What you can't see can hurt you. Emmy winner Elisabeth Moss (Us, Hulu's The Handmaid's Tale) stars in a terrifying modern tale of obsession inspired by Universal's classic monster character.
Electrick Village brings technology to VAULT Festival, creating an all-encompassing 360 adventure that - quite literally - transports the audience to another dimension. Met by a chirpy staff member and the creator of RawTransport - a a?oetop of the line travel companya?? - they explore the trappings of escapism and the dangers of Virtual Reality.
What you can't see can hurt you. Emmy winner Elisabeth Moss (Us, Hulu's The Handmaid's Tale) stars in The Invisible Man, a terrifying modern tale of obsession inspired by Universal's classic monster character.
What you can't see can hurt you. Emmy winner Elisabeth Moss (Us, Hulu's The Handmaid's Tale) stars in The Invisible Man, a terrifying modern tale of obsession inspired by Universal's classic monster character.
Jesse Jones directs James Newton and James Day in Jemma Kennedy's visceral adaptation of Sally Gardner's dazzlingly original and award-winning novel, Maggot Moon, an unforgettable story of courage, friendship and rebellion.
Jesse Jones directs James Newton and James Day in Jemma Kennedy's visceral adaptation of Sally Gardner's dazzlingly original and award-winning novel, Maggot Moon, an unforgettable story of courage, friendship and rebellion.
Acclaimed theatre company The Wardrobe Ensemble, in co-production with Royal & Derngate, Northampton and Shoreditch Town Hall, will bring the The Scotsman Fringe First Award and The Stage Edinburgh Award winning, smash-hit production Education, Education, Education to London's West End this summer.
This September, the multi award-winning Tasmania Aboriginal festival hit, The Season by Nathan Maynard, is heading to Riverside Theatres followed by the Seymour Centre as part of its national tour. Sharp as a tack and blunt as a brick, The Season is a funny, charming and real portrait of Tasmanian Aboriginal culture.
Casting has been confirmed for Selladoor and The Marlow Theatre's production of John Steinbeck's Of Mice and Men. Taking to the stage when the show arrives at Theatre Glasgow, Monday 26 Feb - Saturday 3 March for its only Scottish date on the tour will be: Richard Keightley (The Mousetrap, St Martin's Theatre) stars as George alongside Matthew Wynn (Hamlet, The Almeida; Measure for Measure, Young Vic) as Lennie, they will be joined on stage by Andrew Boyer (Candy), Cameron Robertson (Slim), Darren Bancroft (Carlson), Kevin Mathurin (Crooks), Harry Egan (Whit), Kamran Darabi Ford (Curley) ,Rosemary Boyle (Curley's Wife), and Robert Ashe (The Boss).
St. Ann's Warehouse launches into its ambitious international 2017-18 Season, the third in its waterfront theater in Brooklyn Bridge Park, with highlights that exemplify the institution's role as a home for major new works from singular international companies and American avant-garde masters.
ABC TV and SundanceTV today announced that a second season of Cleverman, the epic genre drama, will go into production in Australia later this year.
With production set in Sydney, “Cleverman” (6 x 1 hour) is an epic new genre drama produced by Goalpost Pictures Australia and New Zealand's Pukeko Pictures for ABC TV Australia in co-production with SundanceTV and Red Arrow International.
For one special night on Saturday 22 August, Arts Centre Melbourne will host is first ever sleepover for children aged 8-11 and their families. The award-winning Arena Theatre Company has created a night full of adventure where children are invited to explore parts of the theatre that nobody ever sees.
Leading up to this year's film festival, which takes place from February 27th to March 2nd, the San Francisco International Ocean Film Festival is holding two special of events.
The winners of the 2011 Green Room Awards were announced this weekend. You can see the full list of winners below, including awards presented to LOVE NEVER DIES, ROCK OF AGES, and BODY OF WORK.
I'm a completely unabashed fan of George Romero's 1968 classic film NIGHT OF THE LIVING DEAD. I first saw it a midnight screening and was floored by it's raw cinematic energy and black and white gore. It was one of the first films I owned on video tape during the video revolution, and it was widely available since the title had slipped into the public domain. When the official Romero-approved version hit DVD I picked that up as well, and I even have a copy of the film on my iPod. So, I was pleased that a group actually did the smart thing and decided to stage a presentation during the Halloween season. It's too bad that Marble Stage had to battle the surging St. Louis Cardinals and their phenomenal and improbable World Series run for an audience. It's also too bad that their production wasn't more tightly executed.
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