The Hangar Theatre's free late-night series, The Wedge, will return to Ithaca this summer under the direction of 2016 Drama League Directing Fellows Chloe Treat, Drew Feldman, Yavor Kostov, and Katie Lupica. The Fellows will be staging productions of H. Leivick's The Golem, the world premiere of Oh Oh You Will Be Sorry! by Claire Kiechel, James Joyce's The Dead, and Salome by Oscar Wilde. The plays will last 45 minutes each and will be brought to life by the 2016 Hangar Lab Company.
The Drama League today announced the new team to replace longtime artistic director Roger T. Danforth, who departs the storied company this summer. Travis LeMont Ballenger has been named to the newly created position of Associate Producer, and Sherri Eden Barber will assume the role of Program Director. Gabriel Stelian-Shanks will see his position expanded to the role of Executive Artistic Director
The Drama League has announced the 11 stage directors who have been selected as the 2016 Directing Fellows of The Drama League Directors Project: Noa Egozi, Drew Feldman, Sara Holdren, Candis Jones, Yavor Kostov, Katie Lupica, James Palmer, Jesca Prudencio, Ilana Ransom Toeplitz, Chloe Treat, Shaun Patrick Tubbs. More information can be found at www.dramaleague.org
We are never too old for heroes. They are the stuff of which dreams are made. Dreams like creating a new musical and offering it up to the world. And it works really well when the new musical is about finding your heroes, or, maybe even becoming one for yourself. Enter Fallout, a new musical by DC-native Nick Blaemire and musician/composer Kyle Jarrow, which just recently had a concert presentation at Feinstein's/54 Below in New York.
Broadway's 40 theatres aren't the only places to catch performances from your favorite stars! Well after Broadway orchestras begin their overtures, ensemble members take their dance breaks, and performers belt out their eleven o'clock numbers, the party continues at various cabaret venues throughout New York City. Below, BroadwayWorld brings you some cabaret highlights for this week as picked by our theatre editors, including: The Songs of Tor & Lisa, ft. Brandon Victor Dixon, and more; New Musicals at 54: Fallout by Kyle Jarrow and Nick Blaemire; Kyle Dean Massey at 54 Below; Jasper In Deadland CD Release Concert; and Broadway Couples Sing I Do! I Do! For Valentine's Day.
Next week, FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents some of the brightest stars from Broadway, cabaret, jazz and beyond. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551.
As the world teeters on the edge of nuclear war in during the 1962 Cuban Missile Crisis, two neighboring families in suburban Westchester struggle with the fact that life as they know it has come to an end. The result is Fallout, a fantastical, surrealist exploration of America at a pivotal moment in history.
Theatreworks USA (Barbara Pasternack, Artistic Director; Ken Arthur, Producing Director) will continue its 2016 weekend family performance series this Sunday, January 31st, with The Lightning Thief, a musical adapted from the book The Lightning Thief by Rick Riordan. The Lightning Thief features a book by Joe Tracz with music, lyrics, & orchestrations by Rob Rokicki. The Off-Broadway premiere of The Lightning Thief was nominated for Outstanding Musical by the Lortel Awards in 2015. This 60-minute musical is recommended for audiences age 8 and up.
Beth Morrison Projects (BMP) and HERE present the fourth annual PROTOTYPE: Opera/Theatre/Now festival, running today, January 6, through January 17, 2016, in New York City.
New Musicals at 54 is a series presented by Feinstein's/ 54 Below Programming Director Jennifer Ashley Tepper. Some of the 10 new and diverse musicals by a selection of today's most talented writers have had out-of-town productions, some have had workshops… now's your chance to be first to see them in NYC! Join us at New Musicals at 54 for one-night-only concerts celebrating each new show with songs, behind-the-scenes stories, and all-star casts!
Beth Morrison Projects (BMP) and HERE are pleased to announce full casting for the fourth annual PROTOTYPE: Opera/Theatre/Now festival, running January 6-17, 2016, in New York City. Deemed "suddenly indispensable" (New Yorker), this 'bracingly innovative' Festival, founded, directed, and curated by Kristin Marting (of HERE), Beth Morrison (of BMP), and Kim Whitener (of HERE), has quickly become 'a point of reference" in the field (The New York Times) over three astoundingly successful seasons.
National Alliance for Musical Theatre presents the 27th ANNUAL FESTIVAL OF NEW MUSICALS, which takes place today, October 15 and tomorrow, October 16 at New World Stages (340 West 50th Street, between 8th and 9th Avenues).
National Alliance for Musical Theatre has announced final casting for the 27th ANNUAL FESTIVAL OF NEW MUSICALS, which takes place on Thursday, October 15 and Friday, October 16 at New World Stages (340 West 50th Street, between 8th and 9th Avenues).
National Alliance for Musical Theatre has announced additional directors and casting for their 27th ANNUAL FESTIVAL OF NEW MUSICALS. The Festival will take place on Thursday, October 15 and Friday, October 16 at New World Stages (340 West 50th Street, between 8th and 9th Avenues).
The National Alliance for Musical Theatre just announced the preliminary directors and casting for its 27th ANNUAL FESTIVAL OF NEW MUSICALS. The Festival will take place on Thursday, October 15 and Friday, October 16 at New World Stages (340 West 50th Street, between 8th and 9th Avenues).
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske andEthan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
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