BWW Review: Your Kids Will Love ANNIE at Mirvish
by Taylor Long
- May 1, 2018
Puzzle pieces cover the stage, invoking a sense of kid-centric wonder in Mirvish's ANNIE. With music by Charles Strouse, lyrics by Martin Charnin, and a book by Thomas Meehan, ANNIE has stood the test of time as one of musical theatre's most beloved shows. Mirvish's production keeps the inspirational story and the hummable tunes - but offers a weird production concept that spends the entire show fighting itself.
BWW Review: Musical Stage Company's FUN HOME is a Little Show with a lot of Heart
by Taylor Long
- Apr 22, 2018
The Musical Stage Company has done it again. FUN HOME, presented as part of the off-Mirvish subscription series, is a testament to the power of effective musical theatre. With its gripping exploration of a dysfunctional family struggling with identity - internally and externally - a book and lyrics by Lisa Kron, and music by Jeanine Tesori (Thoroughly Modern Millie, Shrek The Musical), FUN HOME packs a punch. It may be the biggest show in the Musical Stage Company's history, but FUN HOME is really an intimate story about love and acceptance.
BWW Interview: The Star of Stratford Festival's TIMON OF ATHENS on the Play's Upcoming Cinematic Release
by Lauren Gienow
- Apr 21, 2018
This Sunday, April 22nd, will mark the cinematic release of the 2017 Stratford Festival production of TIMON OF ATHENS - One of Shakespeare's later plays, for which productions are not nearly as common as some of Shakespeare's other stories. Directed for the stage by Stephen Ouimette, and directed for the screen by Barry Avrich, TIMON OF ATHENS is a story of a man who gives generously but does not pay close enough attention to his own debt. When the collectors come calling, Timon's friends do not show up for him like he did for them. This betrayal drastically changes his worldview and sends him into a tragic, reclusive life. Joseph Ziegler, who portrayed Timon in the production, was kind enough to chat with Broadway World about bringing this play to the big screen.
BWW Review: ANIMAL FARM at Soulpepper Uses Humour to Reel You In
by Taylor Long
- Mar 20, 2018
I would watch a Ravi Jain directed production of the phone book. ANIMAL FARM, presented by Soulpepper, is an adaption of George Orwell's famous novel by Canadian playwright Anthony MacMahon. Jain and MacMahon design a campy, satirical world for the farm animals, using humour as a reel to hook the audience into deeper discussions about humanity and society. It's persuasive, troubling, and honestly funny.
BWW Review: Soulpepper's IDOMENEUS Resonates Through Jarring Storytelling
by Taylor Long
- Mar 15, 2018
'That's not what happened.' Soulpepper's IDOMENEUS tells the story of a famous Greek myth - but plays with the mode of storytelling to create something remarkable. Roland Schimmelpfennig's modern play comes to life in a timeless zone of monochromatic universality in Alan Dilworth's production, designed by Lorenzo Savoini. Using a chorus of voices, the narrative weaves between past and present, fact and fiction - presenting themes that resonate not only within the world of Soulpepper, but within the world at large.
BWW Review: National Ballet Delivers Grand Spectacle with THE SLEEPING BEAUTY
by Taylor Long
- Mar 11, 2018
Tchaikovsky's exquisite score meets Nureyev's exhilarating choreography in a sensational grand ballet experience. The National Ballet of Canada brings back their celebrated production of Tchaikovsky's THE SLEEPING BEAUTY, choreographed by the late Rudolf Nureyev. A dancer himself, Nureyev's creative stamp on the piece expands the already technically challenging choreography originally created by Marius Petipa - adding depth to the Prince's role with variations of amplified difficulty. Even the most ardent ballet critic is sure to be impressed by the extreme athleticism required to dance this production.
Photo Flash: Inside THE SECRET GARDEN at Young People's Theatre
by Julie Musbach
- Feb 8, 2018
THE SECRET GARDEN by Paul Ledoux, adapted from the novel by Frances Hodgson Burnett. Directed by Allen MacInnis. Featuring Simon Bracken, Vivien Endicott-Douglas, Natalia Gracious, Dan Lett, Sarah Mennell, Jake Runeckles and Benjamin Sutherland.
BWW Review: A DELICATE BALANCE at Soulpepper is Sophisticated Dysfunction at its Best
by Taylor Long
- Jan 30, 2018
Compared to the in-your-face absurdity of November's 'The Goat, or Who is Sylvia?' A DELICATE BALANCE displays a softer, more subtle Albee without softening the devastating impact. Directed by Diana Leblanc, Soulpepper's production simmers-exploring dysfunction through the lens of characters that are grounded in reality.
BWW Review: MR. SHI AND HIS LOVER Croons at the Intersection of Musical and Opera
by Taylor Long
- Dec 10, 2017
MR. SHI AND HIS LOVER, a new take on an old love story, manipulates perception in a tale of perception manipulation. Through seven non-linear scenes, performed in Mandarin with Chinese and English surtitles, MR. SHI AND HIS LOVER integrates a mix of introspective arias and narrative songs. The themes and boundaries of love are explored in an exploration of music that is difficult to pin down. Is it an opera? Or is it more of a musical?
BWW Review: Predictability Increases Unpredictability in Canadian Stage's HEISENBERG
by Taylor Long
- Dec 4, 2017
Uncertainty, or the state of being uncertain, involves not being able to clearly identify or define something. Simon Stephens' HEISENBERG thrives on uncertainty. Using physicist Werner Heisenberg's Uncertainty Principle as the underlying theme, Canadian Stage's Canadian premiere production fuses science and love in a hard-to-follow tale of opposites attract.
BWW Review: The National Ballet's NIJINSKY; The Dancer Trapped in the Man
by Taylor Long
- Nov 25, 2017
The mind is a fascinating, terrifying and often incomprehensible place. The National Ballet of Canada's production of John Neumeier's NIJINSKY explores the mind through the lens of one of the world's most famous ballet dancers, Vaslav Nijinsky. Neumeier's skilled theatricality encompasses the piece, informing the set, costumes and choreography - creating a work of art that is deliriously captivating.
BWW Review: Gasps All Around at Mirvish's DISGRACED
by Taylor Long
- Nov 17, 2017
A lesson in what not to say at a dinner party, Mirvish's presentation of Ayad Akhtar's DISGRACED is tense and unsettling. Originally a production from the Hope and Hell Theatre Company, director Robert Ross Parker discusses the play as having 'the power to make us uncomfortable.' Certainly true. As the play dove into controversial discussions of identity politics, gasps were audible all around.
BWW Review: Soulpepper's THE GOAT OR, WHO IS SYLVIA? Shocks with Gripping Performances
by Taylor Long
- Nov 9, 2017
'You don't understand,' repeats Martin. You'll have to see it to really understand. Soulpepper presents Edward Albee's shocking Tony Award-winning play, THE GOAT OR, WHO IS SYLVIA? (2002) Featuring an outstanding cast, including Soulpepper's Artistic Director, Albert Schultz, this production is proof that tremendous performances can sell any subject matter - no matter how taboo.
The National Ballet of Canada to Bring NIJINSKY to Paris
by BWW
News Desk
- Oct 3, 2017
Karen Kain, Artistic Director of The National Ballet of Canada, today announced the principal casting for the company's upcoming tour to Paris with performances of Nijinsky, a ballet by John Neumeier.
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