Joanna Kotze News

On December 7 and 8 at 7:30 PM, the legendary Fresh Tracks Performance and Residency Program at New York Live Arts will showcase the work of their five selected emerging choreographers: Emma Rose Brown, J. Bouey, Liana Conyers, Collin Ranf, and Dolores (Lola) Sanchez. As part of its annual programming, Fresh Tracks has been a 54-year commitment to bringing new voices to the forefront. The program offers a unique vantage point for the artists who are provided an unparalleled opportunity for professional development, experience, and recognition. Fresh Tracks performances take place at New York Live Arts Theatre, located at 219 West 19th Street, NYC. Tickets start at $15 and may be purchased at 212 924 0077 or online at newyorklivearts.org

On December 7 and 8 at 7:30 PM, the legendary Fresh Tracks Performance and Residency Program at New York Live Arts will showcase the work of their five selected emerging choreographers: Emma Rose Brown, J. Bouey, Liana Conyers, Collin Ranf, and Dolores (Lola) Sanchez.

LUMBERYARD today announces the September 1 grand opening of its $8.2 million, state-of-the-art center for performing arts and film in Catskill, NY, and the fall season programming that will inaugurate the new facility. LUMBERYARD's heralded Hudson Valley campus will make transformative contributions both to the cultural landscape and economic health of the region and to the field of contemporary performance in New York City and the U.S. by bringing a wide range of renowned and emerging artists to Catskill for out-of-town premieres, often incubated through LUMBERYARD's signature technical residencies.

Highly acclaimed for her "fierce choreographic imagination" (The New York Times), Netta Yerushalmy makes her Pillow debut with the world premiere of Paramodernities, August 8-12. By deconstructing and re-examining iconic works by choreographers Vaslav Nijinsky, Martha Graham, Alvin Ailey, Merce Cunningham, Bob Fosse, and George Balanchine, Yerushalmy dismantles the modern tradition with both reverence and intensity. Performed by a diverse cast of dancers alongside contributions by scholars and writers, Paramodernities assembles some of today's best and brightest minds to bridge the sometimes disparate worlds of dance and academia.

Highly acclaimed for her "fierce choreographic imagination" (The New York Times), Netta Yerushalmy makes her Pillow debut with the world premiere of Paramodernities, August 8-12. By deconstructing and re-examining iconic works by choreographers Vaslav Nijinsky, Martha Graham, Alvin Ailey, Merce Cunningham, Bob Fosse, and George Balanchine, Yerushalmy dismantles the modern tradition with both reverence and intensity. Performed by a diverse cast of dancers alongside contributions by scholars and writers, Paramodernities assembles some of today's best and brightest minds to bridge the sometimes disparate worlds of dance and academia.

The Center for Ballet and the Arts at New York University (CBA), the first international institute devoted to the creation and academic study of ballet, today announced the 27 artists and scholars who will serve as CBA Fellows in the 2018-19 academic year. The group - which represents The Center's largest and most far-reaching cohort yet - features distinguished individuals in a range of disciplines, including scholar Cecile Feza Bushidi, lighting designer Brandon Stirling Baker, choreographer Chase Brock, choreographer, filmmaker, and dancer Pontus Lidberg, and scholar Janice Ross, among others.

Brooklyn Arts Exchange is proud to announce Sight Lines: A Night of Performance in Dialogue with the Work of Michael Galasso, curated by Catherine Galasso. Featuring work by Laurie Berg, Fana Fraser, Georgia Gavran & Jonathan Doherty, Johnnie Cruise Mercer, Kristopher K.Q. Pourzal, and Ambika Raina. The show is Friday-Saturday, April 13-14, 2018 at 8pm.

New York Live Arts presents the world premiere of Bessie Award winner Joanna Kotze's What will we be like when we get there, a new interdisciplinary dance performance with long-time collaborators dancer/choreographer Netta Yerushalmy, visual artist Jonathan Allen, and composer/musician Ryan Seaton. What will we be like when we get there will premiere at New York Live Arts March 28-31, 2018, 7:30 PM. In conjunction with the performance, an exhibition, Knowing that your House is on Fire in the lobby of New York Live Arts, will feature new works by visual artist, Jonathan Allen. Tickets for the performance start at $15 and may be purchased at 212 924 0077 or online at newyorklivearts.

January Dance events have been announced at the 92nd Street Y. See full details below:

New York Live Arts, under the artistic leadership of MacArthur Genius Award and National Medal of Arts awardee Artistic Director Bill T. Jones and Associate Artistic Director Janet Wong, announced the organization's 2017-2018 season today.

