John Cage News

After a national search, Florida Grand Opera (FGO) has chosen three new singers for the 2018-19 FGO Studio. One of the most respected and highly competitive studio programs in the nation, the FGO Studio, led by Artistic Directors Diana Soviero and Bernard Uzan, provides comprehensive career development to emerging artists who have demonstrated potential to make major contributions to the field of opera

This concert embodied the bountiful extended potential of the piano - the now "classic avant-garde" prepared piano of John Cage; George Crumb, the venerable master still discovering new means of expression within his inimitable style; and Kelly Moran's latest contribution to the prepared piano repertoire alongside Suzanne Farrin's bold forays into new sonic territory.

The NYTB REP program with a World Premiere by Richard Alston has now added encore performances of three of Jerome Robbins' rarely seen ballets: Septet, Concertino and Rondo, recently performed in sold-out shows in The Harkness Dance Festival 2018 at 92Y. The program will feature live music for all works.

New York Theatre Ballet (NYTB) continues their 39th Season with REP at Florence Gould Hall, 55 E. 59th Street, NYC, on April 27 & 28, 2018 at 7:30pm. Tickets are $29 ($14 for students and seniors) and may be purchased at http://nytb.org/calendar-and-tickets/view/REP/ or by calling (212) 355-6160.   Diana Byer, Founder and Artistic Director of NYTB, is dedicating the evening to long-time friend and colleague, the late David Vaughan (1924-2017), a dance historian, critic, lecturer, and performer. She has titled the REP evening David's Favorites.  

New York Theatre Ballet (NYTB) continues their 39th Season with REP at Florence Gould Hall, 55 E. 59th Street, NYC, on April 27 & 28, 2018 at 7:30pm. Tickets are $29 ($14 for students and seniors) and may be purchased at http://nytb.org/calendar-and-tickets/view/REP/ or by calling (212) 355-6160.

Continuing a long tradition of presenting world-class performances to The University of Texas at Austin and the Central Texas community, Texas Performing Arts unveils the 2018-19 Essential Series season. This is the 10th since the renovation of Bass Concert and changing our name to Texas Performing Arts.

Grammy Award winning producer CID and Gossip Records' Greg Bahary deliver their infectious rendition of The Flying Lizards 1979 hit single, 'Money'.

Merce Cunningham is widely considered one of the most important choreographers of all time. Throughout his 70-year career, he continued to innovate, helping to drive the evolution of the American avant-garde and expanding the frontiers of contemporary visual and performance arts.

From the band's formation by the late Damon Edge in 1975, joined by longtime vocalist/guitarist Helios Creed in '77, Chrome has developed a unique methodology within the band, bringing art into sound, splicing in a Sci-Fi collage of sound bites, combining searing rock with noise, weirdness, pile driver rhythms (including scrap metal percussion), heavy rhythm-guitar riffs, effects-laden vocals, psychedelic guitar leads, and mindbending audio manipulations. Known for their experimental, de/re-construction of rock and roll, on the heels of their March US tour, in which Dave Segal from Seattle's 'The Stranger' proclaimed, '...the maliciously inventive guitarist Creed sporadically has resurrected Chrome and kept the music vital and vicious at an age when most rockers' creativity has withered.', the seminal post-punk psychedelic outfit will embark on the 2nd leg of their major tour in May to support their 21st studio album 'Techromancy', which was released last year on Cleopatra Records.  

Juilliard organists, under the direction of Organ Department Chair Paul Jacobs, give a free recital at The Cathedral of St. John the Divine (located at 1047 Amsterdam Avenue, NYC) on Thursday, April 19, 2018, at 7:30pm.

Patterns in a Chromatic Field is a late work (1981) by Morton Feldman (1926-1987), an 80-minute odyssey for cello and piano exploring different degrees of stasis and patterns of harmony and color. Patterns in a Chromatic Field reflects Feldman's lifelong fascination with the Abstract Expressionist painters: “My compositions are not really 'compositions' at all,” Feldman said. “One might call them time canvasses in which I more or less prime the canvas with an overall hue of music.”

