Birth Place: Geneva, IL, USA
Starring real-life couple Matthew Ashford (of NBC's 'Days of Our Lives') and Christina Saffran Ashford, I Do! I Do! opens at Sacramento Music Circus August 16-21. With book and lyrics by Tom Jones and music by Harvey Schmidt (the team behind The Fantasticks), I Do! I Do! will delight audience members of all ages.
Starring real-life couple Matthew Ashford (of NBC's 'Days of Our Lives') and Christina Saffran Ashford, I Do! I Do! opens at Sacramento Music Circus August 16-21. With book and lyrics by Tom Jones and music by Harvey Schmidt (the team behind The Fantasticks), I Do! I Do! will delight audience members of all ages.
42nd Street Moon, the company renowned for presenting uncommon musical theater, begins its 2011-12 season with a salute to the legendary Cole Porter.
STONEHAM THEATRE'S SEASON 11: GREAT STORIES
Gwen Verdon, one of Broadway's biggest stars during its golden era and beyond, and winner of four Tony Awards, was recently honored by the Dancers Over 40 organization in New York at the star-studded tribute 'Gwen Verdon: I'm not Lola.'
One of Broadway's brightest stars, Bernadette Peters, will be the recipient of the Distinguished Dedication and Service to the American Musical Theater Award, presented by Westport Country Playhouse at the theater's '80th Birthday' gala, 'Playing Our Songs: Celebrating 80 Years of Musical Theater,' on the evening of Monday, September 19.
The year Avenue Q asked Tony Voters to 'Vote Your Heart.'
BroadwayWorld.com shared the sad news last night, July 12th that Tony Stevens, performer, director and choreographer had passed away at 63. We just received a statement from Chita Rivera on his passing which reads that'A huge part of me has left...gone to light the heavens for us as he did on earth. I carry Tony with me. I always have and always will. My god how I will miss him.'
Valarie Pettiford and others who had the pleasure of working with Tony Stevens have shared the news online that the performer, director and choreographer has passed away at 63.
Liza. Four letters say all you need to know about Broadway. She is Broadway, after all, and in many ways the ultimate Broadway icon, just as her mother Judy Garland was the ultimate Hollywood icon. No one in their prime was better. Just recently in Tony Awards history, Miss Minnelli proved she could rock the socks off of the entire world with her magnificent performance of "And The World Goes Round" - the capper of the 2009 Tony Awards opening number, perhaps the biggest of all time. Today, we take a look at Liza at the Tony Awards - and, considering today is Tony's Eve, the timing is just right. How else does a real Broadway baby spend a Saturday night - all alone in your room (or not) - than with Miss Minnelli?
STONEHAM THEATRE'S SEASON 11: GREAT STORIES
Ilyse Robbins adds Director to her resumé with impressive staging of classic Broadway musical. Her choreography is well-served by a talented troupe of tapping chorus boys and girls. Local favorite Kathy St. George gives leading lady Dorothy Brock a makeover.
Reprise Theatre Company presents Barbara Cook in Concert. It will have one performance only on Monday, May 16 at 8:00 pm, at UCLA's Freud Playhouse. Barbara Cook in Concert is the latest in Reprise Theatre Company's tradition of presenting Broadway stars and legendary entertainers in concert, which have included Patti LuPone, Carol Burnett, Sutton Foster, Ben Vereen, Kristin Chenoweth, and Brian Stokes Mitchell.
Los Angeles Ovation award nominee Paul Stroili will star in the classic sex farce, A Flea in Her Ear at the Edgemar Center for the Arts in Santa Monica, California.
