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New Repertory Theatre presents David Mamet's OLEANNA

New Repertory Theatre presents Oleanna, October 14-November 5, 2017 in the MainStage Theater at the Mosesian Center for the Arts, 321 Arsenal Street, Watertown, MA. Tickets are $35-$65 and may be purchased by calling the New Rep Box Office at 617-923-8487 or visiting newrep.org. Student, senior, and group discounts are available. Subscription packages that include Oleanna are also available.

BWW Review: FENCES at Mad Cow Theatre

FENCES at Mad Cow gives the audience a snapshot of the life of Troy Maxson, a garbage worker struggling to support his family. The show explores themes such as family, discrimination, death and loyalty.

Mad Cow Theatre Presents August Wilson's Award-Winning Drama FENCES

Mad Cow Theatre is delighted to announce its upcoming production of August Wilson's Fences, the award-winning American drama, directed by Tony Simotes, which will take the Harriett stage August 4 as the ninth production of Mad Cow Theatre's Season 20.

FENCES Comes to Mad Cow Theatre

Mad Cow Theatre is delighted to announce its upcoming production of August Wilson's Fences, the award-winning American drama, directed by Tony Simotes, which will take the Harriett stage August 4 as the ninth production of Mad Cow Theatre's Season 20.

BWW Review: BANK JOB: For Want of an Exit Strategy

Gloucester Stage Company opens it 38th season with the New England premiere of John Kolvenbach's play about a pair of brothers who decide to try robbing a bank in an unwise career move. Taking the money turns out to be much easier than finding a way out of the executive washroom. A sympathetic bank teller, a cooperative cop, and a hostage who harbors some secrets all play a part in determining a convoluted outcome.

New England Premiere Opens Gloucester Stage 2017 Season

Gloucester Stage Company kicks off its 38th season of professional theater on Cape Ann with the New England Premiere of John Kolvenbach's Bank Job from May 19 through June 10 at 267 East Main Street, Gloucester, MA. For two brothers, Russell and Tracey, new to the armed robbery industry, what seems like easy money turns out to be a lot more difficult than it looks in the movies in John Kolvenbach's hilarious Bank Job. When heist plans A and B (and C through F) fail, the brothers find themselves locked in the executive bathroom with no way out and no choice but to depend on a brave bank teller, a guileless cop, and the man in the shadows who put them up to the whole thing. A fun comedy, Bank Job is about the holes we dig ourselves into-and the unexpected comrades we trust to dig us out. Directed by GSC Artistic Director Robert Walsh and featuring GSC veterans Johnny Lee Davenport, Nael Nacer, Richard McElvain and Paul Melendy and GSC newcomer Shuyi Jia..

New Repertory Theatre Announces 2017-2018 Season: Resilience

Featuring nine productions, New Rep's 2017-2018 season includes Ideation, a dark satirical comedy and Boston-area premiere; Oleanna, David Mamet's groundbreaking drama, featuring Johnny Lee Davenport; Man of La Mancha, a revival of the Tony award-winning musical, featuring Maurice Emmanuel Parent; Unveiled, a one-woman show written and performed by Rohina Malik and co-produced with Stoneham Theatre; Statements After an Arrest Under the Immorality Act, and engaging political drama by Athol Fugard; Lonely Planet, an evocative social drama by Steven Dietz; Ripe Frenzy, a site-specific drama and Boston-area premiere; The Bakelite Masterpiece, a riveting historical drama and Boston-area premiere; and Two Jews Walk into a War…, a hilarious existential comedy featuring Jeremiah Kissel.

BWW Review: New Rep's Prophetic Portraits Series: BRECHT ON BRECHT

BRECHT ON BRECHT is the second in New Rep's series of Prophetic Portraits, following Johnny Lee Davenport's acclaimed portrayal in last month's THURGOOD. Brecht's art focuses on his experiences in Berlin, his flight from Nazism, and his life as an expatriate in America, where he faced accusation by the House Un-American Activities Committee. The 90-minute show is a revue of words and music, arranged by George Tabori, with direction by Jim Petosa and music direction by Matthew Stern.

BWW Review: Johnny Lee Davenport Measures Up in THURGOOD

Johnny Lee Davenport and Director Benny Sato Ambush collaborate for a powerful production of George Stevens, Jr.'s THURGOOD in its area premiere at New Repertory Theatre in Watertown. Together, they create a humanized portrait of Thurgood Marshall, the first African-American Supreme Court Justice, that is at once relatable and larger-than-life. It is also a reminder that one man can make a difference if he is determined and perseveres.

Carson Elrod and More Tapped for THE MERRY DEVIL OF EDMONTON at Red Bull Theater

Red Bull Theater today announced the cast for their next Revelation Reading on Monday January 23rd (7:30pm) at the Lucille Lortel Theatre (121 Christopher Street): William Shakespeare's (we think) THE MERRY DEVIL OF EDMONTON, directed by Ben Prusiner and featuring Opal Alladin, Sheila Bandyopadhyay, Johnny Lee Davenport, Dan de Jesus, Carson Elrod, Rebecca S'manga Frank, Adam Green, Andrus Nichols, Sarah Rice, David Ryan Smith, Derek Smith, Raphael Nash Thompson, Ryan Brooke Taylor, Sam Tsoutsouvas, Andrew Weems, and more.

Underground Railway Theater Presents WHEN JANUARY FEELS LIKE SUMMER

Underground Railway Theater is proud to present Cori Thomas' When January Feels Like Summer from October 20 - November 13, 2016. When January Feels Like Summer is directed by Benny Sato Ambush. The press performance isMonday, October 24 at 7:30PM.

BWW Review: APT'S DEATH OF A SALESMAN Foreshadows Demise of the American Dream

Arthur Miller's 1949 Pulitzer Prize winning play Death of a Salesman might be considered by critics the most influential play of the 20th century. American Players Theatre presents a visceral, gut-wrenching production at the Up the Hill Theatre, the scenery drenched in depression glass colored green.: A green bedspread on a tarnished brass bed, a green ice box stands behind a humble green table and four chairs. Envisioned by Scenic Designer Michael Ganio, did he and veteran Director Kenneth Albers infer Willy Loman suffer from depression, was green with envy for his his brother Ben and friend Charley? Or did this particular hue represent the institutional green characterizing hospitals and mental asylums in the '40's and '50's symbolizing the breakdown between a person's memory and reality that Willy and his family struggle with?

BWW Review: BOOTYCANDY: Shock Therapy

The New England premiere of Robert O'Hara's BOOTYCANDY at SpeakEasy Stage Company is based on the author's own experiences of growing up black and gay in America. Similar in structure and tone to THE COLORED MUSEUM, it is a series of loosely connected vignettes that rely on humor and satire to confront racial, sexual, and cultural stereotypes. Summer L. Williams directs an outstanding cast of five actors who portray nearly two dozen characters.

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