Baryshnikov Arts Center (BAC) announces the Fall 2017 performance and residency series, which runs September 21 through December 15 and features an exciting lineup of international artists and cross-border collaborations. Dance presentations by choreographers Dorothee Munyaneza, Roy Assaf, and Kota Yamazaki-originally from Rwanda, Israel, and Japan, respectively-are infused with their creators' personal, geographic, and cultural influences.

Trisha Brown Dance Company (TBDC) performs at Jacob's Pillow Dance Festival in the Ted Shawn Theatre, August 16-20, representing the work of one of the seminal choreographers of the 20th century. Since Brown's passing this past March, witnessing TBDC in an evening-length program is an increasingly rare experience. Echoing Brown's choreographic innovation, timeless aesthetic, and 1960s postmodern approach to dance making, TBDC will perform a version of Opal Loop (1980) prepared especially for Jacob's Pillow, featuring former dancers of the company and an original cast member. Acknowledging Brown's more recent choreography, TBDC will also perform Groove and Countermove (2000) and L'Amour au théâtre (2009). As the company ventures into a new era, viewing Brown's work in a proscenium venue “feel[s] increasingly essential” (The New Yorker).

Jacob's Pillow Dance Festival presents AteNine in the Doris Duke Theatre, July 26-30. AteNine, formerly Ate9dANCEcOMPANY, is led by Artistic Director and choreographer Danielle Agami, named “choreography's It girl” by the LA Times. A former dancer and rehearsal director of the world-renowned Batsheva Dance Company, Agami draws from her background in Gaga movement practice to create bold, innovative work. The program will include two works: Exhibit b and excerpts from vickie. AteNine dancers move with an intense clarity praised as “odd, fleeting, and gorgeous, it left you wanting much, much more” (Janet Smith, The Georgia Straight).

New York Live Arts, under the artistic leadership of MacArthur Genius Award and National Medal of Arts awardee Artistic Director Bill T. Jones and Associate Artistic Director Janet Wong, announced the organization's 2017-2018 season today.

New York Live Arts, under the artistic leadership of MacArthur Genius Award and National Medal of Arts awardee Artistic Director Bill T. Jones and Associate Artistic Director Janet Wong, announced the organization's 2017-2018 season today.

Baryshnikov Arts Center (BAC) announces the Fall 2017 performance and residency series, which runs September 21 through December 15 and features an exciting lineup of international artists and cross-border collaborations. Dance presentations by choreographers Dorothee Munyaneza, Roy Assaf, and Kota Yamazaki-originally from Rwanda, Israel, and Japan, respectively-are infused with their creators' personal, geographic, and cultural influences.

Based in Israel, Roy Assaf Dance makes its U.S. debut with a program of clever and heartfelt works in the Doris Duke Theatre July 12-16. A rising choreographic star, Assaf has been commissioned by companies across the globe including Batsheva Dance Company, The Royal Swedish Ballet, National Dance Company Wales, and LA Dance Project. The program opens with Assaf's embracing duet Six Years Later which is praised for its "beauty, nuances, and intricate, astute movements" (Ora Brafman, Jerusalem Post), and closes with his powerful all-male trio The Hill, inspired by veterans' experiences and based on the Hebrew song "Givat Hatachmoshet".

Celebrating the power of Jacob's Pillow's natural setting, internationally acclaimed dance company Pilobolus Dance Theater will premiere a new work commissioned specifically for the Pillow's iconic outdoor Inside/Out performance space, set against the Berkshire hills. The program featuring the world premiere and On the Nature of Things will kick off the Festival's 2017 free Inside/Out performance series with an extended three-day run, June 21-23.

“A prolific choreographer of skillfully constructed dances that respectfully mesh with music and striking visual design” (The New Yorker), Jessica Lang and her company return to Jacob's Pillow for the ensemble's first Ted Shawn Theatre engagement, July 5-9. In addition to a Pillow-commissioned world premiere work, the program includes Lang's Thousand Yard Stare, a dance embodying the incredible pride and honor as well as the searing loss experienced by military veterans. The program will also include the East Coast and company premiere of Lang's Lyric Pieces as well as Solo Bach, Sweet Silent Thought, and The Calling. This season, the Pillow has formed a partnership with the Tanglewood Music Center, whereby Tanglewood Fellows and alumni will be providing the music accompaniment for this engagement.