Today's spotlight falls upon Blair Allison, who in January was recognized as one of First Night's Top 11 of 2011 Actors We'd Invest In For the Biggest Payoff (If We Had The Money). Tonight she opens in the Tennessee premiere of Spring Awakening, playing Wendla Bergman at Alpine Chateau, February 24 and 25, directed by Robert Allen (and playing opposite Michael Adcock, who stars in today's second installment of The Friday Five). After rolling in the hay as Wendla, Allison will focus on her next onstage assignment: The Ugly Duckling, running March 16-18 in the Belmont Little Theatre.
Sideshow Ensemble is comprised of 12 self-proclaimed theatre 'freaks' that form a proverbial melting pot of emerging Nashville artists. Sideshow, a ten-month training immersion and theatrical cross training program, strengthens the core disciplines and bolster additional skills by providing opportunities for the 'freaks' to train and exhibit skills outside of their current artistic disciplines. The Flu Season will be their first foray into full-scale production together.
Sideshow Ensemble is comprised of 12 self-proclaimed theatre 'freaks' that form a proverbial melting pot of emerging Nashville artists. Sideshow, a ten-month training immersion and theatrical cross training program, strengthens the core disciplines and bolster additional skills by providing opportunities for the 'freaks' to train and exhibit skills outside of their current artistic disciplines. The Flu Season will be their first foray into full-scale production together.
Superbly performed by a cast of eight exceptional student actors in the Belmont University Department of Theatre and Dance, under the direction of Bill Feehely (co-founder of Nashville's acclaimed Actors Bridge Ensemble), Dancing at Lughnasa opens the 2011-2012 season with theater of the highest order, delivering a sumptuously appointed physical production that soars because of the wonderfully nuanced portrayals of the actors.
Darkly comic and deathly serious - with moments of lyrical, poetic power intermingled with the jarring realities of missed opportunities and regret - John Patrick Shanley's Sailor's Song is given an artfully mounted, superbly acted and inspiringly directed production from Actors Bridge Ensemble, continuing through June 12 at Belmont University's Black Box Theatre.
Don Griffiths directs a cast of the region's finest actors in the Nashville premiere of John Patrick Shanley's Sailor's Song, running June 3-12 at Belmont University's Black Box Theatre, as Actors Bridge Ensemble - named First Night's Outstanding Theatre Company for 2010 - continues its 2011 season.
Sarah Ruhl's Eurydice, a magical tale based on the Greek myth of Orpheus and Eurydice, continues Actors Bridge Ensemble's 2010-11 season, running February 18-27 at Belmont University's Troutt Theater. Directed by Jessika Malone, in Ruhl's critically acclaimed play, 'Eurydice is to marry her true love, a misstep sends her to the surreal depths of the Underworld, where she has a surprising reunion and ultimately must decide whether to follow Orpheus back to the land of the living.'
Playwright Sarah Ruhl's Eurydice, her vibrant and provocative re-imagining of the classic Greek myth, is one of the most poignant theatrical treatises on love and loss, grief and redemption, that you're likely to witness. Brought to the stage of Belmont University's Troutt Theatre by the luminously gifted Jessika Malone - through a collaboration between Actors Bridge Ensemble and Belmont's Department of Theatre and Dance - Eurydice is certainly one of the most technically challenging productions we've seen of late on a Nashville stage.
Sarah Ruhl's Eurydice, a magical tale based on the Greek myth of Orpheus and Eurydice, continues Actors Bridge Ensemble's 2010-11 season, running February 18-27 at Belmont University's Troutt Theater.
Sarah Ruhl's Eurydice, a magical tale based on the Greek myth of Orpheus and Eurydice, continues Actors Bridge Ensemble's 2010-11 season, running February 18-27 at Belmont University's Troutt Theater. Directed by Jessika Malone, in Ruhl's critically acclaimed play, 'Eurydice is to marry her true love, a misstep sends her to the surreal depths of the Underworld, where she has a surprising reunion and ultimately must decide whether to follow Orpheus back to the land of the living.'
