Colm Wilkinson News

Hallelujah Broadway, the musical extravaganza from Bill Hughes, the producer of The Irish Tenors, is based on the simple premise that powerful songs can bring an audience to their feet, gladden their hearts and give them something to really feel good about.

Hallelujah Broadway, the musical extravaganza from Bill Hughes, the producer of The Irish Tenors, is based on the simple premise that powerful songs can bring an audience to their feet, gladden their hearts and give them something to really feel good about.

One part comedian, one part chanteuse, wholly entertaining, Canada's edgy goddess of cabaret, named 'Best Cabaret Performer' by Toronto's NOW Magazine, serves up her own unique brand of uproarious entertainment.

This week, we are taking a listen to the Original Broadway Cast Recording of Green Day's rock opera AMERICAN IDIOT. The show was met with appreciative reviews, yet it seems audiences and the Tony committee are slightly less enthusiastic. So is it an American Classic, An Idiotic Delight or a 21st Century Breakdown? Let's see...

One part comedian, one part chanteuse, wholly entertaining, Canada's edgy goddess of cabaret, named 'Best Cabaret Performer' by Toronto's NOW Magazine, serves up her own unique brand of uproarious entertainment.

Do you love all things Phantom? Then look no further! Our latest interview catches up with some of the lovely ladies who have played the roles of Christine and Carlotta in Andrew Lloyd Webber's hit musical The Phantom of the Opera!

This week we are talking a trip to the Paris Opera and visiting some old friends on the eve of their re-appearance in Andrew Lloyd Webber's musical sequel LOVE NEVER DIES, but before that review next week (clue: it's truly phantastic, with an 'f' and a 'ph'!) let us take a look at the best and most notable recordings of the score of the original show, THE PHANTOM OF THE OPERA, including the Original London Cast Recording, the Canadian Highlights recording starring Colm Wilkinson, the 2004 Film Soundtrack, as well as two solo albums by the show's original stars, Michael Crawford and Sarah Brightman...

This week, we are taking a listen to a pair of crossover theatre/pop stars who have two timely new releases. Both performers have been featured in the Olympics this year, Wilkinson's 'This Is The Moment' from the JEKYLL & HYDE concept album and Brightman's Olymptic green theme, 'Shall Be Done', playing prominent roles in the proceedings. Also, both performers were involved in the original 1985 Sydmonton workshop of THE PHANTOM OF THE OPERA and just this week the curtain went up on the sequel to the Andrew Lloyd Webbber mega-hit, LOVE NEVER DIES. Both engaging entertainers continue their winning streaks, so to say, with these recent efforts...

Alley Theatre's world premiere of the new musical Wonderland will close on Sunday, February 14.

Tony Award-nominated actor and theatre veteran Colm Wilkinson's latest album, 'Broadway and Beyond The Concert Songs' is now available for purchase and download.

BroadwayWorld's 2010 Valentine's Day gift to you, the 5th Annual 'What's the Most Romantic Broadway Love Song Ever?' brings you over 500 stars, industry professionals, and personalities from across the globe, and this year Barbra Streisand, Susan Boyle, Bernadette Peters, Cameron Mackintosh, HAIR, GLEE and many, many more!

Les Miserables is widely regarded as one of the most popular and successful musicals of all-time. It was the third longest running show on Broadway and has had over 9,500 performances in London's West End. Throughout the years, there have been many successful Canadian Productions of the hit show, and some alumni have come together to attempt to organize a reunion for June 2010 to bring together everyone who was ever part of the Canadian Les Mis family. BWW will be on hand to cover the big event and has also agreed to lend a hand in spreading the word, in the hopes that as many people as possible will be able to attend.

Alley Theatre presents the world premiere of the new musical Wonderland about Alice, a children's book writer in Manhattan who is suffering through a creative block, estranged from her husband and alienated from her daughter. It takes a trip to a strange-yet-familiar Wonderland for her to regain her life's balance and again find the love and everyday magic that reside in us all - if we know how to look. With a book by Alley Theatre Artistic Director Gregory Boyd and Jack Murphy (The Civil War), lyrics by Jack Murphy, music by Frank Wildhorn (Jekyll & Hyde, The Scarlett Pimpernel, The Civil War), and directed by Gregory Boyd, Wonderland begins previews Friday, January 15, opens officially Wednesday, January 20 and runs through Sunday, February 14.

