Wait Until Dark is a roller-coaster for the stage, a chilling edge-of-your-seat thriller pitting a deeply sinister con man against an unsuspecting but sharp-witted young blind woman. Written by Frederick Knott, newly adapted by Jeffrey Hatcher, and directed by Arizona Theatre Company (ATC) Artistic Director David Ira Goldstein, Wait Until Dark comes to the Herberger Theater Center, tonight, Nov. 13-30.
Wait Until Dark is a roller-coaster for the stage, a chilling edge-of-your-seat thriller pitting a deeply sinister con man against an unsuspecting but sharp-witted young blind woman. Written by Frederick Knott, newly adapted by Jeffrey Hatcher, and directed by Arizona Theatre Company (ATC) Artistic Director David Ira Goldstein, Wait Until Dark comes to the Herberger Theater Center, Nov. 13-30.
Wait Until Dark is a roller-coaster for the stage, a chilling edge-of-your-seat thriller pitting a deeply sinister con man against an unsuspecting but sharp-witted young blind woman. Written by Frederick Knott, newly adapted by Jeffrey Hatcher, and directed by Arizona Theatre Company (ATC) Artistic Director David Ira Goldstein, Wait Until Dark comes to the Temple of Music and Art, 330 S. Scott Ave., from today, Oct. 18-Nov. 8.
Wait Until Dark is a roller-coaster for the stage, a chilling edge-of-your-seat thriller pitting a deeply sinister con man against an unsuspecting but sharp-witted young blind woman. Written by Frederick Knott, newly adapted by Jeffrey Hatcher, and directed by Arizona Theatre Company (ATC) Artistic Director David Ira Goldstein, Wait Until Dark comes to the Temple of Music and Art, 330 S. Scott Ave., from Oct. 18-Nov. 8.
Geva Theatre Center unveils its line-up for the Festival of New Theatre 2014 to be held in the Fielding Nextstage from October 20 - November 2. FONT 2014 is a vibrant and innovative mix of new works by some of the most exciting playwrights from across the country and around the corner and is part of Geva's ongoing commitment to developing and producing new work for the American theatre.
Just in time for St. Patrick's Day 2013, RCP's Irish Players present: Is Life Worth Living?, a comical exaggeration by Lennox Robinson; directed by Jean Gordon Ryon. The production will run March 15-30, 2013 at MuCCC Theater, 142 Atlantic Avenue, Rochester NY.
A Moon for the Misbegotten, the comic drama by Eugene O'Neill, opens April 13 for three weekends at the MuCCC Theater, before heading off to Ireland for the 2012 Acting Irish International Theatre Festival (AIITF).
Miracle House, a New York City charity that provides temporary housing, meals and advocacy to caregivers and patients coming to the city for critical medical treatment, hosted its 11th Annual Cocktails by the Bay event, hosted by Tony-winning actress and ardent Miracle House supporter, Joan Allen in Sag Harbor, New York.
The Irish Players, a program of the Rochester Community Players, will be opening a theatrical double-header next Friday April 1: a comedy by Sean O'Casey and a drama by Conor McPherson.
The Irish Players, a program of the Rochester Community Players, will be opening a theatrical double-header next Friday April 1: a comedy by Sean O'Casey and a drama by Conor McPherson.
Ireland mustn't be such a bad place, so - but it certainly isn't devoid of faults or wickedness. This is made entirely clear in The Cripple of Inishmaan, Martin McDonagh's darkly comic and touching work about a physically challenged young man's dreams of becoming a Hollywood star. The spritely production currently being mounted by the Irish Players of Rochester, a subset of Rochester Community Players, gives its audience just the right balance of sentimentality and harsh absurdity. Under Jean Gordon Ryon's direction, McDonagh's comical drama about the nature of lies, gossip, and identity makes for a night of quality entertainment.
Geva Theatre Center is gearing up for the What's Next: Festival of New Theatre (formerly known as Hibernatus Interruptus) which offers audiences the rare opportunity to get in on the ground floor of a play in progress as well as the chance to talk to the playwrights about their work. Over the eleven days, each of the plays in the festival will undergo an intensive workshop and will then be presented in script-in-hand performances.
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