Staging one of the theatre's most unique and unclassifiable pieces, Brecht & Weill's THE SEVEN DEADLY SINS for the New York City Ballet, starting May 11 and running through May 16, is just the latest act in a career made up of anomalies, seemingly built upon always attempting to do the impossible - from her Broadway debut, trying to bring balletic bravado to Trevor Nunn's terminally troubled 1988 musical CHESS (a project begun under the guidance of Michael Bennett before his death), up through the trying-but-Tony-winning TITANIC in 1997 and, this century, SWING! starring Ann Hampton Callaway and Laura Benanti and a succession of successful regional ballets and theatre pieces - the gifted and dynamic director/choreographer Lynne Taylor-Corbett continues to challenge herself, her peers and audiences with each of her audacious new endeavors. THE SEVEN DEADLY SINS, starring two-time Tony-winning Broadway legend Patti LuPone as Anna I, is a particularly problematic play - or is it a musical? Or, is it a ballet? A song-spiel? - and in this revealing and engaging discussion, Ms. Taylor-Corbett and I attempt to deduce the themes, analyze the structure and look back at the authors' lives to gain insight into the perplexing America painted by Brecht and Weill in the forty-minute-long theatrical experiment. Also, in this complete conversation, Lynne and I take a look back at her long and varied career and she generously shares her thoughts on where the place of dance is in the twenty-first century, the exhilaration of working with a theatre artist like Patti LuPone, her own inspirations and formative experiences in the theatre, the legacy of Michael Powell and THE RED SHOES, the theatre versus the dance world, her son Shaun's career, and much, much more! Further information on THE SEVEN DEADLY SINS - including tickets - is available here.
On April 21, 1961, Broadway audiences and critics fellhead-over-heels in love with the new musical Carnival. Produced by David Merrick and adapted from the MGM film Lili by Michael Stewart (from thescreenplay by Helen Deutsch, itself adapted from a Paul Gallico short storyentitled The Man Who Hated People), theshow was directed and choreographed by Gower Champion and had a tuneful andmemorable score by Bob Merrill. The critics raved - in the Daily News, John Chapman wrote that Carnival was 'enchantment from the moment the houselights godown.' And so it was, pureenchantment, despite its darker elements - it ran on Broadway for 719 performances, and had a best-selling original cast recording (which debuted atnumber one on the Billboard chart) and 'Love Makes The World Go Round' became amuch-sung song, covered by many of the popular singers of the time. Carnival was nominated for seven Tony Awards, winning two(one for Alberghetti - in a tie with Diahann Carroll - and one for Will StevenArmstrong's scenic design). The show had a successful national tour, as well.
On April 21, 1961, Broadway audiences and critics fell head-over-heels in love with the new musical Carnival. Produced by David Merrick and adapted from the MGM film Lili by Michael Stewart (from the screenplay by Helen Deutsch, itself adapted from a Paul Gallico short story entitled The Man Who Hated People), the show was directed and choreographed by Gower Champion and had a tuneful and memorable score by Bob Merrill. The critics raved - in the Daily News, John Chapman wrote that Carnival was 'enchantment from the moment the houselights go down.' And so it was, pure enchantment, despite its darker elements - it ran on Broadway for 719 performances, and had a best-selling original cast recording (which debuted at number one on the Billboard chart) and 'Love Makes The World Go Round' became a much-sung song, covered by many of the popular singers of the time. Carnival was nominated for seven Tony Awards, winning two (one for Alberghetti - in a tie with Diahann Carroll - and one for Will Steven Armstrong's scenic design). The show had a successful national tour, as well.
STONEHAM THEATRE'S SEASON 11: GREAT STORIES
Kyle goes through over a dozen costumes in the flashy jukebox musical, including cupcake, paintbrush, emu...
On April 21, 1961, Broadway audiences and critics fellhead-over-heels in love with the new musical Carnival. Produced by David Merrick and adapted from the MGM film Lili by Michael Stewart (from thescreenplay by Helen Deutsch, itself adapted from a Paul Gallico short storyentitled The Man Who Hated People), theshow was directed and choreographed by Gower Champion and had a tuneful andmemorable score by Bob Merrill. The critics raved - in the Daily News, John Chapman wrote that Carnival was 'enchantment from the moment the houselights godown.' And so it was, pureenchantment, despite its darker elements - it ran on Broadway for 719 performances, and had a best-selling original cast recording (which debuted atnumber one on the Billboard chart) and 'Love Makes The World Go Round' became amuch-sung song, covered by many of the popular singers of the time. Carnival was nominated for seven Tony Awards, winning two(one for Alberghetti - in a tie with Diahann Carroll - and one for Will StevenArmstrong's scenic design). The show had a successful national tour, as well.
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