Broadway stars Rachel York and Rich Allegretto turn up the heat at Reagle Music Theatre of Greater Boston, starring in 42nd Street from August 3-13, 2017!
42nd Street closes out the company's 49th summer season at the Robinson Theatre (617 Lexington St. Waltham, MA, 02452). Tickets can be purchased at www.reaglemusictheatre.comby calling 781-891-5600, or at the theatre box office.
In a bizarre and unfortunate case of life imitating art, Reagle Music Theatre of Greater Boston found itself without its leading man only hours before the curtain going up on their season-ending production of 42nd STREET. Producing Artistic Director Robert J. Eagle announced that the understudy would step into the role and the show opened as scheduled. Rich Allegretto, headliner Rachel York, and the stellar company pulled it together to remind everyone what theater is all about.
PROTOTYPE: Opera/Theatre/Now invigorates New York City January 7-20, 2018, with the sixth annual showcase of progressive opera and music-theatre, curated by co-founding directors Kristin Marting (of HERE), Beth Morrison (of Beth Morrison Projects) and Kim Whitener (of HERE), along with newly appointed co-director Jecca Barry (of Beth Morrison Projects). Since its launch in 2013, the Prototype Festival has presented a phenomenal 32 new works across five seasons, propelling the industry forward as a first-rate presenter and influencer.
Broadway stars Rachel York and Tom Wopat will turn up the heat at Reagle Music Theatre of Greater Boston, starring in 42nd Street from August 3-13, 2017!
The Music Academy of the West launches its 70th anniversary season on June 12. To celebrate this major milestone anniversary, the Festival will launch three important new initiatives - the Commissions and Premieres program, the Enterprise Awards program for alumni, and the Steinway Competition and tour - besides presenting the inaugural Evolution/Revolution Conference and the largest classical music event in the history of Santa Barbara, California, for which Alan Gilbert will lead the New York Philharmonic in the final performance of his eight-year tenure with the orchestra. This year's four Mosher Guest Artists, Matthew Aucoin, David Daniels, Renee Fleming, and Stephen Hough, will take part in major Academy performances and share their expertise through masterclasses. Taking place from June 12 through August 5, 2017, the 70th Season Festival will comprise more than 200 masterclasses, recitals, performances, and events in Santa Barbara, many of which are free to the public. Festival events will feature the Summer School's 137 fellows, drawn from 22 states and eight countries, as well as nearly 70 faculty and guest artists.
When Opera Philadelphia's new adaptation of Lars von Trier's searing Oscar-nominated film,Breaking the Waves made its world premiere in September 2016, the New York Times declared the opera "ambitious, accomplished, [and] dramatically direct.'
The runaway success of Opera Philadelphia's world premiere production of Breaking the Waves marked a catalytic moment last fall, “changing many of the people who brought the piece to the stage – and the company itself” (Philadelphia Inquirer). The new adaptation of Lars von Trier's searing Oscar-nominated film scored a nomination for the International Opera Award for Best World Premiere, and Opera News declared it “among the best 21st-century American operas yet produced.” Now home audiences the world over can hear the spellbinding production in its entirety at operaphila.org, starting next Wednesday, March 29 at 1pm, when Opera Philadelphia unveils a free on-demand audio stream of the world premiere production that took the opera world by storm, capping an online celebration of Women's History Month.
When Opera Philadelphia's new adaptation of Lars von Trier's searing Oscar-nominated film, Breaking the Waves made its world premiere in September 2016, the New York Times declared the opera "ambitious, accomplished, [and] dramatically direct," and Opera News said it "stands among the best 21st-century American operas yet produced." It has since earned an International Opera Award nomination for Best World Premiere and made its New York debut with Beth Morrison Projects' Prototype Festival to continued acclaim.
