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CBS All Access Announces Three New Original Series

CBS All Access, the CBS Television Network's digital subscription video on-demand and live streaming service, today announced three new additions to its original programming slate: STRANGE ANGEL, NO ACTIVITY and $1.

Tickets for Shenan Arts SEUSSICAL Now On Sale

Seussical is a fantastical, magical, musical extravaganza! All of our favorite Dr. Seuss characters are lovingly brought to life, including Horton the Elephant, The Cat in the Hat, Gertrude McFuzz, lazy Mayzie and a little boy with a big imagination ? JoJo. The colorful characters transport us from the Jungle of Nool to the Circus McGurkus and to the invisible world of the Whos.

ANGELS IN AMERICA Returns to Melbourne this September

For the first time since its Australian premiere in 1994, Melbourne audiences will have the chance to experience the full magnitude of Tony Kushner's ground-breaking masterpiece Angels in America.

BWW Review: American Ballet Theatre's SWAN LAKE is a Swimming Success

If ever someone were to look up “classical ballet” in the dictionary, an image captured from Swan Lake would certainly accompany its definition, thanks to its timeless grace and poise. On Wednesday June 14, 2017, American Ballet Theatre more than lived up to Swan Lake's storied reputation, as the company danced with both precision and pixie dust to create lyrical beauty that echoed Tchaikovsky's magical score.

Abe Koogler's FULFILLMENT CENTER World Premiere Bows Tonight Off-Broadway

Manhattan Theatre Club's world premiere of Fulfillment Center, the new play by Abe Koogler (Kill Floor), directed by Daniel Aukin (Fool For Love at MTC), opens tonight, June 20, at The Studio at Stage II - Harold and Mimi Steinberg New Play Series at New York City Center - Stage II (131 West 55th Street).

BWW REVIEW: American Ballet Theatre's LE CORSAIRE

Petipa, who of the three choreographers listed in the program has the most influence on American Ballet Theatre's Le Corsaire, knows how to create a dramatic excuse for dance. With a few notable exceptions, 'Giselle' and 'Romeo and Juliet' come instantly to my mind, declarative dance which spends twenty minutes to hammer out an 'I love you' through pirouettes can be draining and leave the audience thinking 'Just spit it out.' Petipa, clearly seeing this dramatic shortcoming, forms his ballets around vast pageants, processionals, and presentations. The Black Swan seduces by exhibition at a banquet, the last glorious act of The Sleeping Beauty is a virtually plotless celebration, and practically the entire Nutcracker is a series of vignettes formed around a presentation. Le Corsaire is no different. The first act features the presentation of several ballerinas. The second act is centered around the principal dancers performing to 'entertain the group'. Then, in act three, a pasha spends a lengthy amount of time in a dream sequence which features, what else, women and flowers. Superficially, this all works wonderfully and the dancers shamelessly take this opportunity to exploit their most acrobatic technique. The piece's issues begin upon the introduction of the words 'slave girls.'

Melbourne Theatre Company and Queensland Theatre Present NOISES OFF

Following a hugely popular Brisbane season, Melbourne Theatre Company and Queensland Theatre's co-production of Noises Off will ignite even the chilliest of winter days and have audiences in stitches when it opens on Wednesday 12 July at Arts Centre Melbourne, Playhouse.

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