Birth Place: Boston, MA, USA
Award-winning director and two-time Tony Award nominee Alex Timbers is on board as director for The Bobby Darin Story, the opening show of 92Y's American Songbook series Lyrics & Lyricists.
Playwrights, actors, directors, designers and technicians from all over the nation, the region and the state are converging upon Sheridan, Wyoming in August and September to develop new plays and musicals for the 2017 Wyoming Theater Festival.
'Vivian in Red is about owning your story, and that means all of it...your triumphs and your mistakes, both.'
Karen Mason - the acclaimed Broadway star and concert artist - releases her new album It's About Time from Zevely Records today, March 3, 2017.
Karen Mason - the acclaimed Broadway star and concert artist - will celebrate her new album It's About Time from Zevely Records with a special concert at Birdland Jazz Club (315 West 44th Street in New York) on Monday, March 6 at 7:00 PM.
Karen Mason - the acclaimed Broadway star and concert artist - will release her new album It's About Time from Zevely Records on March 3, 2017.
Corky Hale presents I ONLY HAVE EYES FOR YOU - The Life and Lyrics of Al Dubin, which opened May 13 at the Montalban Theatre, 1615 Vine St. in Hollywood. This new musical features lyrics by Al Dubin, music mostly by Harry Warren, book by Jerry Leichtling and Arlene Sarner, and musical direction by Gerald Sternbach. The production is directed and choreographed by Kay Cole. BroadwayWorld has photos from the starry opening festivities below!
Producer Corky Hale's I ONLY HAVE EYES FOR YOU - The Life and Lyrics of Al Dubin, features lyrics by Al Dubin, most music by Harry Warren, a book by Jerry Leichtling and Arlene Sarner, and musical direction by Gerald Sternbach. The production is directed and choreographed by Kay Cole. BroadwayWorld TV's own LA on-air Host Michael Sterling was invited to take a sneak peek at rehearsals last week and interview some of the show's stars and creative team.
I don't know when Ann Hampton Callaway started this chapter of her life, but she's emphatically in a new one. The artist savors every note, propelled headlong into her songs with uncommon exuberance. Signature authority extends not only to stellar scat but to enacting selected material. Accompanied by The Ted Rosenthal Trio (Ted Rosenthal, piano; Martin Wind, bass; Tim Horner, drums), Callaway shines luminous at Birdland (where I saw her latest show Wednesday night and which continues for two more shows Friday and Saturday night at 8:30 and 11 pm).
When Tuesday night the formidable Chita Rivera opens her debut Cafe Carlyle show, An Evening of My Favorite Songs, with "I Won't Dance" (Jerome Kern/Dorothy Fields/Jimmy McHugh), it's like watching a thoroughbred nose the racing gate. There's too little space on the small stage to do much more than shimmy, twirl, and display Bob Fosse-like arm moves; the performer exudes an urge to cut loose. At the ripe age of we-all-aspire-to-that-kind-of-unquenchable-joie-de-vivre, she shoots off sparks.
Corky Hale presents I ONLY HAVE EYES FOR YOU - The Life and Lyrics of Al Dubin, at the Montalban Theatre, 1615 Vine St. in Hollywood. This new musical, features lyrics by Al Dubin, music mostly by Harry Warren, book by Jerry Leichtling and Arlene Sarner, and musical direction by Gerald Sternbach. The production is directed and choreographed by Kay Cole.
I hear music, mighty fine music . . . Host Michael Feinstein sings with pristine bass accompaniment, as Musical Director Tedd Firth's Big Band filters in musician by musician. The sweetest sounds I ever heard . . . he continues as a light saxophone joins syncopated rhythm. Then whomp! All 17 players swing. Rarely have I heard sound design so perfectly balanced, appropriately favoring vocals. Feinstein remains smooth and easy riding the wave. 'You may wonder about the role of jazz in popular song . . . ' our host begins at the start of Jazz at Lincoln Center's first of three segments of the Jazz & Popular Song Series in the Appel Room. At a time when popular songs came and went with alacrity, jazz artists meeting for improvisational jam sessions needed pieces they all knew. Thus jazz mined popular music creating an intersection of the two art forms. Aided and abetted by four very different featured guests, Feinstein illuminates by example, not narrative.
In her recent cabaret show, More Than You Know (November 23 at The Triad's Stage 72), Arlene Wolff continued a comeback that has been 50 years in the making (which started last November when she performed at the Waterwheel Café in Milford, PA). Revisiting her youth and those turbulent political years, Wolff offered up a smorgasbord of delectable “Tales from the City” over a two-hour long concert of some 22 songs, presented in a two-act format with one intermission . . . Relying on an impressive repertoire of standards, Wolff vocally revisited the classics with a smoldering propensity, impeccable phrasing and articulation--never once dropping a lyric.
These are timeless: Manners, elegance, wit, sincerity, lively intelligence; the ability to make it feel as if a vocalist inhabits a lyric, and as if she/he sees and is singing to you. Andrea Marcovicci, who brightened the heyday of stylish cabaret, remains undiminished in these qualities. Those who shone when the city was filled with sophisticated boites/clubs, and all fine hotels had cabaret rooms, tend to make the rest of the world look shabbier today.
Arguably the most influential vocalist in the history of American popular music, Frank Sinatra's 60+ years in show business have been highlighted by a wealth of magic moments from his appearances on radio.
Near the end of his exceptional new show, Very Good Years: The Intimate Sinatra at the Metropolitan Room, Richard Malavet recalls famed radio personality William B. Williams who once said: "Frank Sinatra is the most imitated, most listened to, most recognized voice of the 20th century." Williams did not exaggerate. Consequently, in this centennial year of Sinatra's birth, there will be many observations of the man known as "The Voice." For his tribute to Sinatra, Malavet did his homework. In this meticulously researched, respectful homage, he turns his talents to the more personalized aspects of the pop star's recording years, from 1939-1968, when musically, Sinatra became synonymous with songs of heartache and loneliness.
It takes a woman of considerable wit, style, and maturity to tackle (let alone celebrate) the subject matter of men. In her new show, Celebrating Men (Bless Their Hearts), seen last Thursday night at the Metropolitan Room, happily, Charlotte Patton possesses all those traits as she leads us on her guided tour of all the various male idiosyncrasies that can drive a woman wild--or mad.
Below, get a first look at the official music video for the track from the duo's new album 'Cheek to Cheek'!
Legendary singer Tony Bennett graces the cover of a brand new quarterly events and entertainment guide titled Q Magazine. The issue was unveiled this week by the Staten Island Advance.
Tony Bennett and Lady Gaga have just released the studio video for 'But Beautiful' from their #1 album, 'Cheek To Cheek'. Check it out below!
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