Donizetti's MARIA STUARDA is a chamber piece blown up to grand opera proportions. That was the takeaway from the new production--that centers on a fictional battle royal between Elizabeth I (Elisabetta) and her cousin Mary (Maria) Stuart, better known as Mary, Queen of Scots--at Barcelona's historic opera house, the Liceu. It stars the sensational Maria of American mezzo Joyce DiDonato, the highly charged Elisabetta of Spanish mezzo Silvia Tro Santafé and Mexican tenor Javier Camarena's sonorous Roberto.
“The party's over,” wrote Betty Comden & Adolph Green in BELLS ARE RINGING. “It's time to call it a day.” The opera season at the Metropolitan said its farewells to 2013-2014 on May 10 with a bel canto doubleheader of Rossini's LA CENERENTOLA (a shot heard round the world via radio and The Met's LIVE IN HD) and Bellini's IL PURITANI--not a bad swan song, considering the singing talent involved.
When the Met's production of LA CENERENTOLA, Rossini's version of the Cinderella story. arrives in movie theatres around the world next week, the star for many will be tenor Juan Diego Florez as the prince. But he didn't make it to the first three performances of the opera this season in New York--not that we got short-changed in the matter. Mezzo Joyce DiDonato was there in the title role, as scheduled, with her wonderfully sung, deeply felt portrayal and, as the prince, was Javier Camarena, the Met's own Cinderella man.
She has become a favorite at the Metropolitan Opera, earning accolades for every role she attempts. Mezzo Joyce DiDonato returns to end this opera season with her first La Cenerentola, and the reviews are glorious.
Mezzo-soprano star Joyce DiDonato will sing her first Met performances of one of her signature roles, the winsome heroine of Rossini's adaptation of the Cinderella story, La Cenerentola, beginning April 21.
Javier Camarena will sing the role of Prince Ramiro in the season's three initial performances of Rossini's La Cenerentola on April 21, 25, and 28, replacing Juan Diego Flórez, who is ill. Flórez is scheduled to return for the three final performances of the opera, on May 2, May 6, and the May 10 matinee, which will be transmitted worldwide as part of the Met's Live in HD series.
It's always reassuring when a change of cast--in this case soprano Diana Damrau and tenor Javier Camarena in wonderful performances--transforms a truly terrible production into an exciting night at the opera. But that's exactly what happened with the revival of Bellini's LA SONNAMBULA at the Met last week.
Diana Damrau will add a new role to her extensive repertory when she sings her first-ever performances of Amina, the title character in Bellini's bel canto showpiece La Sonnambula. Last season, Damrau made an acclaimed role debut as Violetta in Verdi's La Traviata in a sold-out series of performances at the Met. La Sonnambula, which opens tonight, March 14 in a revival of Mary Zimmerman's 2009 production, will be conducted by Marco Armiliato and also star rising Mexican tenor Javier Camarena as Elvino and Italian bass Michele Pertusi as Rodolfo.
Diana Damrau will add a new role to her extensive repertory when she sings her first-ever performances of Amina, the title character in Bellini's bel canto showpiece La Sonnambula. Last season, Damrau made an acclaimed role debut as Violetta in Verdi's La Traviata in a sold-out series of performances at the Met. La Sonnambula, which opens March 14 in a revival of Mary Zimmerman's 2009 production, will be conducted by Marco Armiliato and also star rising Mexican tenor Javier Camarena as Elvino and Italian bass Michele Pertusi as Rodolfo.
Zwei Rollendebuts in den Hauptpartien gibt es in 'Il barbiere di Siviglia' ab 7. Juni 2013 an der Wiener Staatsoper: Die Ensemblemitglieder Margarita Gritskova und Nikolay Borchev sind erstmals
The Metropolitan Opera's 2013-14 season will feature many of the world's greatest singers, conductors, and theater artists in 26 operas, including six new productions, of a varied repertory that ranges from the Baroque era to the 21st century. Met Music Director James Levine will return to the Met podium for the first time in two years, conducting three operas with which he has long been associated: a new production of Verdi's final masterpiece Falstaff, Mozart's Cosi fan tutte, and Berg's Wozzeck. Met Principal Conductor Fabio Luisi will be conducting two operas in the 2013-14 season, Rossini's La Cenerentola and Puccini's Madama Butterfly.
The Metropolitan Opera's 2013-14 season will feature many of the world's greatest singers, conductors, and theater artists in 26 operas, including six new productions, of a varied repertory that ranges from the Baroque era to the 21st century. Met Music Director James Levine will return to the Met podium for the first time in two years, conducting three operas with which he has long been associated: a new production of Verdi's final masterpiece Falstaff, Mozart's Cosi fan tutte, and Berg's Wozzeck. Met Principal Conductor Fabio Luisi will be conducting two operas in the 2013-14 season, Rossini's La Cenerentola and Puccini's Madama Butterfly.
The Metropolitan Opera's 2013-14 season will feature many of the world's greatest singers, conductors, and theater artists in 26 operas, including six new productions, of a varied repertory that ranges from the Baroque era to the 21st century. Met Music Director James Levine will return to the Met podium for the first time in two years, conducting three operas with which he has long been associated: a new production of Verdi's final masterpiece Falstaff, Mozart's Cosi fan tutte, and Berg's Wozzeck. Met Principal Conductor Fabio Luisi will be conducting two operas in the 2013-14 season, Rossini's La Cenerentola and Puccini's Madama Butterfly.
Actualmente el Concurso Nacional de Canto Carlo Morelli celebra su treinta aniversario y para festejar adecuadamente, el Palacio de Bellas Artes se vistió de gala el pasado domingo 2 de septiembre para presentar una gala conmemorativa con la presencia de varios ex ganadores del concurso.
This December, more of the world's top opera performances will be presented on medici.tv than ever before, enhancing the site's must-see schedule of live events and vintage programming.
Rodion Pogossov will sing the title role in Rossini's Il Barbiere di Siviglia at this evening's performance, replacing Peter Mattei who sang the title role in Don Giovanni last evening and will sing it again this Saturday
Rodion Pogossov will sing the title role in Rossini's Il Barbiere di Siviglia at this evening's performance, replacing Peter Mattei who sang the title role in Don Giovanni last evening and will sing it again this Saturday
Rossini's comic favorite Il Barbiere di Siviglia returns to the Met today for a 14-performance run featuring two extraordinary casts in Bartlett Sher's hit production. In the first cast, Peter Mattei, who starred in the 2007 Live in HD transmission of the opera, reprises his acclaimed portrayal of Figaro, the jack-of-all-trades whose services to the people of Seville go far beyond cutting hair.
The Metropolitan Opera's 2011-12 season will feature the world's leading singers, conductors, and stage directors in seven new productions, including a world premiere, a Met premiere, and the first complete performances of a new Der Ring des Nibelungen cycle conducted by Music Director James Levine and directed by Robert Lepage.
Rossini's comic favorite Il Barbiere di Siviglia returns to the Met on October 1 for a 14-performance run featuring two extraordinary casts in Bartlett Sher's hit production. In the first cast, Peter Mattei, who starred in the 2007 Live in HD transmission of the opera, reprises his acclaimed portrayal of Figaro, the jack-of-all-trades whose services to the people of Seville go far beyond cutting hair.
