John Martin News

Peter Capaldi (Doctor Who, The Thick Of It, Paddington) will star in Martin's Close, airing this Christmas on BBC Four.

A spoiled prince (played by Fred Johanson) has turned into a beast as a punishment for his rudeness and stinginess. To regain human form, he must learn to love - and deserve to be loved. And he must do it before the time runs out ... To his aid he has all the enchanted inhabitants of the castle.

A spoiled prince (played by Fred Johanson) has turned into a beast as a punishment for his rudeness and stinginess. To regain human form, he must learn to love - and deserve to be loved. And he must do it before the time runs out ... To his aid he has all the enchanted inhabitants of the castle.

When the Rodgers and Hart musical, 'I Married An Angel,' opened in May of 1938, choreography by way of Mr. George Balanchine, Brooks Atkinson, the critic of the New York Times, rained applause down: '...George Balanchine has designed his most gorgeous ballet patterns...the central part of the Angel is played by Vera Zorina, whose grace as a dancer is informed with imagination and awareness.

It's become second-nature for many in the dance world to refer to Jerome Robbins as a second rate choreographer these days. Or should I say even 40 years ago?

The wait is finally over!!! An artistic director for New York City Ballet has been named. Or should I say, two artistic directors?

As the opening night draws closer, Trinity Theatre's production of Stiles & Drewe's musical THE WIND IN THE WILLOWS, we join them in their final rehearsals.

American Dream, the future of retail and entertainment, is excited to announce the world's first MUNCHIES, the food and culture site from VICE. With over 38,000 square feet and 18 vendors, the MUNCHIES Food Hall will be a platform for creative and diverse culinary talent, selected with MUNCHIES signature youth-driven perspective.

The American Dance Festival (ADF) will convene a panel titled “Why Do They Fall Down? The Story of Modern Dance in China” to celebrate 30 years of modern dance in China. Panelists include Director Emeritus of ADF Charles L. Reinhart, Yang Meiqi, the founder and former director of the first modern dance company in China, China's foremost dance expert Ou Jian-Ping, Ralph Samuelson, former director of the Asian Cultural Council, Michelle Vosper, former director of the Asian Cultural Council in Hong Kong, internationally celebrated choreographer Shen Wei, and former José Limón Company dancer Sarah Stackhouse.

Global entertainment, sports and news content leader Turner will have its brand portfolio on full display at the 2018#TurnerUpfront on May 16, hosted at The Theater at Madison Square Garden in New York City.

The Folk Music Society of NY presents Martin Carthy and John Doyle, in concert, Thursday, Apr. 26th, 2018, 7:30PM at the Second Presbyterian Church, 96th St & Central Park West, Manhattan

Carnegie Hall's The '60s: The Years that Changed America, a citywide festival from January 14-March 24, 2018, continues in February with an exciting array of events to be presented at Carnegie Hall and at more than 35 leading partner cultural institutions throughout New York City and beyond. This special exploration of the '60s invites audiences to explore this turbulent decade through the lens of arts and culture, including music's role as a meaningful vehicle to inspire social change.

Is 2018 the Year of a Swedish House Mafia Reunion?

I've seen The Phantom of the Opera around 25 times and it's really one of my favorite musicals. The music is amazing, the clothes are wonderful and the storyline is classic with the beauty and the beast, the hero. The fragile Christine, who is abducted by the horrible phantom but rescued by her youth love but the fragile side of the Phantom is shown and she is torn between them. It has been played the same way since 1986 and Andrew Lloyd Webber and The Really Useful Group have kept firm in how it gets played and staged, by who, where and when. But when the Finnish National Opera was going to play it, they got permission to make a new adoption of it. The creative team, Tiina Puumalainen director, ??Teppo J rvinen scenographer, Marjaana Mutanen, costume designer, Osku Heiskane choreographer, Teemu Nurmelin light designer and Andreas 'Stanley' L nnquist and Sakari Kiiski sound designer, create a totally reworked musical. It started playing in Finland and was transferred the 23rd of September 2017 to Sweden and the Opera in Gothenburg. As I wanted to see Fred Johanson as the Phantom and John Martin Bengtsson as Raoul, I had to find a date when they played in the same performance, and the date was set for December 9th. Before I saw it, I had seen some pictures that appear on the website and in press and I have to say that I was both excited and curious about what to expect. I've seen the musical so many times so it feels like I know every sequin on the fantastic dresses and when an eyebrow is to be raised so it was with mixed feelings I booked the ticket. Should I like the changes or not? I had no doubt that Fred and John Martin would deliver as I seen them several times. Fred lastest in Sunset Boulevard on West End in London. The same role as he did on Broadway this year with Glenn Close. John Martin was understudy to both The Phantom and Raoul in Stockholm this year and I had the privilege to see him as Phantom. Both has absolutely amazing voices. But for the new adoption I was not sure...

Celebrated as one of America's preeminent landscape painters, Thomas Cole (1801 1848) was born in northern England at the start of the Industrial Revolution, emigrated to the United States in his youth, and traveled extensively throughout England and Italy as a young artist. He returned to America to create some of his most ambitious works and inspire a new generation of American artists, launching a national school of landscape art. Opening January 30 at The Metropolitan Museum of Art, the exhibition Thomas Cole's Journey: Atlantic Crossings will examine, for the first time, the artist's transatlantic career and engagement with European art. With Cole's masterwork The Oxbow (1836) as its centerpiece, the exhibition will feature more than three dozen examples of his large-scale landscape paintings, oil studies, and works on paper.