Alley Theatre presents the world premiere of the new musical Wonderland about Alice, a children's book writer in Manhattan who is suffering through a creative block, estranged from her husband and alienated from her daughter. It takes a trip to a strange-yet-familiar Wonderland for her to regain her life's balance and again find the love and everyday magic that reside in us all - if we know how to look. With a book by Alley Theatre Artistic Director Gregory Boyd and Jack Murphy (The Civil War), lyrics by Jack Murphy, music by Frank Wildhorn (Jekyll & Hyde, The Scarlett Pimpernel, The Civil War), and directed by Gregory Boyd, Wonderland begins previews Friday, January 15, opens officially Wednesday, January 20 and runs through Sunday, February 14.

A report out in the Toronto Star today suggests that Garth Drabinsky, convicted and sentenced to 7 years in prison for fraud, is back in action...at least for now. According to the report, Drabinsky has three new large-scale productions in the works for the 2010-2011 season: Christopher Plummer in Barrymore; Colm Wilkinson in Finian's Rainbow; and an all-black revival of Kiss of a Spider Woman.

It's perfectly understandable if years from now, or maybe fifteen minutes after leaving the theatre, the only thing you clearly remember about the Roundabout's new production of A Man For All Seasons is Frank Langella's extraordinary performance as the highly-principled Chancellor of England, Sir Thomas More, who refused to support Henry VIII's wish to separate from the Vatican and form the Church of England in order for him to divorce the aging Catherine of Aragon and wed Anne Boleyn in hopes of their union producing a son and heir.  Not that director Doug Hughes' sturdy mounting of Robert Bolt's 1960 historical drama doesn't contain fine work from the rest of the ensemble, but in a play where the central figure so dominates the proceedings - especially with this production's removal of the narrator/commenter character known as The Common Man - Langella linguistically feasts on the dense, wordy text and gracefully conveys the complexities of a family man who refuses to betray his conscious, no matter the cost to his loved ones or his own head.While Bolt leans on portraying More a bit more on the saintly side than reality dictates, Langella never strikes a false note as he spares philosophically with the self-involved king (Patrick Page), the slickly elegant Spanish ambassador (Triney Sandoval) and the arch Oliver Cromwell (an almost dastardly Zach Grenier).  His distain for the corruption of the men surrounding him is expressed by both roaring bursts and faintly exasperated glances.  To see the actor's transformation of More from a righteous lion to a fragile, quietly defiant prisoner in the Tower of London, awaiting execution, is a heartbreaking experience.  Also very touching is the work of Maryann Plunkett as his long-suffering but devoted wife.

It's perfectly understandable if years from now, or maybe fifteen minutes after leaving the theatre, the only thing you clearly remember about the Roundabout's new production of A Man For All Seasons is Frank Langella's extraordinary performance as the highly-principled Chancellor of England, Sir Thomas More, who refused to support Henry VIII's wish to separate from the Vatican and form the Church of England in order for him to divorce the aging Catherine of Aragon and wed Anne Boleyn in hopes of their union producing a son and heir. Not that director Doug Hughes' sturdy mounting of Robert Bolt's 1960 historical drama doesn't contain fine work from the rest of the ensemble, but in a play where the central figure so dominates the proceedings - especially with this production's removal of the narrator/commenter character known as The Common Man - Langella linguistically feasts on the dense, wordy text and gracefully conveys the complexities of a family man w

The New York Musical Theatre Festival and Gorgeous Entertainment will present Deep Cover, a noir musical, in performances Monday 10/2, Thursday/10/5, Friday 10/16, and Saturday 10/17 at Sweet Caroline's.

The New York Musical Theatre Festival and Gorgeous Entertainment will present Deep Cover, a noir musical, in performances Monday 10/2, Thursday/10/5, Friday 10/16, and Saturday 10/17 at Sweet Caroline's.

The New York Musical Theatre Festival and Gorgeous Entertainment will present Deep Cover, a noir musical, in performances Monday 10/2, Thursday/10/5, Friday 10/16, and Saturday 10/17 at Sweet Caroline's.