Manhattan Theatre Club announces the guests for the upcoming Sloan panel discussing Sharr White's THE OTHER PLACE. The panel will focus on the role of science in the play and will feature novelist Stefan Merrill Block, author of The Story of Forgetting; playwright Sharr White; neuroscientist Heather Berlin; and genetic counselor Jill Goldman. The panel will be moderated by NPR's Robert Krulwich. The panel will follow the 2 PM matinee performance on Sunday January 27 at MTC's Samuel J. Friedman Theatre (261 West 47th Street).
Religion and science collide in playwright Catherine Trieschmann's How the World Began, a visceral examination of the way in which we navigate interpersonal relationships involving seemingly irreconcilable beliefs - and just how hard it is to truly listen to one another in an increasingly polarized world. How the World Began runs in the Stiemke Studio from January 16 - February 24, and opens tonight, January 18.
Milwaukee Repertory Theater presents How the World Began, their next production in the Stiemke Studio, and the 2011 Pulitzer Prize- winning Clybourne Park, their next production in the Quadracci Powerhouse. BroadwayWorld has a behind-the-scenes preview video below.
Religion and science collide in playwright Catherine Trieschmann's How the World Began, a visceral examination of the way in which we navigate interpersonal relationships involving seemingly irreconcilable beliefs - and just how hard it is to truly listen to one another in an increasingly polarized world. How the World Began runs in the Stiemke Studio from January 16 - February 24, and opens on Friday, January 18.
Religion and science collide in playwright Catherine Trieschmann's How the World Began, a visceral examination of the way in which we navigate interpersonal relationships involving seemingly irreconcilable beliefs - and just how hard it is to truly listen to one another in an increasingly polarized world. Looking to rebuild her fractured life, high school biology teacher Susan relocates from New York City to a small Kansas town reeling in the aftermath of a devastating tornado. Ready for more than a little culture shock, Susan finds herself unprepared for the firestorm that engulfs the town after she makes an off-hand comment about the origin of the universe. Rep Associate Artistic Director Brent Hazelton, who directed last season's Stackner Cabaret production Song Man Dance Man and wrote and who directed the smash-hit Liberace! the previous season, will direct the play. The production features Rep Associate Artist Deborah Staples and as well as features Ben Charles and Marty Lodge, both making their Rep debuts. How the World Began runs in the Stiemke Studio from January 16 - February 24, and opens on Friday, January 18.
Rehearsals begin this week for the world premiere of Isaac's Eye by Lucas Hnath, directed by Linsay Firman. Isaac's Eye, an Ensemble Studio Theatre/Alfred P. Sloan Project for New Plays on Science and Technology presentation, is the tale of an emotionally immature, 25-year-old Isaac Newton, his drive to become a fellow of The Royal Society and the great scientist Robert Hooke who, in Mr. Hnath's play, is the nemesis standing in his way. Iaaac's Eye begins previews Wednesday, January 30, at 7:00pm for an opening on Saturday, February 9, at 7:00p.m at the Ensemble Studio Theatre, 549 West 52nd Street.
Milwaukee Repertory Theater announced casting today for How the World Began, their next production in the Stiemke Studio, and the 2011 Pulitzer Prize- winning Clybourne Park, their next production in the Quadracci Powerhouse.
The Araca Group has announced a biannual series of new play readings will return for the fifth time for an abbreviated edition today, December 10th and the 13th.
The Araca Group has announced a biannual series of new play readings will return for the fifth time for an abbreviated edition on December 10th & 13th.
