New York City Opera's acclaimed VOX: Showcasing American Opera series marks its 10 th anniversary on Friday, May 1, and Saturday, May 2, at the Skirball Center for the Performing Arts (566 LaGuardia Place, at Washington Square South) at New York University. New York City Opera's annual VOX series demonstrates the company's commitment to the development of American opera, giving a free-of-charge platform to new or previously unperformed American operas. The final excerpt presented on Saturday, May 2, will mark the 100 th opera presented by VOX.
New York City Opera's acclaimed VOX: Showcasing American Opera series marks its 10th anniversary on Friday, May 1, and Saturday, May 2, at the Skirball Center for the Performing Arts (566 LaGuardia Place, at Washington Square South) at New York University. New York City Opera's annual VOX series demonstrates the company's commitment to the development of American opera, giving a free-of-charge platform to new or previously unperformed American operas. The final excerpt presented on Saturday, May 2, will mark the 100th opera presented by VOX.
On Sunday, November 9, the 70th anniversary of Kristallnacht, and 75 years since Adolf Hitler's rise to power, the Museum of Jewish Heritage-A Living Memorial to the Holocaust and The Royal Conservatory of Music, Canada, will launch 'Music in Exile-Emigré Composers of the 1930s,' a five-day series of concerts, talks, and a music-theater piece celebrating the music of Jewish composers forced to flee the Third Reich and German composers who resisted the Nazi regime.
On Sunday, November 9, the 70th anniversary of Kristallnacht, and 75 years since Adolf Hitler's rise to power, the Museum of Jewish Heritage-A Living Memorial to the Holocaust, in association with Canada's Royal Conservatory of Music, will launch 'Music in Exile-Emigre Composers of the 1930s,' a five-day series of concerts, talks, and a music-theater piece celebrating the music of Jewish composers forced to flee the Third Reich and German composers who resisted the Nazi regime.
