Arthur Sullivan News

Jonathan Church's world premiere production of Taken At Midnight, a new play by Mark Hayhurst, will run at the Theatre Royal Haymarket for a limited season previewing from January 15th. Returning to the West End after a five-year absence, Penelope Wilton reprises her role as Irmgard in this production which is currently enjoying a sold-out season in Chichester.

Theater at Monmouth's 45th season continues with the opening of Gilbert and Sullivan's comic opera, The Sorcerer tonight, September 18 at 7:30 p.m. Bursting with wit, charm, and fantasy, The Sorcerer blends social satire with lighthearted comedy making it a 'neglected gem' of the Gilbert & Sullivan repertoire.

Ross Valley Players have announced their 2014 - 2015 season which celebrates their 85th consecutive year.

Theater at Monmouth's 45th season continues with the opening of Gilbert and Sullivan's comic opera, The Sorcerer on Friday, September 18 at 7:30 p.m. Bursting with wit, charm, and fantasy, The Sorcerer blends social satire with lighthearted comedy making it a 'neglected gem' of the Gilbert & Sullivan repertoire.

A season of new plays exploring little-known true stories continues at Chichester with a drama featuring acclaimed actress Penelope Wilton. She plays Irmgard, the mother of celebrated lawyer Hans Litten who puts Hitler on the witness stand in 1930s Germany with devastating consequences.

Ross Valley Players have announced their 2014 - 2015 season which celebrates their 85th consecutive year.

The heart of the operetta's appeal is the sublime silliness of its premise: pirates from the era of sail plundering Victorian steamships. It just never gets stale. And binding it all together is Sullivan's music. utside the sphere of grand opera, Sullivan has no equals on the stage except possibly Gershwin and Bernstein.

Back in April, I had the pleasure of reviewing A GENTLEMAN'S GUIDE TO LOVE AND MURDER (Original Broadway Cast Recording). My initial thoughts were that the recording was witty and intriguing, but without the context of the show I couldn't really connect with it. Conversely, I got to see a recent performance of the Tony Award winning comedic musical. Upon revisiting the album, I can't shake most of the deliciously clever songs.

A hilarious musical adaptation of a Gilbert and Sullivan comic opera, a return engagement of a popular Imagine U family production and a National Theatre Live broadcast of a classic Shakespeare tragedy are highlights of Northwestern University's SummerStage 2014 season.

Charles Court Opera presents PATIENCE, or Bunthorne's Bride, by W.S. Gilbert and Arthur Sullivan. Directed by John Savournin with Musical Direction by David Eaton, the show features designs by Simon Bejer and lighting by Nic Holdridge.

Following the critically acclaimed sell-out concert, Ivor Novello - The Great British Musical, award-winning Musical Director Ross Leadbeater (formally of Only Men Aloud) returns to the London Hippodrome on Saturday 1st June at 7pm with a new cabaret-concert celebrating the best of The Great British Musicals.

Charles Court Opera presents PATIENCE, or Bunthorne's Bride, by W.S. Gilbert and Arthur Sullivan. Directed by John Savournin with Musical Direction by David Eaton, the show features designs by Simon Bejer and lighting by Nic Holdridge.

A Gilbert and Sullivan classic, first produced at the Savoy Theatre in 1884, Princess Ida is a humorous medieval-themed romp that addresses the topsy-turvy philosophies of gender roles, relationships, women's liberation, and of course, love.

The Hypocrites are pleased to announce their 2014-15 Season, beginning in August 2014 with the world premiere of ALL OUR TRAGIC, an unparalleled twelve-hour theatrical adaptation that combines all 32 surviving Greek tragedies into a single epic narrative, adapted and directed by Founding Artistic Director Sean Graney*. Audiences may experience ALL OUR TRAGIC at a single twelve-hour marathon performance (with ample breaks for food and beverage) or through shorter installments spread over multiple weekends.

The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus and Managing Director William Russo, has announced its 2014/15 Season.

Jennifer Bowles will play the title role opposite Rob McClure in New York City Center Encores! production of Irma La Douce, running for seven performances,May 7 - 11, 2014. The final production of the 2014 Encores! season will also feature Sam Bolen, Allan Corduner, Ben Crawford, Stephen DeRosa, Ken Krugman, Zachary James and Chris Sullivan. Irma La Douce will be directed by John Doyle and choreographed by Chase Brock, with music direction by Rob Berman.

The British are coming to Monmouth for Theater at Monmouth's 45th season. The British Invasion, running from June 28 through September 28, 2014, features a line-up of plays from England's greatest playwrights.

The John F. Kennedy Center for the Performing Arts today announced national awardees of the Kennedy Center American College Theater Festival. Individuals from across the United States are recognized for outstanding work from the eight regional festivals that were held January 7 through March 1, 2014. Selected awardees and representatives will be brought to Washington, D.C. for an expense-paid trip to participate in the 46th annual Kennedy Center American College Theater Festival (KCACTF), April 14-19, 2014.

Today in 1981, Joe Papp's revival of THe Pirates of Penzance opened at the Uris Theatre, where it ran for 787 performances. The Pirates of Penzance is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera's official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where the show was well received by both audiences and critics. Pirates was the fifth Gilbert and Sullivan collaboration and introduced the much-parodied Major-General's Song.

What fun are the action filled battle scenes with their epic swashbuckling and wonderfully choreographed crew of strong men making their way across the stage to proudly proclaim their identities as pirates; with what grace do the dainty young ladies flit about and admire those same pirates who come and take them away with promises of marriage, almost too fantastical a concept to ever really work. How wonderful it is to watch two lovers remain together through the difficulties of a leap year birthday. Simply put, the New York Gilbert and Sullivan Players' production of the infamous The Pirates of Penzance is one of the most remarkable shows a theatergoer will see before the near year rolls in.