The NYTB REP program with a World Premiere by Richard Alston has now added encore performances of three of Jerome Robbins' rarely seen ballets: Septet, Concertino and Rondo, recently performed in sold-out shows in The Harkness Dance Festival 2018 at 92Y. The program will feature live music for all works.

The NYTB REP program with a World Premiere by Richard Alston has now added encore performances of three of Jerome Robbins' rarely seen ballets

Brooklyn Ballet, a unique and interdisciplinary dance company rooted in the classical idiom, presents Revisionist History, a provocative and diverse Spring season of broad range and repertoire. Brooklyn Ballet's programming is ever-expanding, embracing multifaceted dance styles and refashioning historical works. April's offerings include works of legendary dance makers George Balanchine, Merce Cunningham, Isadora Duncan and Michel Fokine, as well as premieres of mixed genre and interdisciplinary works by Artistic Director Lynn Parkerson. The Company presents 5 performances, April 19-22, in The Mark O'Donnell Theater at The Actors Fund Arts Center in downtown Brooklyn.

Boston Ballet is proud to announce an exciting schedule of three debut appearances starting this summer with special performances with the New York Philharmonic at Lincoln Center in June 2018, followed by the Boston Symphony Orchestra at Tanglewood in August 2018. The Company then embarks on its first tour to Paris to perform at the iconic Theatre des Champs-Elysees in April 2019.

Brooklyn Ballet, a unique and interdisciplinary dance company rooted in the classical idiom, presents Revisionist History, a provocative and diverse Spring season of broad range and repertoire. Brooklyn Ballet's programming is ever-expanding, embracing multifaceted dance styles and refashioning historical works. April's offerings include works of legendary dance makers George Balanchine, Merce Cunningham, Isadora Duncan and Michel Fokine, as well as premieres of mixed genre and interdisciplinary works by Artistic Director Lynn Parkerson. The Company presents 5 performances, April 19-22, in The Mark O'Donnell Theater at The Actors

New York Theatre Ballet (NYTB) continues their 39th Season with REP at Florence Gould Hall, 55 E. 59th Street, NYC, on April 27 & 28, 2018 at 7:30pm. Tickets are $29 ($14 for students and seniors) and may be purchased at http://nytb.org/calendar-and-tickets/view/REP/ or by calling (212) 355-6160.

British producer Ross From Friends, aka Felix Clary Weatherall, is the newest signing to Flying Lotus's Brainfeeder family. The 24-year-old has a fistful of releases under his belt, the distillation of myriad influences from hip-hop cut 'n' paste culture, 80s Eurobeat, Hi-NRG and Italo into lithe, irresistible, raw dancefloor trax. He made his debut on the Breaker Breaker label in 2015, followed by outings on Lobster Theremin and sister imprint Distant Hawaii, Lone's Magicwire and recently: Molten Jets.

New York Theatre Ballet (NYTB) continues their 39th Season with REP at Florence Gould Hall, 55 E. 59th Street, NYC, on April 27 & 28, 2018 at 7:30pm. Tickets are $29 ($14 for students and seniors) and may be purchased at http://nytb.org/calendar-and-tickets/view/REP/ or by calling (212) 355-6160.   Diana Byer, Founder and Artistic Director of NYTB, is dedicating the evening to long-time friend and colleague, the late David Vaughan (1924-2017), a dance historian, critic, lecturer, and performer. She has titled the REP evening David's Favorites.  

From the band's formation by the late Damon Edge in 1975, joined by longtime vocalist/guitarist Helios Creed in '77, Chrome has developed a unique methodology within the band, bringing art into sound, splicing in a Sci-Fi collage of sound bites, combining searing rock with noise, weirdness, pile driver rhythms (including scrap metal percussion), heavy rhythm-guitar riffs, effects-laden vocals, psychedelic guitar leads, and mindbending audio manipulations. Known for their experimental, de/re-construction of rock and roll, the seminal post-punk psychedelic outfit will embark on a major US tour this Spring to support their 21st studio album 'Techromancy', which was released last year on Cleopatra Records.  With driving rhythms and metallic riffs of their more rocking early '80s 'Red Exposure' period, the new album, which Creed describes as 'a natural progression of the original Chrome idea', is the follow up to their 2014 double studio album 'Feel It Like a Scientist'.