Disney Theatrical Productions today thanked the Australian public as the spectacularly successful season of landmark musical THE LION KING closed this weekend.
For Release (February 29, 2015): Disney Theatrical Productions today
thanked the Australian public as the spectacularly successful season
of landmark musical The Lion King ended this weekend.
Disney Theatrical Productions today thanked the Australian public as the spectacularly successful season of landmark musical The Lion King ended this weekend.
Roundabout Theatre Company hosts the 50th Anniversary Gala: 'Spring Gala 2016: Celebrating 50 Years of Extraordinary Theatre' tonight, February 29, 2016 in the Grand Ballroom of the Waldorf Astoria (301 Park Avenue, NYC). The evening will be a celebration of Roundabout's 50th Anniversary and will recognize the accomplishments of six-time Tony winner Audra McDonald and Roundabout's Chairman of the Board Tom Tuft and present them with The Jason Robards Award for Excellence in Theatre.
The Fabulous Fox Theatre has announced the full casting for the St. Louis premiere of THE BRIDGES OF MADISON COUNTY starring Elizabeth Stanley (On the Town, Million Dollar Quartet) as Francesca and Andrew Samonsky (The Hunchback of Notre Dame, South Pacific) as Robert.
Roundabout Theatre Company will host the 50th Anniversary Gala: "Spring Gala 2016: Celebrating 50 Years of Extraordinary Theatre" on Monday, February 29, 2016 in the Grand Ballroom of the Waldorf Astoria (301 Park Avenue, NYC). The evening will be a celebration of Roundabout's 50th Anniversary and will recognize the accomplishments of six-time Tony winner Audra McDonald and Roundabout's Chairman of the Board Tom Tuft and present them with The Jason Robards Award for Excellence in Theatre.
Disney's THE LION KING continues to reign across North America with a sold-out engagement in Tampa, which concluded on Sunday, Feb. 14, at the Straz Center for the Performing Arts. The triumphant four-week return grossed more than $5.6 million at the box office and entertained nearly 75,000 patrons during 32 performances.
?Broadway In Chicago has announced that individual tickets for the Chicago premiere of BULLETS OVER BROADWAY, written by Woody Allen and based on the screenplay by Allen and Douglas McGrath (Beautiful) for the 1994 film, will go on sale on Friday, February 19. The staged production of this worldwide smash-hit film will play the newly named The PrivateBank Theatre (18 W. Monroe) April 19 through May 1, 2016.
Lincoln Center Theater (under the direction of André Bishop, Producing Artistic Director) has announced that 3-time Tony Award nominee Marin Mazzie will assume the role of Anna Leonowens in its Tony Award-winning production of Rodgers & Hammerstein's THE KING AND I beginning Tuesday, May 3 at the Vivian Beaumont Theater (150 West 65 Street).
The producers of the Broadway revival of Fiddler on the Roof announced today that a new block of tickets for the critically acclaimed revival are now on sale through Labor Day. Tickets are available online via Telecharge.com, by phone at (212) 239-6200, or in person at the Broadway Theatre Box Office (1681 Broadway, at 53rd Street).
As BroadwayWorld reported earlier this week, Ken Watanabe's return to THE KING AND I has been postponed after recently undergoing endoscopic surgery in Japan. Now we've confirmed with a Lincoln Center representative that he will officially return to THE KING AND I on Thursday, March 17. Hoon Lee, who is currently playing the King of Siam, will play his final performance on Wednesday, March 16.
Lincoln Center Theater will produce OSLO, a new play by J.T. Rogers, directed by Bartlett Sher, beginning performances Thursday, June 16. Commissioned by Lincoln Center Theater, OSLO will open Monday, July 11 at the Mitzi E. Newhouse Theater (150 West 65 Street).
The producers of the Broadway revival of Fiddler on the Roof announce that ITZHAK PERLMAN, the reigning virtuoso of the violin, has recorded a special bonus track for the upcoming New Broadway Cast Album of Fiddler on the Roof. PERLMAN has recorded 'Excerpts from Fiddler on the Roof' arranged by John Williams.
Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) just announced that Manhattan Theatre Club's acclaimed world premiere production of Heisenberg, the new play by Tony Award and two-time Olivier Award winner Simon Stephens, directed by Drama Desk Award winner Mark Brokaw, will transfer to the Samuel J. Friedman Theatre (261 West 47th Street), MTC's home on Broadway, this fall starring original cast members Denis Arndt and Tony and Emmy Award winner Mary-Louise Parker.
Tonight, before a gathering of theatre artists and patrons, theatreWashington announced the nominees for the 2016 Helen Hayes Awards, drawn from 202 eligible productions presented in the 2015 calendar year. Scroll down for the full list of nominees!
The producers of the hit Broadway revival of Fiddler on the Roof announced this morning that the production will donate $2 from every full-price ticket purchased to the show for all February 2016 performances to The United Way of Genesee County's Flint Water Fund, which directly provides aid the Michigan city's residents, currently suffering from a critical drinking water contamination crisis.
Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) have just announced complete casting for Manhattan Theatre Club's upcoming American premiere of The Father, the new play by Moliere Award winner Florian Zeller, in a translation by two-time Tony Award winner Christopher Hampton (Sunset Boulevard, Les Liaisons Dangereuses, God of Carnage), in a new production directed by Tony Award winner Doug Hughes (Doubt, Outside Mullingar, City of Conversation) atMTC's Samuel J. Friedman Theatre (261 West 47th Street).
While certainly far from a perfect show (both in staging and execution), the bus-and-truck version of BULLETS OVER BROADWAY - THE MUSICAL---the quirky and highly-amusing stage musical adaptation of the 1994 big screen comedy penned by Woody Allen and Douglas McGrath---is nonetheless a supremely fun and engaging stage iteration had me in stitches for much of its two hilarious acts, which have been enhanced by lots of silly, old-fashioned antics and an array of surprisingly top-notch musical/acting performances from a solid, mostly young cast. I can honestly say that this production---now finishing up its Los Angeles premiere performances at the Pantages Theatre in Hollywood through January 24---is quite possibly the most enjoyable non-equity first national tour I've watched in a long, long time---a wonderful surprise considering such enterprises have a long, contentious history of enticing lots of industry controversy and skepticism even before the curtain goes up.