Hillary Clinton has been making headlines for decades, and with the forthcoming 2016 election, her anticipated presidential run has the public more enthralled than ever before. On March 19, 2014, she will be giving the keynote address at the Association of American Publishers meeting in New York. Just in time for the big speech, Lisa Rogak-editor of the newly released Hillary Clinton in Her Own Words-shares some surprising quotes from the book and offers free copies to five lucky winners.
Body Counts is not the story of a victim or even a hero. It's the story of a man at a unique time and place, a man with personal demons and challenges he used to fuel a quite remarkable life.
Few artist-entertainers can claim the success Marvin Hamlisch achieved before he passed away in 2012 at the age of 68. The child prodigy, who was admitted into the Juilliard School at the age of seven, is one of only two people to receive an Emmy, Grammy, Tony, Academy Award and a Pulitzer.
In a second straight night of big music performances, Kanye West and Big Sean dropped in on The Arsenio Hall Show Thursday night for a surprise appearance with Rick Ross performing 'Sanctified."
In a rare late-night appearance, the 'Artist Formerly Known As' stopped by last night's ARSENIO HALL SHOW and performed several songs, including his new tune, 'FunkNRoll,'
The Ruth Page Center for the Arts, 1016 N. Dearborn St., announces that The Alvin Ailey American Dance Theater's Matthew Rushing will teach an Advanced Ballet Master Class as part of Ruth Page's 2014 Guest Artist Master Class Series tonight, March 4 from 6 - 7:30 p.m., to be held in Ruth Page's own facilities.
Noted documentary filmmaker Ken Burns, twice-nominated for the Academy Award and two-time Emmy Award winner, has been selected as the 2014 recipient of the Forrest Church Award.
For the second night in a row, THE ARSENIO HALL SHOW audience was surprised -- via unexpected messenger -- with the announcement that Prince will take over the late-night show as the one and only guest on Wednesday, March 5.
As same-sex marriages soon overtake churches and government halls in England and Wales, so too will British culture invade The Saban Theatre (8440 Wilshire Boulevard) in Beverly Hills as Gay Men's Chorus of Los Angeles (GMCLA) presents 'God Save the Queen(s),' the second show of the Chorus's 35th season, on Saturday March 29, 2014 at 8 p.m. and Sunday March 30, 2014 at 3 p.m.
The Ruth Page Center for the Arts, 1016 N. Dearborn St., announces that The Alvin Ailey American Dance Theater's Matthew Rushing will teach an Advanced Ballet Master Class as part of Ruth Page's 2014 Guest Artist Master Class Series on March 4 from 6 - 7:30 p.m., to be held in Ruth Page's own facilities. The class will be available at a first-come, first-serve drop-in basis and will be offered for $20 to the general public and $15 for industry professionals and college students. Please note that Ruth Page Class Cards and packages are not applicable to Master Classes. For more information, please call (312) 337-6543 or visit www.ruthpage.org. The Alvin Ailey American Dance Theater performs Feb. 28 - March 9 at the Auditorium Theatre. For information/tickets please visit www.auditoriumtheatre.org.
TAMPA, FL - Berny Dohrmann argues in his new book, 'Redemption: The Cooperation Revolution,' (www.ceospaceinternational.com), that human well-being across the planet could be much improved if we decided to cooperate, rather than compete, with each other.
The 2014 New York Musical Theatre Festival (NYMF) today announced the Next Link Project musical selections. The 10 musicals were announced as part of the 11th edition of the Festival, which will take place from July 7 to July 27 at locations around midtown Manhattan in New York City, including The Pershing Square Signature Center (480 West 42nd Street).
The fiftieth anniversary of John Kennedy's assassination last November turned up an avalanche of books seeking to present new angles or re-hash old ones. Larry Sabato's The Kennedy Half-Century does a bit of both.
Those who read Kennedy literature basically break down in three camps: obsessives (about the presidency, the assassination or both), neophytes (looking to get a handle on the basics) and tweeners (interested and reasonably astute about those basics but not on the verge of giving up their day jobs to learn more). I count myself a member of the third category. While I can't speak for how it would strike those who are a great deal more knowledgeable about the subject, for me, this was an easy and reasonably rewarding read.
The book is broken down into three parts: Kennedy's life and presidency; his assassination; and his legacy.
