BRING the BEAT BACK: a Queer, Black, Sci-Fi, Staged Concert Experience written by Derek Lee McPhatter, Featuring music by Derek Lee McPhatter, Avery R. Young, ALEXA GRÆ, Germono Toussaint, Manchildblack, and DJ Alinka.
Otherworld Theatre will produce BRING the BEAT BACK: a Queer, Black, Sci-Fi, Staged Concert Experience written by Derek Lee McPhatter, Featuring music by Derek Lee McPhatter, Avery R. Young, ALEXA GRÆ, Germono Toussaint, Manchildblack, and DJ Alinka. Directed by Christopher Burris with musical direction by Dayna Lynn Nuckolls, the show runs June 14- June 30, 2019. Press opening is June 14, 2019 at 3914 N Clark Street, Chicago, IL 60613 in the Bradbury space within Otherworld Theatre. Tickets to all performances are available at www.OtherworldTheatre.org
The University of the Arts' Ira Brind School of Theater Arts announces the lineup for its fifth annual Polyphone Festival, a 'festival of the emerging musical.' The five-day event will take place in the Arts Bank and Wilma Theaters on South Broad Street in Philadelphia February 26-March 2, 2019. The four musicals comprising the festival will take audiences on a journey through a haunted burial ground for forgotten souls, a radioactive amusement park full of Marie Curies, an afro-futuristic groove-centered alternate reality, and the final anxious moments of life on earth. All of the works in this year's Polyphone focus on the intersection of alternative futures and reimagined histories. The works all ask questions about co-existence, global anxiety and crafting hope in troubled times.
The University of the Arts' Ira Brind School of Theater Arts announces the lineup for its fifth annual Polyphone Festival, a 'festival of the emerging musical.' The five-day event will take place in the Arts Bank and Wilma Theaters on South Broad Street in Philadelphia February 26-March 2, 2019. The four musicals comprising the festival will take audiences on a journey through a haunted burial ground for forgotten souls, a radioactive amusement park full of Marie Curies, an afro-futuristic groove-centered alternate reality, and the final anxious moments of life on earth. All of the works in this year's Polyphone focus on the intersection of alternative futures and reimagined histories. The works all ask questions about co-existence, global anxiety and crafting hope in troubled times.
The University of the Arts' Ira Brind School of Theater Arts announces the lineup for its fifth annual Polyphone Festival, a 'festival of the emerging musical.' The five-day event will take place in the Arts Bank and Wilma Theaters on South Broad Street in Philadelphia February 26-March 2, 2019. The four musicals comprising the festival will take audiences on a journey through a haunted burial ground for forgotten souls, a radioactive amusement park full of Marie Curies, an afro-futuristic groove-centered alternate reality, and the final anxious moments of life on earth. All of the works in this year's Polyphone focus on the intersection of alternative futures and reimagined histories. The works all ask questions about co-existence, global anxiety and crafting hope in troubled times.
The Ensemble Theatre sets up for its season finale, SISTAS THE MUSICAL by Dorothy Marcic, musical arrangements by Germono Toussaint, directed and choreographed by Patdro Harris, and musical direction by Chika Kaba Ma'atunde.
The Ensemble Theatre Artistic Director, Eileen J. Morris, announces the theatre's 2017-2018 Season that will include three regional premieres, and a variety of comedies, drama, and musical productions.
The Ensemble Theatre Artistic Director, Eileen J. Morris, announces the theatre's 2017-2018 Season that will include three regional premieres, and a variety of comedies, drama, and musical productions.
Brooklyn Gypsies presents the second-annual One Catches Light Festival, celebrating new solo work of five writers associated with the company, hosted by Olander 'Big O' Wilson. Icarus in the L.E.S. is a kaleidoscopic performance-poem by Nic Adams, with the wax-winged hero chasing his destiny and scouting out the divide between artistic achievement and personal happiness.
FRIGID New York @ Horse Trade will present the January installment of New York Madness on Sunday, January 29 at 8pm as part of The Fire This Time Festival.
FRIGID New York @ Horse Trade is proud to present the second annual Queerly, a festival seen through lavender-colored glasses, June 20-July 2 at The Kraine Theater (85 East 4th Street between 2nd Avenue and Bowery). This year, we're bringing together some of New York City's best performers for a celebration of this diverse, strong, sharing-minded community told through stories, songs, poetry and plays. Tickets ($20, unless otherwise noted) are available for purchase in advance at www.horseTRADE.info.
Horse Trade Theater Group will present their resident acting ensemble, The Drafts in the World Premiere of when half the sphere is visible, written by Jesse Cameron Alick (Artistic Director of Subjective Theatre Company; Artistic Associate at The Public), Matthew Gutschick (Rubber Doves, winner of the New Horizons Playwrighting Competition), Michael McGuire (Sometimes I Feel Like I Missed the Train at The Lark Play Development Center), and Germono Toussaint (Caged at the 2006 Not for Broadway Theater Festival; The Anointed at The 2010 Fire This Time Festival), May 10-26 at The Red Room (85 East 4th Street between 2nd Avenue and Bowery). The production will be directed by Ilaria Amadasi,Jaclyn Biskup (Assistant Director, Love's Labour's Lost at The Public), Lindsey Moore (No Tea Productions), Sara Walsh, and Donya Washington (Now the Cats with Jeweled Claws with Target Margin Theatre).
The African American experience is not represented solely by one voice or one style. For the third year in a row Horse Trade Theater Group will present The Fire This Time Festival, providing a platform for talented early-career playwrights of African and African-American descent to explore new voices, styles, and challenging new directions for 21st century performing arts in order to move beyond common misconceptions of what's possible in 'black theater.'
The African American experience is not represented solely by one voice or one style. THE FIRE THIS TIME FESTIVAL provides a platform for talented early-career playwrights of African-American descent to explore these new voices, styles and challenging new directions for 21st century performing arts, and move beyond common ideas of what is possible in "black theater."