San Diego Repertory Theatre (San Diego REP) will present the world premiere of "Our Great Tchaikovsky," a new play with music featuring the compositions of Piotr Ilyich Tchaikovsky with a book and performance by Hershey Felder.Directed by longtime collaborator Trevor Hay ("Hershey Felder as Irving Berling"), and produced by long-time collaborators Samantha F. Voxakis, Karen Racanelli and Erik Carstensen, Felder's newest work takes on Russia's most celebrated, and perhaps most mysterious, composer. "Our Great Tchaikovsky," the fourth selection of the 2016/2017 season, begins on Thursday, January 12, 2017 and plays throughSunday, February 12, 2017 with an opening night on Wednesday, January 18, 2017 at 7 p.m. on the Lyceum Stage Theatre at San Diego REP in Horton Plaza.
Pianist, composer, and critic Jed Distler marks his 60th birthday with a recital on Thursday, December 8 (7 pm) as part of Symphony Space's STEINWAY SALON series, which Distler curates.
Judith Clurman conducts her acclaimed chorus, Essential Voices USA, in Season of Light: Songs of Thanksgiving, Christmas, Chanukah, New Year, the ensemble's fourth recording for Sono Luminus.
Vivian Reed - the two-time Tony Award-nominated Broadway star and concert artist - will return with her acclaimed show 'Standards and More' at The Metropolitan Room for two more performances this year tonight, November 10, at 9:30 PM and Wednesday, December 14 at 9:30 PM.
59E59 Theaters will host the world premiere of LIFE IS FOR LIVING: CONVERSATIONS WITH COWARD, co-created by Simon Green and David Shrubsole. Starring Mr. Green with musical direction by Mr. Shrubsole, LIFE IS FOR LIVING: CONVERSATIONS WITH COWARD was researched by Jason Morell. Produced by Yvonne Arnaud Theatre, Guildford, LIFE IS FOR LIVING: CONVERSATIONS WITH COWARD begins performances on Tuesday, December 13 for a limited engagement through Sunday, January 1. Press opening is Sunday, December 18 at 7:30 PM.
Vivian Reed - the two-time Tony Award-nominated Broadway star and concert artist - will return with her acclaimed show 'Standards and More' at The Metropolitan Room for two more performances this year on Thursday, November 10 at 9:30 PM and Wednesday, December 14 at 9:30 PM.
On Tuesday, November 22 the AZ Swing Kings bring you The Great American Songbook and All That Jazz! The AZ Swing Kings Orchestra is a Valley favorite and consists of 18 instrumentalists and a vocalist. The orchestra is under the direction of Lenny King - former creator and director of the Chicago Metropolitan Jazz Orchestra - and all the musicians are experienced professional performers playing original arrangements made famous by the such great bands as: Benny Goodman, Glenn Miller, Count Basie, Tommy Dorsey, Stan Kenton, Duke Ellington, Maynard Ferguson and many others. The featured vocalist is Joni King.
Celebrated performer and pianist Hershey Felder brings the remarkable story of beloved composer Irving Berlin to The Armory with his highly acclaimed solo-show, Hershey Felder as Irving Berlin. Portland audiences are familiar with Hershey Felder as the adaptor and director ofThe Pianist of Willesden Lane, which played to sold-out houses at The Armory last season and will return in June for a limited engagement. Hershey Felder as Irving Berlin is directed by Trevor Hay, who collaborated with Felder on The Pianist of Willesden Lane, along with a number of other works. Hershey Felder as Irving Berlin opens on the U.S. Bank Main Stage on December 2; preview performances begin November 30; and the production runs through December 30.
Drury Lane Theatre brings romance and warmth to Chicago this winter with the song-and-dance extravaganza Crazy for You, featuring music by George Gershwin, lyrics by Ira Gershwin, and book by Ken Ludwig, directed and choreographed by the Jeff Award-nominated director/choreographer Matt Crowle.
UNION UNITED METHODIST CHURCH presents Soul of Pulchritude: A Night with Stephen Salters a one night only Benefit Boston concert from an internationally renowned baritone. Stephen Salters and Randolph Fuller are proud to partner with Union United Methodist Church for their 'Called to Serve' Campaign! The updated program will be as follows:
Urban Stages has announced the line-up for this year's Award Winning series, WINTER RHYTHMS 2016, which will begin Thursday, December 1 and will feature some of New York's best musical performances through Sunday, December 11, 2016 at Urban Stages Theatre (259 West 30th Street, just East of 8th Avenue).
Joie de vivre is in short supply in AN AMERICAN IN PARIS, the acclaimed Broadway musical now launching its first national tour in Boston through November 6. Inspired by the beloved 1951 MGM movie musical starring Gene Kelly and Leslie Caron, this Broadway iteration looks and feels monochromatic compared to its opulent Technicolor predecessor, but that is mostly by design. This adaptation brings the story's post World War II setting front and center, revealing a city and its inhabitants still shell shocked as they try to rebuild in the aftermath of the Nazi occupation.
This November, Feinstein's/54 Below, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond. Scroll down for details!
Mirror Visions Ensemble (MVE), currently celebrating its 25th anniversary, presents its unique program Flights of Fantasy at the Loreto Theater at The Sheen Center for Thought & Culture on Friday, October 14 at 8:00 p.m. and in a collaborative performance with New York University students at NYU's Loewe Theater on Monday, October 31 at 7:30 p.m.
Park Square continues its 42nd season on the Proscenium Stage with the return of audience favorite The Soul of Gershwin: The Musical Journey of an American Klezmer, created and written by Joseph Vass who also serves as musical director.
No Time for Comedy is unlike anything you have ever seen, I feel sure. It is funny and clever - much of the dialogue is of Jane Austen caliber - but it joyfully refuses to go any of the places you think it probably might. It is political, and pointed, but never preachy, except to call attention to the motives of those who would preach. It is at once a parody of a witty Broadway comedy of the nineteen-twenties, -thirties, and -forties, and the apotheosis of it; and a part of it also contains a convincing and fairly furious repudiation of itself. For this 1939 play seems well aware that its very style is about to be subsumed by world conflict…