Folger Theatre launches its 2017/18 season of power, passion, and politics with William Shakespeare's romantic tragedy of Antony and Cleopatra, onstage now through November 19, 2017. Click below to watch the building of the set and hear about the show from the cast and creative team!
Folger Theatre launches its 2017/18 season of power, passion, and politics with William Shakespeare's romantic tragedy of Antony and Cleopatra, onstage now through November 19, 2017. BroadwayWorld has a first look at the cast in action below!
Folger Theatre launches its 2017/18 season of power, passion, and politics with William Shakespeare's romantic tragedy of Antony and Cleopatra.
Folger Theatre launches its 2017/18 season of power, passion, and politics with William Shakespeare's romantic tragedy of Antony and Cleopatra.
I recall with reverence the illustrated cover of the original cast album of MY FAIR LADY by the acclaimed caricaturist, the late Al Hirschfeld (who has a Broadway theater named in his honor). It featured the author of 'Pygmalion' which MY FAIR LADY is based on, George Bernard Shaw, overlooking a cloud in heaven with puppet strings holding up the two lead characters in the show, Henry Higgins and Eliza Doolittle, It's a true classic. So was the original cast which opened on Broadway in 1956 and starred Julie Andrews and Rex Harrison and later became a smash movie with Harrison and Audrey Hepburn in 1964. I recall having a reserved seat ticket for the film.
A powerful piece of theater that brings you into the heart of the Israeli-Palestinian conflict.
Mosaic Theater Company of DC presents the culmination of its expansive and hugely successful second season with the 2017 Voices From a Changing Middle East Festival. This year's festival is of particular resonance in this 50th year since the Six Day War and the start of The Occupation, and focuses on two taut dramas about the lives, circumstances, and humanity of Palestinians in Israel and Gaza.
Today's subjects, Joy Zinoman and Logan Vaughn, are currently living their theatre lives over on H Street at Mosaic Theater Company. They are the directors for the company's current South Africa: Then & Now repertory, which is comprised of the Athol Fugard's classic Blood Knot and the newer A Human Being Died That Night by Pumla Gobodo-Madikizela and adapted for the stage by Nicholas Wright. The rep represents the old and the new. It's appropriate that Mosaic's genius Artistic Director Ari Roth has enlisted a veteran director of over 50 years and a hot up-and-coming director to bring the plays to vivid life onstage at the Atlas Performing Arts Center.
The riveting, ready-made drama of South Africa's Truth and Reconciliation Commission hearings animate a new production at the Mosaic Theater Company of DC.
Mosaic Theater Company of DC presents South Africa: Then & Now, a dynamic spring repertory that takes audience members back to the depths of Apartheid, before moving forward to the ongoing search for truth and reconciliation in a wounded country. Logan Vaughn returns to Mosaic for the second time this season to stage a companion South African drama, A HUMAN BEING DIED THAT NIGHT (April 6-30, 2017).
Mosaic Theater Company of DC presents South Africa: Then & Now, a dynamic spring repertory that takes audience members back to the depths of Apartheid, before moving forward to the ongoing search for truth and reconciliation in a wounded country. The repertory launches with Athol Fugard's seminal masterpiece, BLOOD KNOT (March 29-April 30, 2017)-an intimate parable about a brotherhood devastated by the constraints of Apartheid-under the direction of Studio Theatre Founding Artistic Director Joy Zinoman, making her Mosaic Theater Company debut.
Two shows in Repertory: DEATH OF A SALESMAN and A STREETCAR NAMED DESIRE...it just doesn't get better than this.
We in the audience are continually torn between cheering the gumption and the desire behind Blanche's lies and being appalled at the human cost the lies inflict, not least on the teller of them.
The unresolvedness of social themes is a feature, not a bug, as far as Miller is concerned. Miller has willed the ambiguities and the gaps in information, and tightly controlled the opportunities for interpretation that might resolve or suggest resolutions to the ambiguities. There is a path to execute, and the Everyman crew execute marvelously, but this is not the same thing as the artistry that directors and actors can ordinarily exert. Most plays give their performers more room to interpret, to breathe.
The culmination of Everyman Theatre's 25th Anniversary begins this spring with the highly anticipated 'Great American Rep.' The Rep unites two iconic masterpieces and marks the first time Arthur Miller's Death of a Salesman and Tennessee Williams' A Streetcar Named Desire have ever been produced as a rotating rep, where one virtuosic cast featuring 8 resident company members performs multiple roles and transform night after night.
Hailed as "the theatrical equivalent of a page turner" (The Daily Mail), An Inspector Calls is a gripping, psychological thriller. The respectable Birling family is at home hosting a dinner party in honor of their daughter's recent engagement, when an unforeseen knock at the door brings a sudden stop to the celebration. Enter Inspector Goole, who brings word of the unexpected death of a young woman. The questioning of each family member begins, dark secrets are uncovered and slowly the mystery surrounding the untimely death unravels.
An evening of theater you will long remember.
Inspector Goole (Chris Genebach), already knows the answers to all his questions, yet his method, bullying confirmatory confessions out of the family members, is great theater. Until the advent of the Cockney-accented Goole, the King's English-speaking Birlings mostly fancy themselves honorable, kind, and praiseworthy. In reality, they are the beneficiaries of a caste system which, as Priestley depicts it, is a citadel against the poor, whose poverty is an inevitable outcome of the rules that the caste in the citadel impose. Goole exposes the unsavory truths of this arrangement, destroying all the Birlings' illusions of innocence in the process - perhaps, though the play also makes clear how evergreen and hard-to-eradicate such illusions are.
Olney Theatre Center, a Mid-Atlantic destination for extraordinary theater performance and education, celebrates the 70th Anniversary of Rodgers and Hammerstein's Carousel with a reimagined production of the classic musical, running April 15 - May 10, 2015 on the Mainstage.
Due to popular demand, CAROUSEL has been extended to May 17, 2015.
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