A revival of Circle Players' 2008 production, which was staged at the company's then-home at the Z. Alexander Looby Theatre, this 'new and improved' mounting (a collaboration between Circle and SCA) is astounding in its sheer chutzpah. Who'd have ever thought a community theatre could take on such a daunting task and be so imminently successful in doing so? Frankly, it boggles the mind.
Jason Robert Brown's musical about a young Jewish boy making the move from New York to Indiana, 13, is among the highlights of Circle Players' 61st Season as one of Tennessee's oldest community theatre companies. Circle board president Jim Manning made the announcement of the new season's offerings prior to curtain of the 60th Season's To Kill a Mockingbird last week.
It's a completely winning production from top to bottom: Osborne's direction is sure-handed and confident, his players' readings of their roles pitch-perfect and the technical elements and design aesthetic for the piece are delightfully on-target. It's essential, of course, in a comedy of British origins for the pacing to be quick, effortless and skilled or else the whole blessed thing becomes a bloody mess. Osborne obviously approaches the play with affection and skill, assembling a strong cast of players to bring Coward's near-iconic characters to life.
No matter what anyone else may say, Johnny Peppers is definitely the hardest working man in Nashville theatre. Sure, there are those people who might give him a run for his money, but this week there's just no contest. Not only is he producing two shows opening on successive nights, he's playing the lead in one of them.
Circle Players, Middle Tennessee's oldest community theatre, is seeking directors who are interested in mounting productions for the company's 61st anniversary season in 2010-2011.
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