Enough of Him - May Sumbwanyambe’s harrowing, but uplifting drama about the Joseph Knight, who freed himself from slavery through the Scottish courts, and Ramesh Meyyappan’s Love Beyond (Act of Remembrance), a poignant exploration of dementia in the deaf community - top the nominations lists.
Currently running at the Pleasance, Breathless and MASTERCLASS have both won prestigious Scotsman Fringe First Awards. The Scotsman's world-famous Fringe First awards have been recognising outstanding new writing premiered at the festival since 1973.
Adapted and directed by Ben Harrison from the translation by Don Bartlett and Don Shaw, with dramaturgy by Eszter Marsalko, Doppler is produced by Judith Doherty with a cast that includes Keith Fleming, known for his role of Lesley in Outlander, in the eponymous role with Grid Iron-regular Sean Hay and Chloe-Ann Tylor known to wider audiences from Citizen Theatre's Trainspotting portraying all the remaining characters.
Edinburgh-based, award-winning Grid Iron Theatre Company has announced the release of its long-awaited film, Doppler: The Story So Far.
Experts in site specific and promenade theatre, Edinburgh-based Grid Iron Theatre Company hopes to bring a world premiere of Doppler to audiences next month. With very limited audience numbers of up to 20 people, this outdoor, socially distant show would have a limited run starting on or after 24 August with venue and exact dates still to be confirmed.
Writer Jonathan Harvey and Pet Shop Boys Neil Tennant and Chris Lowe are currently presenting the world premiere of a new cabaret show at the 2019 Edinburgh Fringe. Let's see what the critics had to say.
Matthew Heller is happy to announce that the video for “Learn to Love” from the forthcoming David Pollock (CAKE, Wild Ones) produced Temple Moon Desire LP (out 10.04) has premiered at Glide.
Hugh Jackman has opened his The Man. The Music. The Show. tour and we've got all the reviews!
In 2006 Martin McCormick flew across the Atlantic to be reunited with a woman he had fallen passionately in love with. But in the four months of their absence she had changed. Changed her hair colour. Her body shape, her address. And almost as soon as he's arrived he's on the road again, penniless and hallucinating.
Lily Breshears grips tight the reins of her voice, bending the edges of melody in ways that wrap beauty in a veil of unease. On “All Will Be New” she paints a scene of poetic eeriness, where insistent piano and rhythm build hypnotically into an otherworldly groove as turbulent textures float in and out of frame.
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