Sarah Ruhl's Eurydice, a magical tale based on the Greek myth of Orpheus and Eurydice, continues Actors Bridge Ensemble's 2010-11 season, running February 18-27 at Belmont University's Troutt Theater. Directed by Jessika Malone, in Ruhl's critically acclaimed play, 'Eurydice is to marry her true love, a misstep sends her to the surreal depths of the Underworld, where she has a surprising reunion and ultimately must decide whether to follow Orpheus back to the land of the living.'
If theater audiences in Nashville and Middle Tennessee owe a huge debt of gratitude to the directors who helm the year's finest productions, you can only imagine how the actors lucky enough to work with those insightful, creative men and women must be! The Top Ten Directors of 2010 have resumes anyone would be proud to claim as their own and when you consider that they - year after year - excel at what they do, then you cannot help but be impressed by the breadth and depth of their abilities. Frankly, it boggles the mind. These are Nashville's best directors of 2010...
'There are no small parts, only small actors,' goes the old theatrical saw that's tossed about willy-nilly to encourage budding thespians to take on roles they suspect might be beneath them and their lofty stature. But, of course, there's much truth to be found in the axiom and you will certainly see it brought to life in the efforts of the members of many acting ensembles, particularly those considered among the best in Nashville's 2010 theater season:
Nashville theater audiences were treated to a wide range of dramatic offerings in 2010, with the revival of some of the best-known American plays of the past half-century, along with productions of some amazing original works by a group of talented homegrown playwrights, whose subjects ranged from what goes on in the intimate confines of the ladies' room to a murder mystery comedy with a film noir ambience. Clearly, if 2010 is any indication, the new 2011 season now under way is going to be filled with even more surprises and delights.
When eight of Nashville's best-known theater visionaries are lauded for their inspiration, commitment and leadership during the 2010 First Night Nashville Theatre Honors, eleven of the region's brightest young actors also will be recognized for their own theatrical achievements and the promise of much more to come.
When eight of Nashville's best-known theater visionaries are lauded for their inspiration, commitment and leadership during the 2010 First Night Nashville Theatre Honors, eleven of the region's brightest young actors also will be recognized for their own theatrical achievements and the promise of much more to come.
One of this season's most beautifully acted productions, Vincent in Brixton is moving and emotional, funny and evocative. Thanks to Feehely's wealth of experience and his discerning eye, it is a lively affair, completely engaging the audience in the tale being told onstage. By turns immensely entertaining and thoroughly inspiring, Vincent in Brixton is also heart-wrenching in its candor and honesty and the multi-layered performances of Feehely's talented cast only gives the play deeper meaning and resonance.
Wright's play focuses on the time that Vincent Van Gogh spent in London and Brixton in the 1870s - a period before he drew his first sketch and one that changed him completely. The play depicts Van Gogh as a young man, someone full of life yet struggling to find his way and to walk the artist's path. Vincent develops a rapport with a widow twice his age, which blossoms into a full-blown love affair, only to be cruelly curtailed by the arrival of his fiercely puritan younger sister.
Wright's play focuses on the time that Vincent Van Gogh spent in London and Brixton in the 1870s - a period before he drew his first sketch and one that changed him completely. The play depicts Van Gogh as a young man, someone full of life yet struggling to find his way and to walk the artist's path. Vincent develops a rapport with a widow twice his age, which blossoms into a full-blown love affair, only to be cruelly curtailed by the arrival of his fiercely puritan younger sister.
Director Don Griffiths' staging of Miller's now-classic tragedy, with its echoes of the Greek classics, is heart-wrenching, certain to stir up all the emotions one can muster. Beautifully designed and executed, with superb performances from a cast that includes professional actors from Actors Bridge, along with the affecting portrayals of some exceptionally talented Belmont students, the production is completely satisfying on all levels, without even one iota of staginess to mar the proceedings.