I'm not sure much new could be said on the first two matters and, for the most part–excepting a few tidbits on the assassination that amount to debunking-of-previous-debunkings-of-previous-debunkings and so on–Sabato makes no real attempt to give any substantially new perspectives or draw any rare conclusions. However, within the bounds of what he clearly did set out to do–i.e., give a summation of those aspects of Kennedy's life and death that would hold the attention of the general interest reader and provide an easy-access overview for at least some newcomers–he delivers very nicely.
The really interesting and, I think, valuable part of the book is the last: a long and fairly detailed look at the effect Kennedy's legacy has had on his nine successors.
This is still relatively fertile ground and, here, Sabato does come to some surprising conclusions and offers solid evidence to back his thesis. If you want to know why and how a conservative Republican like Ronald Reagan was able to channel Kennedy's aura and style more effectively than Lyndon Johnson (who was Kennedy's own vice-president), then this is a good primer on the subject. Same if you want to know how a good-old-boy policy wonk like Bill Clinton could effectively utilize the Kennedy brand–both as campaign style and governing substance–without having much of JFK's rhetorical wit (Kennedy was not exactly long-winded) or having overly warm relations with Senator Ted Kennedy, who was long-established as the family patriarch by the time Clinton reached the presidency.
In addition, Sabato does a fine job of treading on some tricky ground regarding the “real” JFK who actually governed the country for two and half years, and the mythical JFK, whose shadow hung over subsequent issues from Viet Nam to Civil Rights to the Space Program to the basic arguments over the tax code. Turns out, virtually every president since 1963 has tried in some form or fashion to use the aura of the Kennedy mythology–and, in some cases, the assassination mythology as well–to advance his agenda. While some have been far better at it than others, Sabato makes it clear that none have turned down the opportunity to exploit the legacy when the opportunity arose.
The books final third really turns on personalities then, but it avoids most of the common traps. I don't think there is anything here that strains credibility and that's a relief. The tendency to over-reach is all but endemic in the approach Sabato chooses, but–based on interviews I've seen with him and on the even more compelling evidence of the book itself–he seems to be inclined to stick to the facts. For instance, although Sabato seems to side with elite political and historical opinion which consistently tells us that the Bay of Pigs invasion was an unmitigated disaster, he also reminds us that the poll taken immediately after the event gave Kennedy's performance an eighty percent approval rating. It might seem a small thing, but plenty of historians would choose to leave out a little remembered fact that raises questions about their own conclusions. It's to the author's credit that he provides this kind of exemplary even-handedness throughout.
The happy result is a book where Kennedy's real accomplishments are acknowledged, as are the (mostly successful and highly self-conscious) efforts at hagiography carried on by his surviving family (especially his widow) and many of the political allies who served under him.
By the same token, Kennedy's almost incredibly reckless personal behavior is explained without being either rationalized away or reduced to the usual morality lessons. Sabato eschews peep-show licentiousness as deftly as he avoids preaching. I didn't come away thinking either Kennedy's sexual peccadilloes or his often seedy political tactics (this book does not shy away from reminding us that the main difference between Nixon's operatives and Kennedy's where dirty tricks were concerned in the 1960 campaign was that the Kennedy ops were better at it) were less than unsavory–frankly, the man was no saint.
But I didn't feel like taking a bath either. Frankly, the man was a pretty effective president for all his faults and–even more frankly–we're all sinners.
It's a rare Kennedy book that doesn't make me feel like I'm being snowed just a little so I especially appreciated this book's lack of agendas. In Sabato's hands a simple recitation of the facts makes for a good read. I think it's safe to say that most people will find it satisfying–just so long as they aren't after feeding an obsession!
Legendary comedic writer Bruce Vilanch is a last minute addition to this year's North Carolina Comedy Arts Festival. He is set to share 60 minutes of comedic stories on the Arts Center Mainstage at 9:30 p.m. tonight, February 12. Tickets cost $16 in advance and $20 at the door. The Arts Center is located at 300-G East Main St. Tickets and more information can be found at www.nccomedyarts.com.
'Justified' actor Michael Rapaport stopped by last night's THE ARSENIO HALL SHOW and revealed a fun fact about the late-night host that few people knew
Grammy and Emmy Award-winning musical legend Tony Bennett will bring his vocal artistry to Hartford at The Bushnell's Mortensen Hall for one performance only on May 30.
