The Group Rep presents Broadway's hit thriller WAIT UNTIL DARK by Frederick Knott, directed by David Colwell, produced by Richard Alan Woody. The play clsoes Sunday, May 8 at the Lonny Chapman Theatre in the NoHo Arts District of North Hollywood.
Frederick Knott's psychological thriller Wait Until Dark first premiered on Broadway in 1966 with Lee Remick in the title role and was later turned into a film with Audrey Hepburn. As I watched the play opening night at Group rep, I couldn't help but wonder how much better the play might be if the whole first scene with the conmen were eliminated completely. So much exposition with setting up the scheme is draggy, tedious. If audience were to learn about what is happening through Susy Hendrix (Liza de Weerd) at the same time she's figuring it out, the play might be ultimately more gripping. Not that it isn't already suspenseful! As is it's the non-seeing central character and her ultra-sensory world that engage and her solitary dilemma from moment to moment that keeps us on the edge of our seats. Above all, Miss de Weerd's sensational commitment under David Colwell's taut direction makes it all the more fascinating to experience.
The Group Rep presents Broadway's hit thriller WAIT UNTIL DARK by Frederick Knott, directed by David Colwell, produced by Richard Alan Woody. The play runs Friday, April 1 through Sunday, May 8; Fridays and Saturdays at 8pm, Sundays at 2pm, at the Lonny Chapman Theatre in the NoHo Arts District of North Hollywood.
The Group Rep presents Broadway's hit thriller WAIT UNTIL DARK by Frederick Knott, directed by David Colwell, produced by Richard Alan Woody. The play runs Friday, April 1 through Sunday, May 8; Fridays and Saturdays at 8pm, Sundays at 2pm, at the Lonny Chapman Theatre in the NoHo Arts District of North Hollywood.
In his lovely script The Trip to Bountiful Horton Foote engages our attention with his keen appraisal that 'The world can't be bought'. Believing the best things in life are free - well, almost..., elderly Carrie Watts (Gwen Van Dam) proves just how healing a return to one's roots, however brief, may be. Group rep utilizes a fine cast, achieving an overall excellent representation of Foote's rarely seen work.