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BWW Review: Synetic Theater Brings Back a TWELFTH NIGHT to Remember

Originally earning 11 Helen Hayes nominations and audience acclaim in 2014, Synetic Theater's silent 1920s-style take on TWELFTH NIGHT is re-staged this season - which is not a moment too soon. In a winning blend of quirky vintage comedy and surprising emotional depth, this production manages to reinvent Shakespeare in a way that's so energetic, it could never be called tired.

Photo Flash: Lorna Luft, Mario Cantone, Len Cariou and More Visit CAGNEY Off-Broadway

This week, July 17, marks the 117th birthday of Hollywood legend James Cagney. This very same week, CAGNEY, the new hit musical about James Cagney, plays its 117th performance at The Westside Theatre, upstairs. Among the stars who've recently come out to celebrate Cagney are Mario Cantone (Laugh Whore, 'Sex & the City'), Jerry Dixon (If/Then, Once on this Island), Lorna Luft (Guys & Dolls, Irving Berlin's White Christmas, Grease 2), and Tony Award winner Len Cariou (Sweeney Todd, A Little Night Music). Scroll down for photos!

BWW Review: BEAUTY AND THE BEAST at the Winspear Opera House

The 1991 Disney film Beauty and the Beast is a spectacular work of animated musical storytelling. Belle, a type of feminist in a sense (at least within the context of Disney, especially when compared to Ariel, who taught millions of young girls just two years earlier that it is important to change who you are for a man), is an independent, intelligent, and beautiful young woman who reads and finds pleasure in the pursuit of knowledge. She has found her voice and she demands to be heard. So naturally, the whole town thinks she is crazy. A heroine of this caliber is a lot to live up to in any fairy tale and such a fanciful, witty and heartfelt presentation seems impossible to duplicate, but that's what I expect from a Broadway production. I expect seats that can cost a good $120 to rival the magic created by the brilliant animators working with Disney in the early part of that transitional decade. Unfortunately, the touring Broadway musical produced by NETworks Presentations does not live up to this expectation. In fact it falls quite short of perpetuating the wonder and depth established in the original film. I brought my twin 6-year-old daughters to the show and they loved it. Certainly it was quality enough to entertain a kindergartener, but is that really what Dallas should grow to accept as quality theatrical art. We have a booming and continuously growing art scene and so-called 'Broadway' productions such as this should not be tolerated in our community. Broadway is supposed to be a leader in the creation of quality art, not the preservation of an industry that overcharges audiences, underpays artists, undermines unions, and whose primary mission is not artistic success but financial success.

A Little Bit Off's BELLA CULPA Set for COHO Summerfest

Portland based comedic duo A Little Bit Off has caused quite a stir at North American theater festivals over the last three years with their hit physical comedy show, Beau & Aero. The show has amassed an impressive collection of awards including San Diego Fringe Festivals award for most Outstanding Physical Theater in 2014, and Best of Fest at the 2015 Edmonton Fringe - the largest fringe festival in North America, and has received glowing reviews from the press in California, New Mexico, and across Canada.

CAGNEY to Play 100th Performance Off-Broadway This Month

Cagney, the new hit musical about Hollywood's tough guy in tap shoes,will celebrate its 100th performance on Wednesday afternoon, June 29 at the Westside Theatre, upstairs.  Cagney had its official opening on April 3, 2016 following 21 preview performances.

Planet Connections Theatre Festivity Annouces Full Lineup for 2016

Planet Connections Theatre Festivity, the country's premier socially-conscious, eco-friendly arts festival, is proud to announce its eighth season of plays, musicals & staged readings, with all shows taking place at The Paradise Factory, 64 East 4th St, between 2nd Avenue & Bowery.

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