The Metropolitan Opera announced plans for a series of free outdoor events this summer: operatic recitals that will take place in parks throughout the city and encore screenings of the Met's popular HD shows in Lincoln Center Plaza.
Director Michael Grandage, designer Christopher Oram and lighting designer Neil Austin - the creative team responsible for Houston Grand Opera's (HGO) new production of Puccini's Madame Butterfly - swept the prestigious Tony Awards Sunday night in New York City with six awards for their Broadway production of John Logan's Red.
The Metropolitan Opera announced plans for a series of free outdoor events this summer: operatic recitals that will take place in parks throughout the city and encore screenings of the Met's popular HD shows in Lincoln Center Plaza.
21C Media Group is representing Joseph Calleja, handling his media and public relations. The Maltese singer's recent successes include runs at New York's Metropolitan Opera, where he 'brought the house down' in Donizetti's L'elisir d'amore (Classical TV) and 'gave his all, singing with ardor, stamina, and poignant vocal colorings and winning a rousing ovation' in the title role of Bartlett Sher's new production of Offenbach's Tales of Hoffmann (Anthony Tommasini, New York Times). For more information visit http://www.josephcalleja.com/index.php.
Alban Berg's modernist masterpiece Lulu returns to the Met, starring Marlis Petersen as the scandalous femme fatale and conducted by the Met's newly appointed Principal Guest Conductor Fabio Luisi.
Alban Berg's modernist masterpiece Lulu returns to the Met, starring Marlis Petersen as the scandalous femme fatale and conducted by the Met's newly appointed Principal Guest Conductor Fabio Luisi.
Verdi's La Traviata returns to the Met with Angela Gheorghiu reprising her acclaimed interpretation of Violetta, a role the New York Times called a 'supercharged star turn' when she performed it in 2006.
L'elisir d'amore will be directed by Cesare Lieve, making his first appearance at the NNTT. There is great anticipation to see Lieve's rendering of this melodramma. Conducting will be Paolo Olmi, a man known for his masterful work in Italian opera. It will be Olmi's first return to the NNTT since 2002, some eight years ago. The role of Adina will be played by Tatiana Lisnic, who has worked with the Wiener Staatsoper as a permanent and guest artist since 2003. In the role of Nemorino will be Joseph Calleja, an artist currently performing in the great opera houses of Europe and scheduled soon to perform at New York's Metropolitan Opera.
Rossini's rarely performed Armida has its Met premiere on April 12 with a gala performance of Mary Zimmerman's new production. Renowned soprano Renée Fleming stars as the mythological sorceress, Armida, one of the greatest virtuoso roles from the bel canto repertory. Fleming is joined by Lawrence Brownlee, who sings Armida's chief love interest, Rinaldo, and five more tenors in the roles of the crusader knights. José Manuel Zapata portrays Rinaldo's deadly rival Gernando.
Ambroise Thomas's Hamlet returns to the Met stage for its first performances since 1897, with the powerful pairing of Simon Keenlyside in the title role and Marlis Petersen as Ophélie. Keenlyside's acclaimed interpretation of Hamlet in Geneva, London and Barcelona finally arrives in the United States, with a performance in the Patrice Caurier and Moshe Leiser production that was hailed by the British press as 'magnificent . . . sheer vocal genius.' Petersen, who steps in for Natalie Dessay, brings her haunting portrayal of Ophélie to the Met; she earned praise for the role during a 2006 run of Hamlet in Düsseldorf. Louis Langrée conducts a cast that includes Jennifer Larmore as Gertrude, Toby Spence in his Met debut as Laërte, and James Morris in the role of Claudius. Jane Archibald, in her Met debut, sings the role of Ophélie on April 5 and 9. The creative team is rounded out by Christian Fenouillat with set designs, Agostino Cavalca with costume designs, and Christophe Forey with lighting designs, all in their Met debuts. Performances run through April 9, with the March 27 matinee shown worldwide as part of The Met: Live in HD
Rossini's rarely performed Armida has its Met premiere on April 12 with a gala performance of Mary Zimmerman's new production. Renowned soprano Renée Fleming stars as the mythological sorceress, Armida, one of the greatest virtuoso roles from the bel canto repertory. Fleming is joined by Lawrence Brownlee, who sings Armida's chief love interest, Rinaldo, and five more tenors in the roles of the crusader knights. José Manuel Zapata portrays Rinaldo's deadly rival Gernando.
