Whether the title of Richard Greenberg's bitterly comic 1990 drama brings to mind a hotel package with all meals included or a corporate union-busting practice, it can be argued that both interpretations refer to methods of maximizing gain while minimizing responsibility. And while both definitions play supporting roles in The American Plan, a third variation on the theme - marry well, be an excellent spouse and secretly carry on with your less-than-affluent lover - takes center stage.
On the night when baseball's all-stars were blasting dingers into the bleachers of Yankee Stadium, the cast of Scott Siegel's A Night At The Operetta, was having their own home run derby on the stage of Town Hall, knocking melodies by Victor Herbert, Sigmund Romberg and Rudolf Friml out of the park. And in both cases, the crowd frequently went nuts.