have been and where we are going? Or how certain kinds of music fit into this diverse universe of sound? These are some of the important questions that music raises, and each year, Pacific Symphony, led by Music Director Carl St.Clair, attempts to shed light on the answers by exploring a different facet of American music through the American Composers Festival (ACF). This year's ACF spotlights organ music through four highly acclaimed organists and the splendor of the king of instruments-in this case, the one-of-a-kind William J. Gillespie Concert Organ, located in the Renee and Henry Segerstrom Concert Hall. Built from steel, tin, oak, poplar, maple, lead and carbon fiber, the astounding instrument found in the Symphony's concert hall required three years and 42,000 hours of labor by a team of organ builders at C.B Fisk in Gloucester, Mass., before making its debut with Pacific Symphony in 2008.
?Today, the Pittsburgh Symphony Orchestra announced the 2016-2017 BNY Mellon Grand Classics season, the orchestra's 121st year since its founding and its ninth season under the leadership of Music Director Manfred Honeck.
The Houston Symphony's 2016-17 season, Andres Orozco-Estrada's third season as music director, celebrates more than a century of leadership in Houston's cultural landscape. In its 103rd year, the Houston Symphony announced the upcoming season at Jones Hall on Monday, January 25, in front of several hundred guests and supporters, emphasizing the institution's ongoing collaboration with living composers, a continued focus on new music, a renewed concentration on innovative programming, and world-class musicianship and entertainment. Houston Symphony Music Director Orozco-Estrada, Principal POPS Conductor Michael Krajewski, and Executive Director/CEO Mark C. Hanson were on hand to unveil the new season and share their favorite highlights.
The Houston Symphony's 2016-17 season, Andres Orozco-Estrada's third season as music director, celebrates more than a century of leadership in Houston's cultural landscape. In its 103rd year, the Houston Symphony announced the upcoming season at Jones Hall on Monday, January 25, in front of several hundred guests and supporters, emphasizing the institution's ongoing collaboration with living composers, a continued focus on new music, a renewed concentration on innovative programming, and world-class musicianship and entertainment.
Parsons Dance is now at The Joyce Theater through January 31st. This extraordinary contemporary company is presenting two programs to be enjoyed by dance enthusiasts.
have been and where we are going? Or how certain kinds of music fit into this diverse universe of sound? These are some of the important questions that music raises, and each year, Pacific Symphony, led by Music Director Carl St.Clair, attempts to shed light on the answers by exploring a different facet of American music through the American Composers Festival (ACF). This year's ACF spotlights organ music through four highly acclaimed organists and the splendor of the king of instruments—in this case, the one-of-a-kind William J. Gillespie Concert Organ, located in the Renée and Henry Segerstrom Concert Hall. Built from steel, tin, oak, poplar, maple, lead and carbon fiber, the astounding instrument found in the Symphony's concert hall required three years and 42,000 hours of labor by a team of organ builders at C.B Fisk in Gloucester, Mass., before making its debut with Pacific Symphony in 2008.
German conductor Christoph Konig leads the Pittsburgh Symphony Orchestra and American violinist Tim Fain in a program featuring the Pittsburgh premiere of Philip Glass's 'The American Four Seasons,' during BNY Mellon Grand Classics: Beethoven's Pastoral this weekend, January 15, 16 and 17 at Heinz Hall.
German conductor Christoph Konig leads the Pittsburgh Symphony Orchestra and American violinist Tim Fain in a program featuring the Pittsburgh premiere of Philip Glass's "The American Four Seasons," during BNY Mellon Grand Classics: Beethoven's Pastoral on January 15, 16 and 17 at Heinz Hall.
The Young People's Chorus of New York City led by Artistic Director and Founder Francisco J. Nuñez brightens the December holidays with concerts, television appearances, and recordings to give and enjoy. It all begins today, December 2, when the YPC choristers perform on both the local and national telecasts of this year's 'Christmas in Rockefeller Center' at 7 p.m. on NBC-TV.
The Young People's Chorus of New York City led by Artistic Director and Founder Francisco J. Núñez brightens the December holidays with concerts, television appearances, and recordings to give and enjoy. It all begins Wednesday, December 2, when the YPC choristers perform on both the local and national telecasts of this year's “Christmas in Rockefeller Center” at 7 p.m. on NBC-TV.