James Levine has withdrawn from the four performances of Tosca and three performances of Lulu he was scheduled to conduct in April and May. He is to undergo corrective surgery for an ongoing lower back problem. Fabio Luisi will replace Levine for both Tosca (April 14, 17, 20, and 24 mat.) and Lulu (May 8, 12, 15 mat.).
Verdi's La Traviata returns to the Met with Angela Gheorghiu reprising her acclaimed interpretation of Violetta, a role the New York Times called a 'supercharged star turn' when she performed it in 2006.
The Metropolitan Opera's new production of Offenbach's Les Contes d'Hoffmann, conducted by Met Music Director James Levine and directed by Tony Award winner Bartlett Sher, premieres on THIRTEEN'S Great Performances at the Met series.
The Metropolitan Opera announced today that it has been awarded a $1.1 million endowment grant from the Lauritz Melchior Heldentenor Foundation, which is dissolving and turning over its assets to the Met.
Ambroise Thomas's Hamlet returns to the Met stage for its first performances since 1897, with the powerful pairing of Simon Keenlyside in the title role and Marlis Petersen as Ophélie. Keenlyside's acclaimed interpretation of Hamlet in Geneva, London and Barcelona finally arrives in the United States, with a performance in the Patrice Caurier and Moshe Leiser production that was hailed by the British press as 'magnificent . . . sheer vocal genius.' Petersen, who steps in for Natalie Dessay, brings her haunting portrayal of Ophélie to the Met; she earned praise for the role during a 2006 run of Hamlet in Düsseldorf. Louis Langrée conducts a cast that includes Jennifer Larmore as Gertrude, Toby Spence in his Met debut as Laërte, and James Morris in the role of Claudius. Jane Archibald, in her Met debut, sings the role of Ophélie on April 5 and 9. The creative team is rounded out by Christian Fenouillat with set designs, Agostino Cavalca with costume designs, and Christophe Forey with lighting designs, all in their Met debuts. Performances run through April 9, with the March 27 matinee shown worldwide as part of The Met: Live in HD
L'elisir d'amore will be directed by Cesare Lieve, making his first appearance at the NNTT. There is great anticipation to see Lieve's rendering of this melodramma. Conducting will be Paolo Olmi, a man known for his masterful work in Italian opera. It will be Olmi's first return to the NNTT since 2002, some eight years ago. The role of Adina will be played by Tatiana Lisnic, who has worked with the Wiener Staatsoper as a permanent and guest artist since 2003. In the role of Nemorino will be Joseph Calleja, an artist currently performing in the great opera houses of Europe and scheduled soon to perform at New York's Metropolitan Opera.
Ambroise Thomas's Hamlet returns to the Met stage for its first performances since 1897, with the powerful pairing of Simon Keenlyside in the title role and Marlis Petersen as Ophélie. Keenlyside's acclaimed interpretation of Hamlet in Geneva, London and Barcelona finally arrives in the United States, with a performance in the Patrice Caurier and Moshe Leiser production that was hailed by the British press as 'magnificent . . . sheer vocal genius.' Petersen, who steps in for Natalie Dessay, brings her haunting portrayal of Ophélie to the Met; she earned praise for the role during a 2006 run of Hamlet in Düsseldorf. Louis Langrée conducts a cast that includes Jennifer Larmore as Gertrude, Toby Spence in his Met debut as Laërte, and James Morris in the role of Claudius. Jane Archibald, in her Met debut, sings the role of Ophélie on April 5 and 9. The creative team is rounded out by Christian Fenouillat with set designs, Agostino Cavalca with costume designs, and Christophe Forey with lighting designs, all in their Met debuts. Performances run through April 9, with the March 27 matinee shown worldwide as part of The Met: Live in HD
Dmitri Shostakovich's The Nose has its Metropolitan Opera premiere on March 5 at 8:00 pm, conducted by Valery Gergiev, in a visually arresting new production by artist William Kentridge that features original collage, film, sculpture, and massive projections of the artist's drawings and prints. Making his Met debut, baritone Paulo Szot performs the role of Kovalyov in the story of the Russian official who wakes one morning to discover his nose has disappeared (and taken on a higher bureaucratic rank). Based on the short story of the same name by Nikolai Gogol, the opera is what Kentridge has called an exploration of "learning from the absurd." In this production, visuals include renderings of Soviet workers, snatches of newspaper, and projections of propaganda - as well as the missing appendage in adventures ranging from delivering a speech to riding a horse.
The Metropolitan Opera's new production of Offenbach's Les Contes d'Hoffmann, conducted by Met Music Director James Levine and directed by Tony Award winner Bartlett Sher, premieres on THIRTEEN'S Great Performances at the Met series.