The Denver Center Theatre Company (DCTC) has made its final selections for the 8th Annual Colorado New Play Summit. With a stunning representation of today's playwrights, presenting shows covering topics as diverse as the effects of immigration status on assimilation, a modern take on Homer's Odyssey, and a bawdy comedy about a man dragged into a drag act, these plays by some of America's top new writers demonstrate the DCTC's commitment to new works and solidify its position as one of the nation's top tier new play festivals. The Most Deserving by Edgerton New Play Award-winner Catherine Trieschmann, The Legend of Georgia McBride by rising star Matthew Lopez, The Vast In-Between by Chicago Jeff Award-winner Laura Eason, internationally-produced Karen Zacarias' Just Like Us (based on the best-seller by Helen Thorpe), and Black Odyssey by multiple award winning poet/playwright Marcus Gardley, are confirmed for the 2013 Colorado New Play Summit, which will take place in downtown Denver February 8 - 10, 2013.
From the Lark Play Development Center's BareBones® workshop program that supported Katori Hall's THE MOUNTAINTOP, Rajiv Joseph's BENGAL TIGER AT THE BAGHDAD ZOO, and Kristoffer Diaz's WELCOME TO ARROYOS, the Lark announces a BareBones® workshop of THE WAY WEST by Mona Mansour, directed by Linsay Firman. The workshop runs at Lark's BareBones® Studio from November 2 - 11 at 311 West 43rd Street in New York City. Tickets are $10, $12, and $15 and are available at www.larktheatre.org.
From the Lark Play Development Center's BareBones® workshop program that supported Katori Hall's THE MOUNTAINTOP, Rajiv Joseph's BENGAL TIGER AT THE BAGHDAD ZOO, and Kristoffer Diaz's WELCOME TO ARROYOS, the Lark announces a BareBones® workshop of THE WAY WEST by Mona Mansour, directed by Linsay Firman. The workshop runs at Lark's BareBones® Studio from November 2 - 11 at 311 West 43rd Street in New York City. Tickets are $10, $12, and $15 and are available at www.larktheatre.org.
Lynne Meadow (Artistic Director), Barry Grove (Executive Producer), and Mandy Greenfield (Artistic Producer) just announced the 2012 recipients of the Alfred P. Sloan Foundation Initiative commissions for Manhattan Theatre Club. This year's six commissioned writers are April de Angelis (Jumpy), Nick Jones (The Coward), Heidi Schreck (Creature), Melissa Ross (Thinner Than Water), Sarah Treem (A Feminine Ending), and Bess Wohl (Barcelona).
American Blues Theater (ABT), Chicago's second oldest Equity ensemble, kicks off the Ensemble's 27th season with the world premiere of Illegal Use of Hands by Emmy Award-winner, two-time Pulitzer Prize finalist and ABT Artistic Affiliate James Still, directed by Sandy Shinner, tonight, August 31 - September 30 at Victory Gardens' Richard Christiansen Theater, 2433 N. Lincoln Avenue. Press opening for Illegal Use of Hands is Thursday, Sept. 6 at 7 p.m. Tickets range from $10 - $39. Complete ticket information including ticket on-sale date and performance schedule will be announced at a later date.
American Blues Theater (ABT), Chicago's second oldest Equity ensemble, kicks off the Ensemble's 27th season with the world premiere of Illegal Use of Hands by Emmy Award-winner, two-time Pulitzer Prize finalist and ABT Artistic Affiliate James Still, directed by Sandy Shinner, August 31 - September 30 at Victory Gardens' Richard Christiansen Theater, 2433 N. Lincoln Avenue. Press opening for Illegal Use of Hands is Thursday, Sept. 6 at 7 p.m. Tickets range from $10 - $39. Complete ticket information including ticket on-sale date and performance schedule will be announced at a later date.
Women's Project will end its 34th season with an off-Broadway show of epic proportions when seven playwrights, four directors, three producers and five actors collaborate on one world premiere play titled from the famous Ellen Stewart quote We Play for The Gods. We Play for The Gods stars Annie Golden, Amber Gray, Alexandra Henrikson, Irene Sofia Lucio and Erika Rolfsud. It opens tonight, June 11, at 7:30pm for a run through Saturday, June 23, at the Cherry Lane Theatre, 38 Commerce Street.