They were the brand name on every woman's lips. Goodman Theatre announces it will produce the world premiere of War Paint, a new musical that charts the ascent and arch-rivalry of cosmetics entrepreneurs Helena Rubinstein and Elizabeth Arden. Patti LuPone, who 'generates more raw excitement than any other performer on Broadway' (The New York Times), and Christine Ebersole, a 'first-class, revitalizing master of period style' (The New York Times), respectively star as Rubinstein and Arden, the brilliant innovators with humble roots who shrewdly navigated the 1930s male-dominated business world to forever change the business of beauty. Directed by Michael Greif (Rent, Next to Normal, If/Then, Grey Gardens), War Paint reunites Scott Frankel and Michael Korie-the acclaimed composer and lyricist team of Grey Gardens and Far From Heaven-with Tony Award and Pulitzer Prize-winning playwright Doug Wright (Grey Gardens, I Am My Own Wife, The Little Mermaid). The musical is inspired by the book, War Paint, by Lindy Woodhead and the documentary film, The Powder & the Glory, by Ann Carol Grossman and Arnie Reisman.
The Vocal Arts Ensemble (VAE) and Cincinnati Chamber Orchestra (CCO) will join together Friday, November 13 at Christ Church Cathedral at 8:00 P.M and again Sunday, November 15 at St. Catherine of Siena at 4:00 P.M. Lead by VAE's Grammy Award- winning Music Director Craig Hella Johnson, the VAE and CCO will be delighting audiences with a performance of Bach's vocal masterpiece Mass in B Minor.
Visionary director Julie Taymor curates and hosts the first National Sawdust+ concert tonight, November 6 at 7:30pm. MADE IN BROOKLYN, an evening inspired by that artistically fertile corner of New York City, will feature music by Brooklyn-born composers including the great George Gershwin and Oscar-winners Aaron Copland, John Corigliano and Elliot Goldenthal. The concert will feature the world concert premiere of Goldenthal's String Quartet No. 1 'The Stone Cutters' performed by Flux Quartet, the 'Chaconne' from Corigliano's Academy Award-winning score for The Red Violin, performed by Tim Fain & Stephen Gosling, and much more.
Texas Performing Arts presents a screening of the1931 film FRANKENSTEIN, starring Boris Karloff as the Frankenstein monster, featuring a new film score by composer Michael Shapiro performed by The University of Texas Wind Ensemble, Jerry F. Junkin, conductor. The first half of the program features the UT Wind Ensemble performing Bach's Toccata and Fugue in D Minor and Dukas' The Sorcerer's Apprentice, with video projections designed by UT graduate Stephanie Busing.
Now in its third year, Happy Hour concerts offer free, informal, after-work concerts performed by the Columbus Symphony, preceded by complimentary appetizers, a DJ in the theatre lobby, and a cash bar. Conducted by the CSO's new Music Director Rossen Milanov, the first Happy Hour concert of the 2015-16 season will be at the Ohio Theatre today, October 29, and will be in partnership with Earshot, The National Orchestral Composition Discovery Network, to present a live Composers' Competition. The CSO will perform four new music compositions from four emerging composers, and ask the audience to vote for their favorite. A professional jury will select an official winner of the competition.
This week's mystery caller in the FUNNY OR DIE series 'Adele gets a call from...' is none other than Broadway diva Patti LuPone. Click below to hear her belt a segment of 'Buenos Aires' from EVITA!
From May 23 to June 11, 2016, the New York Philharmonic and Music Director Alan Gilbert will present the second NY PHIL BIENNIAL, a wide-ranging exploration of today's music by an array of contemporary and modern composers. A flagship project of the New York Philharmonic, the NY PHIL BIENNIAL brings together an international roster of composers, performers, and curatorial voices for concerts presented both on the Lincoln Center campus and in venues throughout the city.
From May 23 to June 11, 2016, the New York Philharmonic and Music Director Alan Gilbert will present the second NY PHIL BIENNIAL, a wide-ranging exploration of today's music by an array of contemporary and modern composers. A flagship project of the New York Philharmonic, the NY PHIL BIENNIAL brings together an international roster of composers, performers, and curatorial voices for concerts presented both on the Lincoln Center campus and in venues throughout the city.
Texas Performing Arts presents a screening of the1931 film FRANKENSTEIN, starring Boris Karloff as the Frankenstein monster, featuring a new film score by composer Michael Shapiro performed by The University of Texas Wind Ensemble, Jerry F. Junkin, conductor. The first half of the program features the UT Wind Ensemble performing Bach's Toccata and Fugue in D Minor and Dukas' The Sorcerer's Apprentice, with video projections designed by UT graduate Stephanie Busing.
Visionary director Julie Taymor will curate and host the first National Sawdust+ concert on Friday, November 6 at 7:30pm. MADE IN BROOKLYN, an evening inspired by that artistically fertile corner of New York City, will feature music by Brooklyn-born composers including the great George Gershwin and Oscar-winners Aaron Copland, John Corigliano and Elliot Goldenthal. The concert will feature the world concert premiere of Goldenthal's String Quartet No. 1 'The Stone Cutters' performed by Flux Quartet, the 'Chaconne' from Corigliano's Academy Award-winning score for The Red Violin, performed by Tim Fain & Stephen Gosling, and much more.
