Continuing its commitment to bringing free Shakespeare to the community and strengthening audience engagement with the arts, The Public Theater will mount its MOBILE UNIT again this spring with a free three-week tour to the five boroughs of Shakespeare's TWELFTH NIGHT, directed by Saheem Ali.
Michele Selene Ang, Enid Graham, Lizbeth MacKay, Crystal Lucas-Perry, and Ruibo Qian will comprise the cast of the LCT3/Lincoln Center Theater production of BULL IN A CHINA SHOP, a new play by Bryna Turner, to be directed by Lee Sunday Evans. BULL IN A CHINA SHOP will begin performances Today evening, February 11, open on Wednesday, March 1, and run for six weeks only through Sunday, March 26 at the Claire Tow Theater (150 West 65 Street). BroadwayWorld has a sneak peek at the company in rehearsal below!
Michele Selene Ang, Enid Graham, Lizbeth MacKay, Crystal Lucas-Perry, and Ruibo Qian will comprise the cast of the LCT3/Lincoln Center Theater production of BULL IN A CHINA SHOP, a new play by Bryna Turner, to be directed by Lee Sunday Evans. BULL IN A CHINA SHOP will begin performances Saturday evening, February 11, open on Wednesday, March 1, and run for six weeks only through Sunday, March 26 at the Claire Tow Theater (150 West 65 Street). BroadwayWorld has a sneak peek at the company in rehearsal below!
Michele Selene Ang, Enid Graham, Lizbeth Mackay, Crystal Lucas-Perry, and Ruibo Qian will comprise the cast of the LCT3/Lincoln Center Theater production of BULL IN A CHINA SHOP, a new play by Bryna Turner, to be directed by Lee Sunday Evans. BULL IN A CHINA SHOP will begin performancesSaturday evening, February 11, open on Wednesday, March 1, and run for six weeks only through Sunday, March 26 at the Claire Tow Theater (150 West 65 Street).
Roundabout Theatre Company will conclude the world-premiere production of Jenny Rachel Weiner's Kingdom Come, directed by Kip Fagan, on Sunday, December 18. The cast features Crystal Finn (Layne), Carmen M. Herlihy (Samantha Carlin), Alex Hernandez (Dominick Aquendo), Socorro Santiago (Delores Aquendo) and Stephanie Styles (Suz) as part of Roundabout's 50th Anniversary season.
Kingdom Come by Jenny Rachel Weiner, the first new play of Roundabout Underground's newly expanded 2016-2017 season officially opens tonight, November 2, 2016 at the Black Box Theatre in the Harold and Miriam Steinberg Center for Theatre (111 West 46th Street).
New Georges will kick off their 25th anniversary season in collaboration with The Sol Project to present the World Premiere of ALLIGATOR, written by Hilary Bettis (The Americans on FX) and directed by Elena Araoz (Dipika Guha's Mechanics of Love with To-By-For Productions; Hook & Eye's She-She in the Ice Factory Festival).
Four theater artists will be honored by the Henry Hewes Design Awards Committee during the presentation of its 2016 Awards in a luncheon ceremony to be held November 7, 2016.
Roundabout Theatre Company's first new play of Roundabout Underground's newly expanded 2016-2017 season, Kingdom Come, is currently in previews and will open officially on Wednesday, November 2, 2016at the Black Box Theatre in the Harold and Miriam Steinberg Center for Theatre (111 West 46th Street). This is a limited engagement through Sunday, December 18, 2016. BroadwayWorld has a first look at the cast in action below!
A friendly reminder! Roundabout Theatre Company's first new play of Roundabout Underground's newly expanded 2016-2017 season begins tomorrow, October 7.
Lincoln Center Theater has announced two new productions for its 2016-2017 season: HOW TO TRANSCEND A HAPPY MARRIAGE, a new play by Sarah Ruhl, and an LCT3 production of BULL IN A CHINA SHOP, a new play by Bryna Turner.
Rehearsals begin tomorrow, Tuesday, September 13, for the world-premiere production of Kingdom Come by Jenny Rachel Weiner, directed by Kip Fagan, as part of Roundabout's 50th Anniversary Season.
In response to popular demand, The Play Company (PlayCo), led by Founding Producer Kate Loewald and Interim Managing Director, Robert G. Bradshaw, extends the New York premiere of Christopher Chen's Caught to September 24, the final production in the company's 15th Anniversary Season
The Play Company (PlayCo), led by Founding Producer Kate Loewald and Executive Producer Lauren Weigel, presents the New York premiere of Christopher Chen's Caught (August 17-September 17), the final production in the company's 15th Anniversary Season.
MEN ON BOATS, the critically-acclaimed comedy which premiered at Clubbed Thumb's 2015 Summerworks Festival, returns this summer in a co-production by Clubbed Thumb and Playwrights Horizons. Written by Jaclyn Backhaus and directed by American Theater Company Artistic Director Will Davis, MEN ON BOATS moves uptown to Playwrights Horizons' Peter Jay Sharp Theater (416 West 42nd Street) for a four-week limited engagement now through Sunday, August 14. The show celebrated its opening last night, August 1, and BroadwayWorld has photos from the festivities below!
Roundabout Theatre Company (Todd Haimes, Artistic Director) has just announced the cast for the first new play of Roundabout Underground's newly expanded 2016-2017 season. The world-premiere production of Kingdom Come by Jenny Rachel Weiner will be directed by Kip Fagan, as part of Roundabout's 50th Anniversary Season, and will feature Brooke Bloom (Layne), Carmen M. Herlihy (Samantha Carlin), Alex Hernandez (Dominick Aquendo), Socorro Santiago (Delores Aquendo) and Stephanie Styles (Suz).
The Play Company (PlayCo), led by Founding Producer Kate Loewald and Executive Producer Lauren Weigel, is pleased present the New York premiere of Christopher Chen's Caught (August 17-September 17), the final production in the company's 15th Anniversary Season.
At the Connelly Theater (220 E. 4th St.), Soho Rep. welcomes the return of legendary entertainer Jomama Jones in the world premiere of Duat by Daniel Alexander Jones, running October 11-November 6. Five years ago, New York audiences and critics alike swooned over the Soho Rep. production of Jones's Radiate. David Rooney in his New York Times Critics' Pick review declared, 'Radiate glows, making it hard not to surrender to this sequin-encrusted earth mother's soulful embrace.' Hilton Als in The New Yorker said, 'What we learn from Jomama's very particular radiance is this: you don't have to reduce the musical form to a musical just to make it more digestible. If you make a good, less reductive, and more grownup show, the people will come.'