Russell Janzen and More Promoted at New York City Ballet
by Julie Musbach
- Feb 19, 2017
New York City Ballet announced today the promotion of eight of the Company's dancers. Soloist Russell Janzen has been promoted to the rank of principal dancer, and corps de ballet members Sara Adams, Harrison Ball, Emilie Gerrity, Joseph Gordon, Unity Phelan, Troy Schumacher, and Indiana Woodward have been promoted to Soloist.
Colorado Ballet Invites Refugees to BALLET MASTERWORKS
by Christina Mancuso
- Feb 17, 2017
The Colorado Ballet invited approximately 45 to 50 refugee families from five different countries, including Somalia, Yemen, Iraq, Syria and the Republic of the Congo, to experience the production of BALLET MASTERWORKS, despite President Trump's executive orders on immigration.
New York Theatre Ballet Returns to New York Live Arts for Uptown/Downtown/Dance Series, 3/1-4
by Christina Mancuso
- Feb 8, 2017
New York Theatre Ballet (NYTB) returns to New York Live Arts with its new Uptown/Downtown/Dance series from March 1-4, 2017 at 7:30pm with an additional 2pm matinee on Saturday. This year's program features a revival of Nijinsky's L'Apres-Midi d'un Faune staged by the 98-year-old Ann Hutchinson Guest, a new and as-of-yet untitled pas de trois by Pam Tanowitz, Frederick Ashton's La Chatte métamorphoses en femme, and Antonia Franceschi's She Holds Out Her Hand which premiered at Danspace in Fall 2016. All pieces will be performed to live music. A post-show celebration with wine, hors d'oeuvres, and music will be held after the opening night performance for which tickets are $75. Tickets for the performances are $30 ($15 for Students & Seniors) and can be purchased at http://newyorklivearts.org/event/spring-concerts/.
Boston Ballet Announces 2017-2018 Season
by Molly Tracy
- Feb 7, 2017
Boston Ballet Artistic Director Mikko Nissinen announces the programming for the 2017-2018 season at the Boston Opera House, to begin in November. The 54th season will open with the North American premiere of Wayne McGregor's "forcefully resonant" Obsidian Tear (Roslyn Sulcas, The New York Times), a co-production with The Royal Ballet.
Amas Musical Theatre to Honor Lynn Ahrens & Stephen Flaherty with The Rosie Award
by BWW News Desk
- Jan 31, 2017
Amas Musical Theatre, New York City's award-winning pioneer in diversity and multi-ethnic casting in the performing arts since 1968, will celebrate its 48th Anniversary at a gala benefit on Monday, April 3, 2016 at the Baruch Performing Arts Center (East 25th Street between Lexington and 3rd Avenues).
Palm Beach Dramaworks Announces World Premiere of Terry Teachout's BILLY AND ME
by Julie Musbach
- Jan 27, 2017
Billy and Me, a new play by Terry Teachout, whose Satchmo at the Waldorf has been produced to great acclaim Off-Broadway and throughout the country, will receive its world premiere next season at Palm Beach Dramaworks. 'A work of fiction freely based on fact,' the play speculates on the tempestuous friendship between playwrights Tennessee Williams and William Inge. PBD Producing Artistic Director William Hayes, who suggested the idea to Teachout, will direct the premiere, which runs from December 8, 2017 through January 7, 2018.
92Y Announces 2017 Harkness Dance Festival
by BWW News Desk
- Jan 26, 2017
The 92nd Street Y Harkness Dance Festival enters its 23rd season presenting five artists over five weeks, from February 24 through March 25, 2017. Centered around the theme of Then, Now + Next, the 2017 Festival features world premieres from two companies and showcases a varied spectrum of work, from revivals of classic works to cutting-edge pieces by emerging talent.
BWW Review: New York City Ballet's ALL BALANCHINE PROGRAM, Winter 2017
by Barnett Serchuk
- Jan 24, 2017
George Balanchine said that 'Allegro Brillante' contained everything he knew about classical ballet in 13 minutes. I would say a bit more, depending on the tempo the conductor is taking for the evening. But putting tempos aside, 'Allegro Brilliante' offers a ballet so rich in form and steps that it's hard to take it all in. I've been watching the ballet for over 30 years, and I still marvel and its invention and the sheer stamina it takes to perform the work.
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