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Theater Latté Da Announces THE GHOSTLIGHT SERIES

Theater Latté Da announced today THE GHOSTLIGHT SERIES, five virtual cabarets launching January 2021. The virtual cabaret series will feature more than 40 Minnesota artists showcasing stories and songs delivered monthly beginning January and running through July 2021.

BWW Review: SWEENEY TODD at Asolo Repertory Theatre

The musical Sweeney Todd: The Demon Barber of Fleet Street is a 1979 thriller featuring music and lyrics by Stephen Sondheim and book by Hugh Wheeler. The musical is based on a 1973 play of the same name by Christopher Bond. Sweeney Todd opened on Broadway in 1979 and won the Tony Award for Best MusicalThe Broadway production starred Len Cariou and Angela Lansbury, both of whom won Tony Awards for originating the roles of Sweeney and Mrs. Lovett.

Photo Flash: Inside Asolo Rep's SWEENEY TODD

Asolo Repertory Theatre proudly continues its 60th season with SWEENEY TODD: The Demon Barber of Fleet Street. It is directed and choreographed by Peter Rothstein, who helmed the theatre's critically acclaimed 2018 production of Ragtime. Featuring music and lyrics by Stephen Sondheim, a book by Hugh Wheeler and from an adaptation by Christopher Bond, this musical masterwork and global phenomenon previews May 1 - 3, opens May 4 and runs through June 1.

Asolo Rep Announces SWEENEY TODD Casting

Asolo Repertory Theatre proudly continues its 60th season with SWEENEY TODD: The Demon Barber of Fleet Street. It will be directed and choreographed by Peter Rothstein, who helmed the theatre's critically acclaimed 2018 production of Ragtime. Featuring music and lyrics by Stephen Sondheim, a book by Hugh Wheeler and from an adaptation by Christopher Bond, this musical masterwork and global phenomenon previews May 1 - 3, opens May 4 and runs through June 1 in the Mertz Theatre, located in the FSU Center for the Performing Arts.

BWW Review: Peter Rothstein's Extraordinarily Moving and Beautifully Realized ALL IS CALM: THE CHRISTMAS TRUCE OF 1914

Shortly after midnight, on Christmas Day of 1914, a German soldier whose name is now lost to history committed what might be the most subversive act in all of modern warfare.  He walked, unarmed, out of the front line trenches and into the middle of No Man's Land, faced the enemy British soldiers before him and, in his native tongue, began singing 'Silent Night.'

ALL IS CALM Holiday Engagement Comes to The Sheen Center

Laura Little Theatricals and Theater Latte Da present the American premiere production of the off-Broadway premiere of the new musical All Is Calm: The Christmas Truce of 1914, now playing off-Broadway at the Sheen Center for Thought & Culturein a limited holiday engagement through December 30. Performances are Wednesday, Thursday, Friday and Saturday at 7:30PM; Sunday at 7pPM; Wednesday, Saturday, Sunday at 2PM. (Exceptions: There are no performances on Sunday, December 9 at 2PM or Sunday, December 23 at 7PM; there is an additional performance on Monday, December 24 at 2PM.)

Photo Flash: ALL IS CALM Celebrates the 100th Anniversary of the Armistice

On Sunday, November 11, the cast and creative team  All Is Calm honored the 100th anniversary of the armistice with a reading of an excerpt from "For the Fallen,' a poem by Robert Laurence Binyon, first published in The London Times on September 21st, 1914 and a singing of "Silent Night.'

Theater Latté Da Extends Performances Of FIVE POINTS

Theater Latte Da announces extended performances of the rousing, world premiere musical FIVE POINTS thru May 13. This latest and most ambitious musical world premiere to date brings together the talents of a dynamic creative team. The score is the work of Douglas Lyons and Ethan D. Pakchar, a New York-based songwriting team with significant Broadway credits. The book is written by the prolific Twin Cities-based playwright Harrison David Rivers, who has penned three world premieres this season including FIVE POINTS, as well as productions at the History Theatre and Penumbra Theatre. Theater Latte Da Artistic Director Peter Rothstein directs the production with Resident Music Director Denise Prosek. Performances run now thru May 13 at the Ritz Theater (345 13th Avenue NE in Minneapolis). Single tickets go are on sale now and can be purchased at Latteda.org or by calling 612-339-3003.

GREASE Is the Word at Chanhassen Dinner Theatres This March

GREASE, Chanhassen Dinner Theatres (CDT) most popular show, returns to the Main Stage for the first time in a decade. The original Rock 'n' Roll musical, GREASE, opens to a week of preview performances from March 3rd through 9th with opening night festivities today, March 10.

GREASE Is the Word at Chanhassen Dinner Theatres This March

GREASE, Chanhassen Dinner Theatres (CDT) most popular show, returns to the Main Stage for the first time in a decade. The original Rock 'n' Roll musical, GREASE, opens to a week of preview performances from March 3rd through 9th with opening night festivities today, March 10.

GREASE Is the Word at Chanhassen Dinner Theatres This March

GREASE, Chanhassen Dinner Theatres (CDT) most popular show, returns to the Main Stage for the first time in a decade. The original Rock 'n' Roll musical, GREASE, opens to a week of preview performances from March 3rd through 9th with opening night festivities on Friday, March 10.

BWW Review: Theater Latte Da's Gleefully Maniacal SWEENEY TODD is Not to be Missed!

Friends, Theater Latte Da has done it again. They've created a music-theater production that is so stirring and chilling, it's nothing short of brilliant. After the delightfully innovative and stripped-down INTO THE WOODS this spring, they return to Sondheim with a similarly innovative and stripped-down SWEENEY TODD: THE DEMON BARBER OF FLEET STREET. But where INTO THE WOODS was a fun and slightly sinister mish-mash of classic fairy tales, SWEENEY is all darkness and death, albeit with a bit of dark humor. Director Peter Rothstein again cast just ten actors in the show, many playing multiple roles and all perfect for the parts, and Denise Prosek leads a pared down orchestra of just four, that still somehow sounds musically full on this gorgeous and disturbing score. With a couple of actors not known for their singing leading this talented cast, and a cohesive look to the set, costumes, and theater space that is well used, this SWEENEYis completely engaging and all-consuming, and brilliantly shows what Latte Da can do with not musical theater, but theater musically.

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