Hugh MacDonald News

The Lammermuir Festival returns this September with a varied and bold programme of beautiful music in beautiful places. The festival runs from the 7 – 18 September, featuring 36 performances at 12 venues across the historic county of East Lothian, offering audiences the chance to explore and marvel at the splendour of Scotland's 'sunshine coast'.

The Lammermuir Festival opens with a rich and ambitious programme of beautiful music in beautiful places. The festival runs until 19 September, featuring 35 live performances at 17 venues across East Lothian, allowing audiences to truly explore and appreciate the beauty of this stunning corner of Scotland well within reach of Edinburgh, the Borders, Northumberland and Newcastle.

Today, the Lammermuir Festival announced its first Winter season of online concerts which are now available to book online.

The festival opens with four wonderful song recitals presented in partnership with BBC Radio 3 featuring Robert Murray and Alisdair Hogarth, James Atkinson and Sholto Kynoch, Catriona Morison and Malcolm Martineau, and Mary Bevan and Joseph Middleton.  Over the course of these two weeks some of the best classical musicians gather to bring audiences a very special re-immersion in the power of live music.

The second volume of The Cleveland Orchestra's inaugural release on its own label, The Cleveland Orchestra: A New Century, will be available through various online streaming services beginning on Friday, April 24, 2020.

One of the nation's most adventurous opera companies, Odyssey Opera, begins its seventh season with a concert performance of Henry VIII (1883) by French composer Camille Saint-Saëns based on El cisma en Inglaterra (The schism in England) by Pedro Calderón de la Barca. This kick-starts the company's 2019-20 season featuring concert and staged operas about the great English dynasty of the 16th century: the Tudors. With libretto by Léonce Détroyat and Armand Silvestre, Henry VIII brings to life one of history's most infamous love triangles featuring baritone Michael Chioldi as King Henry, soprano Ellie Dehn as Henry's first wife, Catherine of Aragon, and mezzo-soprano Hilary Ginther as Henry's second wife, Anne Boleyn.

One of the nation's most adventurous opera companies, Odyssey Opera, begins its seventh season with a concert performance of Henry VIII (1883) by French composer Camille Saint-Saëns based on El cisma en Inglaterra (The schism in England) by Pedro Calderón de la Barca.

One of the nation's most adventurous opera companies, Odyssey Opera, begins its seventh season with a concert performance of Henry VIII (1883) by French composer Camille Saint-Saens based on El cisma en Inglaterra (The schism in England) by Pedro Calderon de la Barca. 

For the first time ever, Chicago's iconic Music Box Theatre will host a classical live performance when Chicago Opera Theater (COT) debuts the Chicago premiere of Frank Martin's 1942 'The Love Potion' ('Le Vin Herbe') on September 30.

For the first time ever, Chicago's iconic Music Box Theatre will host a classical live performance when Chicago Opera Theater (COT) debuts the Chicago premiere of Frank Martin's 1942 'The Love Potion' ('Le Vin Herbe') on September 30.

For the first time ever, Chicago's iconic Music Box Theatre will host a classical live performance when Chicago Opera Theater (COT) debuts the Chicago premiere of Frank Martin's 1942'The Love Potion' ('Le Vin Herbe') on September 30. Martin's adaptation of the medieval legend of Tristan and Isolde chronicles the relationship of the two lovers who meet by deception, fall in love by magic and pursue their love in defiance of heavenly and earthly powers.

Nominations for the 40th Annual Annie Awards have been announced. Winners will be announced during the awards ceremony which will take place on February 2 at UCLA's Royce Hall.

Reviving important but neglected operas is one of the ways the Bard SummerScape festival paints a faithfully-nuanced portrait of each past age, and this year's exploration of "Saint-Saens and His World" is no exception. To enrich its immersion in the music of Belle Époque France, with all its trademark opulence and emotional richness, Bard presents the first staged revival of the original 1887 version of The King in Spite of Himself (Le roi malgre lui) by Saint-Saens's compatriot and contemporary Emmanuel Chabrier.

To enrich its immersion in the music of Belle Époque France, Bard SummerScape 2012 presents the first staged revival in the United States of The King in Spite of Himself (Le roi malgré lui) by Emmanuel Chabrier in its original 1887 version.

Reviving important but neglected operas is one of the ways the Bard SummerScape festival paints a faithfully-nuanced portrait of each past age, and this year's exploration of "Saint-Saens and His World" is no exception. To enrich its immersion in the music of Belle Époque France, with all its trademark opulence and emotional richness, Bard presents the first staged revival of the original 1887 version of The King in Spite of Himself (Le roi malgre lui) by Saint-Saens's compatriot and contemporary Emmanuel Chabrier.

In its upcoming August issue, Opera News celebrates the glorious music and musicians of France.The cover story investigates new music director Philippe Jordan's plans for the Paris Opera, while additional features profile two great French opera composers, Meyerbeer and Massenet; the adventurous repertoire choices of coloratura soprano Patricia Petibon; and the controversial views of French composer/conductor/author Frédéric Chaslin. The August issue also boasts profiles of sopranos Erin Morley, Renée Doria, and Régine Crespin; a consideration of Italian operas in French translation; and an attempt to name the top ten French operas of all time.