from programs of familiar and forgotten repertoire from the Baroque and bel canto eras to new works by Jake Heggie written expressly for her.
Renée Fleming will add a new role to her extensive repertory when she sings her first-ever performances of Hanna Glawari, the title role in Lehár's The Merry Widow, at the Met this season. Four-time Tony Award winner Susan Stroman makes her Met debut as director and choreographer of a new production of the comic operetta, in which a wealthy widow's countrymen launch a romantic plot to keep her -- and her tax dollars -- within their borders.
OPERA NEWS Editor in Chief F. Paul Driscoll today announced the recipients of the 10th Annual Opera News Awards. This year's honorees—Piotr Beczala, Ferruccio Furlanetto, Sondra Radvanosky, Samuel Ramey and Teresa Stratas—will be feted at a black tie gala celebration on Sunday, April 19, 2015 at the Plaza Hotel in New York City. Previous Opera News Award Winners Martina Arroyo,Gerald Finley and Susan Graham are among the presenters.
From January 13 to 17, Carnegie Hall's Weill Music Institute (WMI) presents The Song Continues, an annual series led by renowned mezzo-soprano Marilyn Horne, exploring song repertoire through master classes and concerts with the goal of encouraging, supporting, and preserving the art of the vocal recital. The series concludes with the Marilyn Horne Song Celebration, a recital featuring special guest artists mezzo-soprano Susan Graham and pianist Brian Zeger on Saturday, January 17 at 7:30 p.m. in Zankel Hall. The evening's concert also features performances by soprano Alison King, mezzo-soprano Cecelia Hall, tenor Russell Thomas, baritone Edward Parks, and pianists Keun-A Lee, Ken Noda, Renate Rohlfing, and Peter Walsh. Complete program information is listed below.
San Francisco, November 24, 2014 – Acclaimed contemporary opera company Opera Parallèle will open its 2015 season with the premiere of a new production of Jake Heggie's landmark work Dead Man Walking—marking the 15th anniversary of one of the most widely performed operas of the 21st century—in three performances Friday and Saturday, February 20 and 21, 2015 at 8 pm and Sunday, February 22, 2015 at 2 pm at YBCA Theater in San Francisco. Based on Sister Helen Prejean's memoir and passionate statement against capital punishment of the same title, Dead Man Walking plumbs the depths of human emotion, resilience, fortitude, hope, and redemption, making it an ideal subject for the operatic stage and for Opera Parallèle's brand of story-telling, exploring the human experience in provocative and intense stagings. The premiere will be followed by the Company taking to the road for the first time to present a concert version of Dead Man Walking at the Broad Stage in Santa Monica, CA, March 7 and 8, 2015.