The Cincinnati Symphony Orchestra (CSO) announced today an agreement with current Music Director Louis Langree that extends the conductor's contract through the 2021-2022 season
When I saw that New York City Opera was doing Leonard Bernstein's CANDIDE at the same time as New York's Prototype Festival--with Missy Mazzoli's BREAKING THE WAVES opening the festival of opera-theatre and music-theatre on the same night—I thought that it was great counter-programming. After all, what could be further from Mazzoli's brilliant but grim gem than Bernstein's comic masterpiece--proving there's more than one way to skin a music theatre piece?
For a new opera to have its second major showing less than four months after its premiere is unheard of—but then BREAKING THE WAVES, based on the Lars Von Trier film of the same name, isn't just any opera. This triumph by composer Missy Mazzoli, librettist Royce Vavrek, and direction by James Darrah—with a star-making turn by soprano Kiera Duffy in the central role of Bess—debuted at Opera Philadelphia last September and is having its New York premiere on January 6-9, 2017, over the first weekend of the Prototype Festival at NYU's Skirball Center.
OPERA America, the national service organization for opera and the nation's leading champion for American opera, is proud to announce the 2017 finalists of the Robert L.B. Tobin Director-Designer Showcase, a biennial program offered as part of OPERA America's continuing efforts to foster emerging opera artists.
Like a morsel of Proust's madeleine soaking in a cup of tea, the setting of Juilliard Opera's new production of Jonathan Dove's opera FLIGHT took me back to another age, and Eero Saarinen's modernistic TWA (now Jet Blue) Terminal at Kennedy Airport in New York. But the only thing retro about the evening itself is a return to a golden age, with the excellent performance of the cast and orchestra, under conductor Steven Osgood and the direction of James Darrah.
The Juilliard Opera season opens with Jonathan Dove's Flight on November 16, 18, and 20, conducted by Steven Osgood and directed by James Darrah. The opera features singers from Juilliard's Marcus Institute for Vocal Arts with the Juilliard Orchestra.
The Cincinnati Symphony Orchestra (CSO) and Music Director Louis Langree are pleased to announce details of the second installment of a three-year exploration of Maurice Maeterlinck's 1893 symbolist play, Pelleas et Melisande, a collaboration with director, production designer and visual artist James Darrah, one of the edgiest names in music and opera today. This artistic undertaking utilizes groundbreaking visual elements, complementing orchestral works by Schoenberg, Faure and Debussy, performed by the CSO.
The only American finalist for the 2016 International Opera Award for Best Opera Company, Opera Philadelphia scored a fresh triumph this past week, when it launched the season with the world premiere of Breaking the Waves, a new company co-commission inspired by Lars von Trier's searing Oscar-nominated 1996 film, from the creative team of Missy Mazzoli, Royce Vavrek, and James Darrah. With three performances still to come (Sep 27 & 29; Oct 1), the critical response has already been unanimously euphoric; as the Philadelphia Inquirer notes, the season's opening week has succeeded in 'effectively demonstrat[ing] Opera Philadelphia's growing presence and ambitions.'
BREAKING THE WAVES, the stark, brutal new opera by Missy Mazzoli and Royce Vavrek, had its premiere last week at Opera Philadelphia, with a thrilling score and a star-making turn by soprano Kiera Duffy. Directed by James Darrah, the gripping production doesn't let anyone off easy, including the audience.
For the second year running, Opera Philadelphia launches the new season with a world premiere. Inspired by Lars von Trier's searing Oscar-nominated 1996 film, Breaking the Waves is a new three-act chamber opera that draws on the talents of three of today's foremost young creative artists: composer Missy Mazzoli, librettist Royce Vavrek, and director James Darrah. Starring soprano Kiera Duffy and baritone John Moore, the premiere production takes place over five performances in the Kimmel Center's intimate Perelman Theater under the baton of Steven Osgood (Sep 22-Oct 1).
Opera Philadelphia looks forward to launching the 2016-17 season with the world premiere of a new company co-commission, Breaking the Waves (Sep 22-Oct 1).